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Buffy the Vampire Slayer (1992)

 -  Action | Comedy | Fantasy  -  31 July 1992 (USA)
5.5
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Ratings: 5.5/10 from 28,061 users   Metascore: 48/100
Reviews: 229 user | 65 critic | 17 from Metacritic.com

A flighty teenage girl learns that she is her generation's destined battler of vampires.

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Title: Buffy the Vampire Slayer (1992)

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Stars: Nicholas Brendon, Alyson Hannigan, Anthony Head
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Cast

Cast overview, first billed only:
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Michele Abrams ...
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Paris Vaughan ...
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Andrew Lowery ...
Sasha Jenson ...
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Storyline

Buffy Summers has the lifestyle any young woman could want. Cheerleading, dating the captain of the basketball team, and copious amounts of time spent shopping with friends. She had no idea of her true calling until a mysterious man named Merrick approached her and told her that she is the Slayer; one woman called to defend the world from vampires. Reluctant to concede to the fact, Buffy soon learns that Merrick speaks the truth and so begins to take her new life seriously while trying to maintain the sense of normality her life had once been. With her best friends slowly abandoning her, Buffy finds solace in the town outcast, Pike, who knows very well the terrors that have arisen. Together, they combat the forces of the old and powerful vampire, Lothos, who has his eyes set on Buffy. Written by Vampire-Sharpshooter

Plot Summary | Plot Synopsis

Taglines:

She knows a sucker when she sees one. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for comic vampire violence and drug references | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

31 July 1992 (USA)  »

Also Known As:

Buffy, a vámpírok réme  »

Box Office

Budget:

$7,000,000 (estimated)

Gross:

$16,624,456 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

David Bowie, Mick Jagger and Cary Elwes were set to make cameos as vampires but these were cut due to time and budgetary constraints. See more »

Goofs

As Pike is driving his van with Amilyn holding onto the hood, the position of Amilyn's right hand switches back and forth from the roof to the hood between shots. See more »

Quotes

Buffy: What language are you speaking?
Kimberly: Get out of my facial!
See more »

Crazy Credits

Amilyn (Paul Reubens) revives to go through some more death throes. See more »


Soundtracks

I FOUGHT THE LAW
Written by Sonny Curtis
Produced by Ralph Sall
Performed by Mary's Danish
Courtesy of Morgan Creek Music Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Tongue-in-cheek but it doesn't make a great movie
4 February 2002 | by (Dublin, Ireland) – See all my reviews

First off I have to say my review of this movie may be somewhat coloured by my adoration of the television series. Despite sharing a few superficial elements - a character called Buffy who slays vampires and who has a watcher

  • the two are quite distinctive (even if Joss Whedon penned them


both).

"Buffy" here is very much played with a tongue-in-cheek. It's Clueless meets Dracula. Buffy and her cohorts are shallower than an evaporated puddle and Buffy can only learn to grow up when heaped with the responsibility of being the Chosen One, destined to slay vampires. The vampires in question are just people with white faces played up in quite a camp manner and bare little resemblance to the sharp, wise, smart vampires favored by both the TV series and other movies.

There's no acting of any note and the plot is wet-paper thin. The direction isn't memorable... so what stops the movie getting a 0 or a 1? The humour. The movie is played for laughs, taking a bit of a dig at pop culture and vampire lore. There's some great lines in it - particularly the "kill him A LOT!" line. Watch the coach at the basketball game for similar humour, and there is an unforgettable vampire staking towards the movie end that's very amusing.

The movie looks like it was shot on a shoe-string budget (adding to the camp tongue-in-cheek parody feel) and has none of the production values we'd see Whedon employ later on. What it does have is a sometimes very amusing line in black humour offset somewhat by an irritating need to follow the "Clueless" mould of teenagers (which was, admittedly, the trend at the time). It's not an awfully bad movie but it's not really all that good. In the end it's a 5.5/10 from me.


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