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Romanticized adaptation of Bram Stoker's 1897 classic. Set in 1913 England, the bloodsucking, but handsome, charming and seductive, Count Dracula seeks an immortal bride.
Director:
John Badham
Stars:
Frank Langella,
Laurence Olivier,
Donald Pleasence
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
Director:
Alfred Hitchcock
Stars:
Tippi Hedren,
Suzanne Pleshette,
Rod Taylor
The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case ... See full summary »
Director:
Tony Scott
Stars:
Catherine Deneuve,
David Bowie,
Susan Sarandon
A young, abused and timid 17-year-old girl discovers she has telekinesis, and gets pushed to the limit on the night of her school's prom by a humiliating prank.
Marie has two appetites, sex and blood. Her career as a vampire is going along fine until two problems come up, she is interrupted while feeding on Sal (the shark) Macelli and she begins to... See full summary »
Director:
John Landis
Stars:
Anne Parillaud,
David Proval,
Anthony LaPaglia
This version of Dracula is closely based on Bram Stoker's classic novel of the same name. A young lawyer (Jonathan Harker) is assigned to a gloomy village in the mists of eastern Europe. He is captured and imprisoned by the undead vampire Dracula, who travels to London, inspired by a photograph of Harker's betrothed, Mina Murray. In Britain, Dracula begins a reign of seduction and terror, draining the life from Mina's closest friend, Lucy Westenra. Lucy's friends gather together to try to drive Dracula away. Written by
Goth <brooks@odie.ee.wits.ac.za>
Several elements of the film were taken from previous Dracula adaptations. Renfield being Harker's predecessor (the characters are completely unrelated in the novel) has been used in numerous previous Dracula films, starting with Nosferatu. The scene of Dracula rising from his coffin for the first time is also taken from "Nosferatu." Dracula's line of dialogue, "I never drink...wine" has also been used in numerous previous Dracula films, originating with Dracula. The idea of Dracula's motivation for coming to England being to find his reincarnated lost love was first used in Bram Stoker's Dracula. The lunatics in the asylum rioting to signal the coming of Dracula was used in Dracula. References to non-Dracula films include Dracula turning Mina's tears into diamonds, a reference to the Jean Cocteau film Beauty and the Beast, Lucy's glass coffin, taken from the various versions of the "Snow White" story, and the window in Lucy's bedroom, taken from the Frank Capra film The Bitter Tea of General Yen. See more »
Goofs
The vampire woman tears open Jonathan's shirt but it's previously shown to be already unbuttoned. See more »
Quotes
Dracula:
There is much to be learned from beasts.
See more »
"EXELOUME"
Written and Performed by Diamanda Galás (as Diamanda Galàs)
Courtesy of Mute Records Limited
By Arrangement with Warner Special Products See more »
By naming it "Bram Stoker's Dracula" Coppola holds himself to a higher standard of faithfulness to the original book than any other version of the story, past or future. And he falls flat on his face.
"Dracula" was never a romance, nor was it intended to be. If Coppola wanted to make a vampire love story, he was more than welcome to do so. But not Dracula. Dracula was about conquest, and NOT the romantic sort. If Dracula falls in love, it blows the entire plot and subtext of the original. How does that qualify as faithful to the original story?
Yes, beautiful cinematography. Yes, great cast (with the obvious exception of Keanu Reeves, who couldn't act his way out of a wet paper bag). Yes, great costumes, score, yada yada.
NO, it was a LOUSY rendition of Dracula.
25 of 40 people found this review helpful.
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... This simply isn't "Dracula".
By naming it "Bram Stoker's Dracula" Coppola holds himself to a higher standard of faithfulness to the original book than any other version of the story, past or future. And he falls flat on his face.
"Dracula" was never a romance, nor was it intended to be. If Coppola wanted to make a vampire love story, he was more than welcome to do so. But not Dracula. Dracula was about conquest, and NOT the romantic sort. If Dracula falls in love, it blows the entire plot and subtext of the original. How does that qualify as faithful to the original story?
Yes, beautiful cinematography. Yes, great cast (with the obvious exception of Keanu Reeves, who couldn't act his way out of a wet paper bag). Yes, great costumes, score, yada yada.
NO, it was a LOUSY rendition of Dracula.