Helen Lyle is a student who decides to write a thesis about local legends and myths. She visits a part of the town, where she learns about the legend of the Candyman, a one-armed man who appears when you say his name five times, in front of a mirror. Of course, Helen doesn't believe all this stuff, but the people of the area are really afraid. When she ignores their warnings and begins her investigation in the places that he is rumored to appear, a series of horrible murders begins. Could the legend be true? Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
The architecture flaw of the medicine chests and people being able to sneak in, is something that Bernard Rose discovered in his research for the film and there was actually a series of murders that were committed this way. See more »
Helen has a bath after returning from the police station, she gets out and her hair is wet. She looks at some of the slides she took, seeming to take only a minute or two to do this, and then turns off the machine. When she stands up to open the curtains, her hair is perfectly dry. See more »
[Candyman narrating over the swarm of bees]
They will say that I have shed innocent blood. What's blood for if not for shedding? With my hook for a hand, I'll split you from your groin to your gullet. I came for you.
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Undoubtedly one of the more original and frightening horror movies of the early 90s, Bernard Rose's "Candyman," an adaptation of famed author Clive Barker's "The Forbidden," stands well on its own as an effectively creepy film.
I was only about six or seven when I first heard the terrifying "Bloody Mary" legend, which was similar to the Candyman legend. And I'm sure others have heard stories about alligators in the sewer or the hesitant 911 operator. Indeed, the "Candyman" and "Bloody Mary" legends do share some common ground, in that if you chant their names before a mirror "x" number of times, they'll appear behind you and hack you to pieces.
I used to believe in these legends - when I was kid - but as I grew older, I realized that they're just legends and therefore aren't meant to be taken literally. But that's the central dilemma with 1992's "Candyman": If you believe in something enough, will that belief make fiction reality?
The Candyman (Tony Todd) has claimed responsibility for a series of grisly slayings in a particularly rough Chicago housing project, and Helen Lyle (Virginia Madsen) is anxious to discredit the myths. But when she is falsely accused of several brutal murders, could the Candyman be out for revenge, because she doubted him?
I'll admit upfront that I'm not familiar with the works of Clive Barker, who is clearly one of the most talented writers of the last 20 years. Only this film and "Hellraiser" have been able to capture my interest, unfortunately. "Candyman" is certainly a terrifying experience from start to finish, as you can't really be sure if the hook-handed spectral entity of the title actually exists in the physical world.
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