One morning a young man wakes to find a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but in return demands human victims.
When a liquor store owner finds a case of "Viper" in his cellar, he decides to sell it to the local hobos at one dollar a bottle, unaware of its true properties. The drinks causes its ... See full summary »
A group of men head to a remote village to help one of their friends get over his divorce; when they get there, though, they discover that all the women have been infected with a virus that makes them man-hating cannibals.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Lionel, a Mama's boy has the unwanted honor of having to look after his overbearingly evil mother. He ends up falling in love with a local woman who believes that they're destined together. In a moment of intentional sabotage of one of their dates, his mother is bitten by a mysterious creature that ends up zombifying her. It's only a matter of time before she rises from the dead a powerful, bloodthirsty zombie. It's only a matter of time before she starts infecting residents of the town and Lionel has to stop her...and them. Written by
This film is truly the finest hour of the young, aggressive, full-speed-ahead Peter Jackson. Check your squeamishness at the door and get ready for proof that splatter can be played for laughs.
Not all the laughs are splatter-based. The opening scene shows a zookeeper waving a permit to a tribe of hostile natives about to kill him, shouting out "per-mit! Per-mit!" From there, the film descends into the inspired, amused lunacy of the splatstick. Look for the cameo of a young, thin Peter Jackson as a mortician's assistant. Also look for the minor hilarious characters- the Nazi vet, the idiot football player, and most famous of all, Father MacGruder, he of the film's best one-liner.
Timothy Balme is excellent as the nebbishy mama's boy who ends up taking on the whole undead world by himself, with a couple of mechanical aids. He out-Ashes Ash! Like any good zombie film, the end features waves of zombies, but many with unique and twisted personalities of their own. The best is, of course, zombie baby. It is shocking and yet hilarious to see what zombie baby endures, and yet survives (perhaps to live on in the long awaited sequel?) Ten stars, and five out of five blood splats thrown up against the wall (during the last half hour).
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