| Photos (See all 12 | slideshow) | Videos |
| Tim Robbins | ... | Bob Roberts | |
| Giancarlo Esposito | ... | Bugs Raplin | |
| Alan Rickman | ... | Lukas Hart III | |
| Ray Wise | ... | Chet MacGregor | |
| Brian Murray | ... | Terry Manchester | |
| Gore Vidal | ... | Senator Brickley Paiste | |
| Rebecca Jenkins | ... | Delores Perrigrew | |
| Harry Lennix | ... | Franklin Dockett | |
| John Ottavino | ... | Clark Anderson | |
| Robert Stanton | ... | Bart Macklerooney | |
| Kelly Willis | ... | Clarissa Flan | |
| Merrilee Dale | ... | Polly Roberts | |
| Tom Atkins | ... | Dr. Caleb Menck | |
| David Strathairn | ... | Mack Laflin | |
| James Spader | ... | Chuck Marlin | |
| Pamela Reed | ... | Carol Cruise | |
| Helen Hunt | ... | Rose Pondell | |
| Eva Amurri Martino | ... | Child in Hospital | |
| Jim West | ... | Bus Driver | |
| Peter Gallagher | ... | Dan Riley | |
| Lynne Thigpen | ... | Kelly Noble | |
| Bingo O'Malley | ... | Robert Roberts, Sr. | |
| Kathleen Chalfant | ... | Constance Roberts | |
| Ruth Lesko | ... | School Teacher | |
| Jack Black | ... | Roger Davis | |
| Matthew Faber | ... | Calvin | |
| Matt McGrath | ... | Burt | |
| Anita Gillette | ... | Mrs. Davis | |
| Susan Sarandon | ... | Tawna Titan | |
| Fred Ward | ... | Chip Daley | |
| Charles R. Altman | ... | Debate Moderator (as Charles Altman) | |
| Shannon Holt | ... | Rita | |
| Staci Marie Marcum | ... | Miss Philadelphia (as Staci Marcum) | |
| Shira Piven | ... | Penn State Protester | |
| Steve Pink | ... | Penn State Protester | |
| Fisher Stevens | ... | Rock Bork | |
| Gil Robbins | ... | Reverend Best | |
| Angela Hall | ... | Choir Soloist | |
| Lee Robbins | ... | Organ Player | |
| John Cusack | ... | Cutting Edge Host | |
| Bob Balaban | ... | Michael Janes | |
| Allan F. Nicholls | ... | Cutting Edge Director (as Allan Nicholls) | |
| June Stein | ... | Cutting Edge Assistant Carol | |
| Adam Simon | ... | Cutting Edge Head Writer | |
| Ned Bellamy | ... | Uzi Kornhauser | |
| Natalie Strong | ... | Kala Kornhauser | |
| Burnice Brourman | ... | Nurse | |
| Pat Logan | ... | Frank Ryan, Policeman | |
| Larry John Meyers | ... | Police Spokesman (as Larry John Myers) | |
| Robert Hegyes | ... | Ernesto Galleano | |
| Tom Tully | ... | New York Reporter | |
| Anthony Dileo Jr. | ... | New York Reporter | |
| Jane Crawford | ... | New York Reporter | |
| Ann Talman | ... | New York Reporter | |
| Lamont Arnold | ... | New York Reporter | |
| Gabrielle Robbins | ... | Singing Vigilante | |
| Adele Robbins | ... | Vigilante | |
| Brian Powell | ... | Vigilante | |
| Paul Quinn | ... | Vigilante | |
| Dean Robinson | ... | Vigilante | |
| Jeff Foster | ... | Vigilante | |
| Jeremy Piven | ... | Candle Seller | |
| Lee Arenberg | ... | Religious Zealot | |
| David Sinaiko | ... | Liberal | |
| Brent Hinkley | ... | Bif, the Patriot | |
| Hal O'Leary | ... | Senator Haydn | |
| Don Brockett | ... | Chairman | |
| Linda King | ... | Washington D.C. Reporter | |
| rest of cast listed alphabetically: | |||
| Tracy Generalovich | ... | Miss Three Mile Island | |
| Aaron Jackson | |||
