6-part documentary series from arguably the greatest scientific mind in the world, the wheelchair-bound Stephen Hawking, which describes all current thinking on the Big Bang, origins of the... See full summary »
Hawking is the extraordinary story of the planet's most famous living scientist, told for the first time in his own words and by those closest to him. Made with unique access to Hawking's ... See full summary »
Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the ... See full summary »
What do an elderly topiary gardener, a retired lion tamer, a man fascinated by mole rats, and a cutting-edge robotics designer have in common? Both nothing and everything in this ... See full summary »
Unlike the book, this film is really an anecdotal biography of Stephen Hawking. Clips of his lectures, interviews with friends and family and a little physics are thrown together. Written by
Jim Sadur <firstname.lastname@example.org>
Appearances to the contrary, all interviews were filmed on sets built for the movie. See more »
Which came first, the chicken or the egg? Did the universe have a beginning, and if so, what happened before then? Where did the universe come from, and where is it going?
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A very fine and intriguing documentary from Errol Morris about the life and work of physicist/celebrity Stephen Hawking, who revolutionized the way we think about the universe in his monumental book of the same name. The film is really divided into two stories, the life of Hawking as he struggles to overcome his paralysis, and the brilliant work he achieved in spite of his physical limitations. One gets the impression that had Hawking never became ill, he wouldn't have been as compelled to carry out the kind rigorous intellectual work that he of course did carry out, and (he himself notes that he was quite bored with life prior to his paralysis). Morris does a fine job with the material; the first half hour of the film suffers from a dry PBS feel, but the aesthetic and intellectual intensity takes off from there, the film never digresses into a mere sob story. Morris nearly always keeps the material more intellectually intriguing than it is uplifting and sentimental.
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