4.8/10
17,642
85 user 42 critic

Cool World (1992)

A comic strip femme fatale seeks to seduce her cartoonist creator in order to cross over into the real world.

Director:

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Cast

Cast overview, first billed only:
...
...
...
...
...
Janni Brenn ...
Agatha Rose Harris (as Janni Brenn-Lowen)
William Frankfather ...
Cop
...
Cop
...
Interrogator #2 / Mash / drunken bar patron / Dr. Vincent "Vegas Vinnie" Whiskers / Jack Deebs (super hero version) (voice)
...
Interrogator #1 / Slash / Holli's door (voice)
...
Sparks (voice)
Carrie Hamilton ...
Comic Bookstore Cashier
Stephen Worth ...
Bash (performance model) / Comic Store Patron
Murray Podwal ...
Store Patron
Jenine Jennings ...
Holli Would / Lonette (performance model) / Craps Bunny (voice)
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Storyline

When cartoonist Jack Deebs was behind bars, he found escape by creating "Cool World", a cartoon series featuring a voluptuous femme fatale named Holli Would. But the cartoonist becomes a prisoner of his own fantasies when Holli transports Jack into Cool World with a scheme to seduce him and bring herself to life. A hard-boiled detective--the only other human in Cool World--cautions Jack with the law: Noids (humans) don't have sex with doodles (cartoons). However, the flesh proves weaker than ink as Holli takes human form in Las Vegas, staring in a trans-universal chase that threatens the destruction of both worlds. With a splashy combination of animation and live-action sequences, "Cool World" delivers the hottest action around. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Taglines:

Holli Would if she could ...and she will See more »


Motion Picture Rating (MPAA)

Rated PG-13 for language and sensuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 July 1992 (USA)  »

Also Known As:

Cool world  »

Filming Locations:


Box Office

Budget:

$30,000,000 (estimated)

Gross:

$14,110,600 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (workprint)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Ralph Bakshi was almost fired and sued by Frank Mancuso Jr. for punching him in the nose after he told him this film was being changed. See more »

Goofs

When Jack and Holli are about to have sex, Jack can be heard moaning. But in an up-close shot where Holli gets on top of him, his mouth doesn't move at all. See more »

Quotes

Frank Harris: A little late for a lady to be out on the streets, don't you think? I've got a couple of questions for you, miss.
Lonette: Oh, come on, officer. Let it slide, would you? I'm tired.
Frank Harris: Word is you have a thing for noids.
Lonette: Yeah, I've got a thing for noids, but what's it to you, tough guy?
Frank Harris: Baby, you don't know how tough it is.
Lonette: You're late.
Frank Harris: Ah, you're killing me. Why are you so beautiful?
See more »

Connections

Spoofs Fantasia (1940) See more »

Soundtracks

Real Cool World
Written and Performed by David Bowie
Produced by Nile Rodgers
See more »

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User Reviews

 
A film that no one really "gets"
11 November 2013 | by (North America) – See all my reviews

In the highly specialized world of liveaction-cartoon mixes (a category which actually has over 100 entries to date!) this high-octane treat is, depending on your POV, either one of the best or one of worst. Although I usually try, in my IMDb reviews, not to go head to head with other reviewers, in this case I want to draw the reader's attention to the earlier review posted here which insisted, absolutely and without wavering, that this was simply a ripoff of Roger Rabbit. THAT is a wonderful real-time example of why no one really gets this film. Let's compare and contrast, shall we? On the one hand, in WKRR, you have one of the most tightly controlled Hollywood productions of all time, with none other than Robert Zemeckis, an A-lister, at the helm. The buzzword here, folks, is control. We may never know all the details of what happened during the shooting of WKRR -- one of my favourites, by the way -- but from history, we can safely draw two reliable conclusions. First, an excellent film resulted. Second, regardless of the first conclusion, no one in Hollywood was particularly interested in doing a sequel, and this is a town where, if someone's wedding footage looks especially promising, at least two agents will immediately start discussing "sequel." Which brings back to COOL WORLD. While I could list dozens of obvious "differences" between the two productions, I will list only one, and then rest my case. Bakshi. I say again, in case anyone missed it. Bakshi. The core difference between Zemeckis at the helm, and Bakshi, is that you hire the former, you unleash the latter. Honestly, you have to wonder if any of the suits had ever seen FRITZ before they greenlighted this deal? I totally love COOL WORLD, but I love it for the completely opposite reasons I love WKRR. ROGER RABBIT is a refined and polished production. COOL WORLD is insane. It should be shown in theatres with rubber walls. The core story is insane (no spoilers -- but Bassinger does something no actress has done before or since, she sells "sexy" both in her live and animated versions) and the animation is so intense that it should come with a warning about operating heavy machinery after you see it. Look, folks, Bakshi is the real deal, a creative genius who never seeks results, only possibilities. If you are fortunate enough to see this film more than once, and really watch the animation taking place in the corners of the frame -- not in the foreground! -- you will see things taking place you may wish you had never seen. And this tradition is not new, by the way. Around the WW2 period, the animators at Warner, to relieve tension, starting sticking odd cells in mainstream toons, and many were never discovered until much later. (In the 60s a smart entrepreneur did a tour with reels of the "banned" Bugs Bunny cartoons!) I said that critics either loved or hated COOL WORLD. I loved it. I think it will stand the test of time.


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