In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
A pop singer has been receiving threatening notes, and her manager hires a bodyguard known for his good work. The bodyguard ruffles the singer's feathers and most of her entourage by tightening security more than they feel is necessary. The bodyguard is haunted by the fact that he was on Reagan's secret service staff but wasn't there to prevent the attack by Hinckley. Eventually the bodyguard and the singer start an affair, and she begins to believe his precautions are necessary when the stalker strikes close to home. Written by
Ed Sutton <email@example.com>
On gaining entrance to the mansion Farmer says his name is Frank Farmer, Alexander Graham Bell, Edison, and Henry Ford. See more »
A big deal is made about Fletcher's inability to swim (as seen at the lake house with the boat), but later he is seen swimming in the pool at their house. See more »
[shakes the weathered intercom speaker]
Frank Farmer to see Miss Marron.
Alexander Graham Bell, to see Miss Marron.
You got an appointment?
Yeah... the atomic number of zinc is thirty.
[gate opens to let Frank enter]
See more »
Frank Farmer is a top line bodyguard, formerly secret service protector to President Reagan, he is approached to guard Rachel Marron, the latest pop sensation on the cusp of Hollywood domination. After initially being reluctant to take the job, Farmer gets to the task of protecting Rachel from a potential maniac who's been sending her threatening letters. As the initial in camp hostilities die down, Frank & Rachel start to draw ever closer, but so does the person who wants her dead...
The Bodyguard is one of those films that was long in gestation, originally mooted in 1976 to star Steve McQueen (it was written with McQueen in mind in the 60s) and Diana Ross, it was put on the back burner after McQueen fell ill to the cancer that killed him. Then it resurfaced in 1979 with Diana Ross to play opposite Ryan O'Neal, but the two stars just couldn't get on and the project again fell by the wayside. Enter Kevin Costner and his boys at TIG Productions, original choice to star alongside Costner, Maddona, ruined her chance (thankfully) of starring after being a bitch to Costner in her Truth Or Dare documentary. In stepped Whitney Houston (brilliantly diva casting), Costner gave himself a crew cut (in homage to McQueen) and The Bodyguard went on to make $410,900,000 worldwide.
The film now seems like a myth to me because the rating across many forums is on the low side, critics hate it and you will be hard pressed to find macho film fans readily about to own up to liking the picture. That's a shame because as undeniably nonsense as it is, it has got a great thriller heart to blend in with its romantic core. The good ship Bodyguard may dock at all the formula ports in the genres, but it's one hell of a journey getting to the end, even with that song that seemed to top the charts for years! (the soundtrack to the movie selling 17 million in America alone).
In spite of the obviousness of the plot, and the general feeling of familiarity, The Bodyguard has much going for it, things that ensured it became a monster hit and had cinema goers queueing round the block to see it. Houston is something of a revelation, here she nails the diva bitch heart of gold portrayal of Rachel with astonishing ease, and couple that with a voice sent from some deity paradise far away, makes her total value for money. Costner also stepped up to the plate to win a new breed of fans as Farmer, his charm and laid back manner works well with a ruggedness that the male viewers could easily get on side with. The rest of the cast are merely playing second fiddle to the well matched up leads, and outside of Gary Kemp becoming increasingly annoying as the film progresses, they all blend in well to create what is now a sadly undervalued picture.
See it with someone you love, don't just take my word for it, look at the box office take, it doesn't lie. 7/10
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