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Dracula (1992)

The centuries old vampire Count Dracula comes to England to seduce his barrister Jonathan Harker's fiancée Mina Murray and inflict havoc in the foreign land.

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(novel), (screenplay)
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440 ( 321)

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Won 3 Oscars. Another 12 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Quincey P. Morris (as Bill Campbell)
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Michaela Bercu ...
Florina Kendrick ...
Jay Robinson ...
I.M. Hobson ...
Laurie Franks ...

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Storyline

This version of Dracula is closely based on Bram Stoker's classic novel of the same name. A young lawyer (Jonathan Harker) is assigned to a gloomy village in the mists of eastern Europe. He is captured and imprisoned by the undead vampire Dracula, who travels to London, inspired by a photograph of Harker's betrothed, Mina Murray. In Britain, Dracula begins a reign of seduction and terror, draining the life from Mina's closest friend, Lucy Westenra. Lucy's friends gather together to try to drive Dracula away. Written by Goth <brooks@odie.ee.wits.ac.za>

Plot Summary | Plot Synopsis

Taglines:

The blood is life. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for sexuality and horror violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | |

Release Date:

13 November 1992 (USA)  »

Also Known As:

Bram Stoker's Dracula  »

Filming Locations:

 »

Box Office

Budget:

$40,000,000 (estimated)

Gross:

$82,522,790 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (original cut)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This is the first major U.S. motion picture to be edited entirely on a non-linear edit system. See more »

Goofs

In the prologue when Dracula returns to find Elisabeta's dead body she is seen as completely dry with her hair still permed and still wearing her crown, though the surrounding floor around her seems to be wet. The only real evidence of her traumatic jump into the river to her death is the trickle of blood from her mouth and wrist. See more »

Quotes

Lucy Westenra: Quincy... you're such a beast. Will you kiss me, Quincy?
[Pulls Quincy close]
Lucy Westenra: Kiss me. Kiss...
[snarls; growls]
See more »

Connections

Referenced in The Cinema Snob: Billy the Kid vs. Dracula (2011) See more »

Soundtracks

Exeloume
Written and Performed by Diamanda Galás (as Diamanda Galàs)
Courtesy of Mute Records Limited
By Arrangement with Warner Special Products
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Interesting and Mostly Accurate Take on the Horror Classic.
18 April 2003 | by (United States) – See all my reviews

"Bram Stoker's Dracula" is one of those films that reeled people in by making its audience believe that it would be an intense horror film on par with productions like "Rosemary's Baby" or "The Exorcist". Instead, director Francis Ford Coppola stayed more true to Stoker's novel and put a focus on an intense love story that transcends time, the elements and even life and death. This naturally turned off many horror enthusiasts who would rather see a film that thrives on shock value rather than a movie that thrives on heart, brains and emotion. The film is naturally about the titled character, an immortal man (played superbly by the nearly always exceptional Gary Oldman) who has turned against God and now lives through the powers of darkness. By the late-19th Century, the titled character is trying to lure back a reincarnation of his one true love (Winona Ryder) and of course attempting to eliminate all those that might stand in his way (Ryder's fiance Keanu Reeves and professor Anthony Hopkins most notably). Overall "Dracula" is an amazingly good looking film that benefits from high production values and guaranteed performances (mainly from Oldman and Hopkins). Coppola's direction is strong, but a bit overbearing at times and sometimes it is unclear what the tone of the production truly is. Watch for Italian beauty Monica Bellucci as one of Oldman's beautiful, but deadly wives. 4 stars out of 5.


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