During a routine case in L.A., NY private investigator Harry D'Amour stumbles over members of a fanatic cult, who are waiting for the resurrection of their leader Nix. 13 years ago, Nix was... See full summary »
Kevin J. O'Connor,
Candyman is an artistic film revolving around the concept of Incestual Rape and abuse and its effects such as Post Traumatic Stress Disorder (PTSD). Based on some real facts, this film ... See full summary »
Helen Lyle is a student who decides to write a thesis about local legends and myths. She visits a part of the town, where she learns about the legend of the Candyman, a one-armed man who appears when you say his name five times, in front of a mirror. Of course, Helen doesn't believe all this stuff, but the people of the area are really afraid. When she ignores their warnings and begins her investigation in the places that he is rumored to appear, a series of horrible murders begins. Could the legend be true? Written by
Chris Makrozahopoulos <email@example.com>
Undoubtedly one of the more original and frightening horror movies of the early 90s, Bernard Rose's "Candyman," an adaptation of famed author Clive Barker's "The Forbidden," stands well on its own as an effectively creepy film.
I was only about six or seven when I first heard the terrifying "Bloody Mary" legend, which was similar to the Candyman legend. And I'm sure others have heard stories about alligators in the sewer or the hesitant 911 operator. Indeed, the "Candyman" and "Bloody Mary" legends do share some common ground, in that if you chant their names before a mirror "x" number of times, they'll appear behind you and hack you to pieces.
I used to believe in these legends - when I was kid - but as I grew older, I realized that they're just legends and therefore aren't meant to be taken literally. But that's the central dilemma with 1992's "Candyman": If you believe in something enough, will that belief make fiction reality?
The Candyman (Tony Todd) has claimed responsibility for a series of grisly slayings in a particularly rough Chicago housing project, and Helen Lyle (Virginia Madsen) is anxious to discredit the myths. But when she is falsely accused of several brutal murders, could the Candyman be out for revenge, because she doubted him?
I'll admit upfront that I'm not familiar with the works of Clive Barker, who is clearly one of the most talented writers of the last 20 years. Only this film and "Hellraiser" have been able to capture my interest, unfortunately. "Candyman" is certainly a terrifying experience from start to finish, as you can't really be sure if the hook-handed spectral entity of the title actually exists in the physical world.
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