A sultry assassin is the target of two separate operatives in this globe-trotting action flick shot on location in the Bahamas, Athens, Rome and Hong Kong.
Director:
Albert Pyun
Stars:
Lance Henriksen,
Debra Jo Fondren,
Sarah Douglas
Horror and Revenge drive this thriller set in the sex and human trafficking underbelly of a nightmarish city where spinal fluid has become the drug of choice...with frightening consequences.
Hong Kong 97 takes place, appropriately enough, in Hong Kong right before the transfer of power from Britain to China. Reginald Cameron, an assassin affiliated with a large corporation with... See full summary »
Charlie Baxter, a struggling screenwriter, is searching for accommodation in a rundown mansion somewhere in the isolated mountains above Malibu. An expressionless and creatively bankrupt ... See full summary »
Director:
Albert Pyun
Stars:
Morgan Weisser,
Crystal Laws Green,
Jenny Dare Paulin
An insane preacher (Snoop Dogg) seeks retribution from the local crime syndicate (Big Pun & Fat Joe) for the death of his family and the burning of his church.
Alex shoots again. She has to kill a man, but shoots the wrong one. A high ransom is set on her, so she is visited by some head hunters. Well, she only could sit and wait and hope for a ... See full summary »
Director:
Albert Pyun
Stars:
Blanka Copikova,
Andrew Divoff,
Michal Gucík
Using footage left over from Nemesis 2 and a very thin story line sees Alex again fighting the cyborg mercenaries in 1998 East Africa. This time, Alex finds that she has 20 half sisters who... See full summary »
On May 19, 2004, an unprecedented biological outbreak occurred in Lawton, California. A classified N.S.A.A. report detailed the carnage which ensued that night. This film is based on that top-secret report.
Director:
Albert Pyun
Stars:
Jenny Dare Paulin,
Morgan Weisser,
Alan Abelew
A soldier who has been fighting a long war is driven mad because he no longer believes in any purpose or righteous truth behind the killing. He comes home to a surreal world looking for his... See full summary »
Director:
Albert Pyun
Stars:
Michael Paré,
Clare Kramer,
Courtney Peldon
During World War II, a brave, patriotic American Soldier undergoes experiments to become a new supersoldier, "Captain America." Racing to Germany to sabotage the rockets of Nazi baddie "Red Skull", Captain America winds up frozen until the 1990s. He reawakens to find that the Red Skull has changed identities and is now planning to kidnap the President of the United States. Written by
Michael "Rabbit" Hutchison <rabhutch@spacestar.net>
Michael Winner was slated to direct when the film was in production at Cannon. See more »
Goofs
When he thinks the future world is a Nazi trick, Captain describes a movie he saw with a similar plot. He seems to be referring to 36 Hours which was not released until 22 years after he was frozen. See more »
Half-way decent adaptation of the classic Marvel comics character, which many people either love or hate. Most of the half-way decency the film has it derives from star Matt Salinger, the son of over-praised asshole writer JD Salinger. In a role that could have been made comical or just plain bad by many other actors, Matt manages to imbue the character with an authentic feeling of sincerity similar to what Christopher Reeve gave to Superman and often missing from other actors in superhero films. Had this film been left with a bigger budget and gotten a big theatrical release it could very well have made Matt Salinger a star, or at least establish his name and allow him some leverage to pursue other roles in bigger projects like Helen Slater after the endearingly classic disaster "Supergirl" (1984). Actually I think both Dolph Lundgren and Arnold Schwarzenegger, respectively, were both considered for this role, but it's just as well that they didn't get it, seeing as how their accents would have worked against them playing this "All-American" hero. Although Arnold's name on the picture might have gotten it a theatrical release instead of going direct to video (a similar fate befell Dolph's "The Punisher").
After Steve Rogers gets pumped up by the super soldier serum he becomes Captain America and gets into a disastrous first mission that ends with him getting his ass kicked by the Red Skull, who straps him to a missile pointed at the White House. Cap narrowly manages to cut off the Red Skull's hand and wrecks the missile so that instead of hitting the White House it lands in the Arctic and freezes him there, but not before he is spotted by a little boy who grows up to be President Ronny Cox. When Cap thaws out, he finds that much has changed while he's been gone, like his old girlfriend and her now adult daughter. He also finds out that the Red Skull is still alive and still out to conquer the world. Naturally, Captain America catches up with the Red Skull and beats the crap out of him in turn ("Stop calling me your brother!") before saving the world.
The guy playing the Skull is ineffectual, but he's got a nice looking daughter. Again, the real saving grace here is Matt Salinger's sincere performance as the title character, but even that can only do so much against a weak script and boring villains. Still, I enjoyed this film and I feel that fans deserved a chance to see this in theaters. And now I hear that Brad Pitt wants to play Captain America! Oh the shame...
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Half-way decent adaptation of the classic Marvel comics character, which many people either love or hate. Most of the half-way decency the film has it derives from star Matt Salinger, the son of over-praised asshole writer JD Salinger. In a role that could have been made comical or just plain bad by many other actors, Matt manages to imbue the character with an authentic feeling of sincerity similar to what Christopher Reeve gave to Superman and often missing from other actors in superhero films. Had this film been left with a bigger budget and gotten a big theatrical release it could very well have made Matt Salinger a star, or at least establish his name and allow him some leverage to pursue other roles in bigger projects like Helen Slater after the endearingly classic disaster "Supergirl" (1984). Actually I think both Dolph Lundgren and Arnold Schwarzenegger, respectively, were both considered for this role, but it's just as well that they didn't get it, seeing as how their accents would have worked against them playing this "All-American" hero. Although Arnold's name on the picture might have gotten it a theatrical release instead of going direct to video (a similar fate befell Dolph's "The Punisher").
After Steve Rogers gets pumped up by the super soldier serum he becomes Captain America and gets into a disastrous first mission that ends with him getting his ass kicked by the Red Skull, who straps him to a missile pointed at the White House. Cap narrowly manages to cut off the Red Skull's hand and wrecks the missile so that instead of hitting the White House it lands in the Arctic and freezes him there, but not before he is spotted by a little boy who grows up to be President Ronny Cox. When Cap thaws out, he finds that much has changed while he's been gone, like his old girlfriend and her now adult daughter. He also finds out that the Red Skull is still alive and still out to conquer the world. Naturally, Captain America catches up with the Red Skull and beats the crap out of him in turn ("Stop calling me your brother!") before saving the world.
The guy playing the Skull is ineffectual, but he's got a nice looking daughter. Again, the real saving grace here is Matt Salinger's sincere performance as the title character, but even that can only do so much against a weak script and boring villains. Still, I enjoyed this film and I feel that fans deserved a chance to see this in theaters. And now I hear that Brad Pitt wants to play Captain America! Oh the shame...