In a forgotten Mexico Tita and Pedro fall in love, but are forbidden to marry. Mama Elena sees Tita's role as her caretaker for life - no youngest daughter has ever married and her daughter...
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Mexico, 1955. A beautiful and popular movie star, Miroslava Sternova (Dombasle) is depressed tonight. Sad memories fill her mind: her childhood in the pre-war Prague, one failed marriage, ... See full summary »
Yuppie and womanizer Tomas is caught in a trap when falsely diagnosed with A.I.D.S. by Silvia, a nurse who finds herself cheated by the young Casanova. Looking for a quick death (putting ... See full summary »
Daniel Giménez Cacho,
Luis de Icaza
A Claustrophobic experience which involves a Mexican middle class family into the atrocities made by wild and heartless army forces whose main objective seems to be students who do not permit the 1968's Olimpic games' to develop normally.
Two kids take a book from a trash can. They begin to read the story of a poor neighborhood in Mexico City. Carpenter Pepe "El Toro" (Infante) lives with his daughter Chachita (Munoz) and ... See full summary »
Evita Muñoz 'Chachita',
Based on the Nobel Prize Winner's novel, the Egyptian Naguib Mahfouz. The story, translated from El Cairo to Mexico City's downtown, narrates the life of the members of the neighbourhood ... See full summary »
Ernesto Gómez Cruz,
A kid runs away from boarding school to watch the cave where a bunch of bandits hide. The bandits discover and chase him but the kid escapes. He returns to the school but it's been ... See full summary »
In a remote 19th-century Danish village, two sisters lead a rigid life centered around their father, the local minister, and their church. Both had opportunities to leave the village: one ... See full summary »
In a forgotten Mexico Tita and Pedro fall in love, but are forbidden to marry. Mama Elena sees Tita's role as her caretaker for life - no youngest daughter has ever married and her daughter will not be the first to break tradition. Tita's heart breaks when her mother instead offers to Pedro her other daughter, and he accepts. Now they live in the same house, and Mama Elena cannot forbid their love as she did their marriage. Written by
An aspiring filmmaker from Texas, who was not involved with the project, spent time on set, because he was in town shooting a small budget ($5,000) full-length feature film for the Spanish home video market. That young filmmaker was Robert Rodriguez, and the film was El Mariachi, which became a hit at Sundance and launced his career. See more »
When Dr. Brown holds up a piece of white phosphorus, nothing happens. White phosphorus ignites in air at room temperature, however, so it should have been shown burning. See more »
Doctor John Brown:
My aunt is as deaf as a post.
Then how can she carry on conversations?
Doctor John Brown:
She reads lips, but when she is eating, she is too preoccupied to notice anything else. Watch.
Doctor John Brown:
Tia Mary, I'm marrying Tita because the poor girl is crazy.
[Tia Mary continues eating.]
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Years ago, in California, I walked into a gas station convenience store to buy some consumable or other. The man who took my money was a Mexican emigre, and he saw that I was carrying a copy of the book Like Water for Chocolate by Laura Esquivel. He asked how I liked it, and I told him I was loving it. He told me not to miss the movie.
"Oh," I answered, "but I always worry that the movie will never be as good as the book."
"It doesn't matter," he told me. "This is a very great film. And it is the first real Mexican film I have ever seen shown in this country. You know, to everybody, not just the Mexican community."
I smiled and told him I would check it out, but honestly, I had no idea what he was talking about. After all, I knew who Dolores Del Rio and Cantinflas were, and the movies with them that I had seen were shown in L.A., to everybody.
But now, at last, I have seen this movie, and now, at last, I know what this guy was talking about. Like, wow! This really is a real Mexican film! Art! Cinema! More than just a bit of popular fluff!
Tender, compassionate and very witty, like the book on which it is based, this movie celebrates Mexican culture -- not just on the food, the preparation of which forms the premise of the story, but as kind of a rollicking take on the history of the young country at the turn of the century. It celebrates the music, the style of life on a ranch, the strength of the extended family, the beauty of the land, and the ethnic mixing pot that is every Mexican.
There is so much reckless joy and passionate love in this film, even when it portrays pain. It openly depicts female eroticism. (Plus, for a big change from US cinema, we get to see beautiful men and women of many shapes, sizes and colors all on the same screen.) The acting is flawless, and the star, Lumi Cavazos, is absolutely charming, full of life and credibility.
The only flaws I found in this film were minor and had to do with timing. For example, the final ascent to the climax seems to have been shortchanged a little bit. I would have liked to reach through this scene a little more slowly.
To judge Mexican cinema by the type of films I had seen before this one would be like judging U.S. cinema on the basis of Jerry Lewis or some cheesy melodramas from the '40s and '50s, but not taking into account any of our real film art. I'd love to know what else I've missed. Can't wait to find out.
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