When Annie Laird is selected as a juror in a big Mafia trial, she is forced by someone known as "The Teacher" to persuade the other jurors to vote "not guilty". He threatens to kill her son... See full summary »
Barr is a psychiatrist who falls in love with the sister of one of his clients. She's beautiful and married (to a gangster). She hates her husband but is unable to escape from him. To avoid... See full summary »
A pop singer has been receiving threatening notes, and her manager hires a bodyguard known for his good work. The bodyguard ruffles the singer's feathers and most of her entourage by tightening security more than they feel is necessary. The bodyguard is haunted by the fact that he was on Reagan's secret service staff but wasn't there to prevent the attack by Hinckley. Eventually the bodyguard and the singer start an affair, and she begins to believe his precautions are necessary when the stalker strikes close to home. Written by
Ed Sutton <email@example.com>
In the dive bar scene where Frank takes Rachel on the date, an extra seems to look straight into the camera and raises his beer towards it as Frank and Rachel walk to the dance floor. On a closer look he is cheering to the blond woman in the front. See more »
A movie/music star who needs protection from a psychotic fan, wow what a concept. And who better to play it than Whitney Houston, a stretch I know.
The plot is totally disappointing and bland. Luckily the on-screen romance and chemistry from Houston and Costner, along with a great soundtrack, save this film from being a total bust. The love story between Costner and Houston becomes the main driving force, preventing the film from running out of ideas. In the end the romance is what you take away from the film, not the convoluted mystery plot.
It's enjoyable in the end and I would recommend it. Of course the soundtrack is one of the best and most popular in history with "I Will Always Love You", "Run to You", "I Have Nothing", and "I'm Every Woman."
18 of 23 people found this review helpful.
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