Gypsy Smith, is a gunfighter and a bounty hunter. When he leads the US army into a Cheyenne camp to capture a suspected Indian renegade, a long train of events begins that finally lead to ... See full summary »
Three years after his divorce from his model-wife is the psychologist Larry Livingstone ready for a new commitment. He falls in love with the young widow Beth who has two children. But Beth... See full summary »
Ben Archer is not happy. His mother, Sandy, has just met a man, and it looks like things are pretty serious. Driven by a fear of abandonment, Ben tries anything and everything to ruin the "... See full summary »
Jonathan Taylor Thomas
On the 19th of May 1983 Diane Downs stops at the McKenzie-Williamette-Hospital and cries for help. She is wounded on her arm and her three children are also wounded seriously. She says that... See full summary »
Government agent Frank Powell (Beau Bridges) is determined to bring down racketeering crime lord Oliver Sully (Harold Gould) but cannot find any evidence. Powell concocts a plan to have the... See full summary »
Tracy Thurman was married to a man who abused her. But he continues to harass her after she gets a restraining order, and the police do little to help. When he brutally beats her and ... See full summary »
One of the last in a string of exceptional TV movies from Farrah Fawcett...
Ross MacDonald detective yarn becomes above-average TV-made vehicle for Farrah Fawcett, playing lawyer from the Los Angeles Public Defenders office who is assigned an assembly-line case of a naive nurse arrested for trafficking stolen goods that quickly turns into a complicated web of murder, kidnapping, and another out of work actor in Hollywood gone wrong. Modern-day pulp amusingly retains all the standard noir clichés (saxophones on the soundtrack, stern yet wistful voice-over at the beginning and end, a glove compartment full of old parking tickets, et al.). Fawcett is appealingly tough yet personable in the lead; A Martinez, as a cop who helps Farrah solve the case, is appropriately hunky but questionable as a credible love-interest (scowling throughout, he's more dangerous-seeming than romantic); Cliff DeYoung, never a strong actor, does all right as a judge. The film has some puzzling red herrings, an overly-complicated second-half--with too many fishy characters--yet the L.A. locations are well-captured, the direction tight, and the gritty script has some sharp dialogue.
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