| Julie Matthews | ... | News Reporter | |
| Sean Paul Braud | ... | Extra (uncredited) | |
| Stephen Halbert | ... | Nigel the Soundman (uncredited) | |
| Michelle Nagy | ... | Pageant Contestant (uncredited) | |
| Dave Petti | ... | Debate Spectator (uncredited) | |
| Joe Shelby | ... | Doctor (uncredited) | |
| Jeff Tackett | ... | Himself (Orioles Catcher) (uncredited) | |
| Ronald Thomas | ... | Security Guard (uncredited) | |
Directed by | |||
| Tim Robbins | |||
Writing credits | ||
| Tim Robbins | (written by) | |
Original Music by | |||
| David Robbins | |||
Cinematography by | |||
| Jean Lépine | |||
Film Editing by | |||
| Lisa Zeno Churgin | |||
Casting by | |||
| Douglas Aibel | |||
Production Design by | |||
| Richard Hoover | |||
Art Direction by | |||
| Gary Kosko | |||
Set Decoration by | |||
| Brian Kasch | |||
Costume Design by | |||
| Bridget Kelly | |||
Makeup Department | |||
| Jeannee Josefczyk | .... | makeup artist | |
| Rachel Kick | .... | makeup artist | |
| Rosalee Riggle | .... | hair stylist (as Rose Bologa) | |
| Linda Williams | .... | 2nd hair stylist | |
Production Management | |||
| James Bigwood | .... | unit production manager | |
| Susan Lazarus | .... | post-production supervisor | |
| Mark Seldis | .... | unit manager | |
| Rudd Simmons | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Fred 'Fredo' Donatelli | .... | second assistant director | |
| Maria L. Melograne | .... | first assistant director (as Maria Melograne) | |
Art Department | |||
| Paul Bucciarelli | .... | scenic artist | |
| Robert Buncher | .... | carpenter | |
| Mary Buri | .... | key set dresser | |
| Chris Call | .... | property master | |
| Thomas J. Garrigan | .... | assistant property master | |
| Craig Glaser | .... | set dresser | |
| Kenneth J. Kellers | .... | set dresser | |
| John Lindsey McCormick | .... | art department coordinator | |
| Eugene Pope | .... | carpenter | |
| Eric 'Sprocket' Uporsky | .... | props assistant | |
Sound Department | |||
| Nancy Cabrera | .... | foley artist | |
| Michael J. Cerone | .... | sound re-recording mixer | |
| Laura Civiello | .... | dialogue editor | |
| Rick Dior | .... | sound re-recording mixer | |
| Marshall Grupp | .... | supervising sound editor | |
| Peter Halbert | .... | boom operator | |
| Stephen Halbert | .... | production sound mixer | |
| Hal Levinsohn | .... | adr editor (as Hal Levinson) | |
| Branka Mrkic | .... | dialogue editor | |
| Bob Olari | .... | sound recordist | |
| Jac Rubenstein | .... | adr editor | |
| Paul J. Zydel | .... | adr mixer | |
Visual Effects by | |||
| John Alagna | .... | titles and opticals (as John Alagua) | |
| Steidl Balzer | .... | stage visual effects | |
| Michael Ventresco | .... | titles and opticals | |
Stunts | |||
| Don Hewitt | .... | stunts | |
| Jery Hewitt | .... | stunts | |
Camera and Electrical Department | |||
| Rein Clabbers | .... | grip | |
| Jim Emswiller | .... | video assist operator | |
| Harry Greenberger | .... | electrician | |
| Larry Huston | .... | first assistant camera Steadicam | |
| Mark Jackson | .... | first assistant camera (as Mark R. Jackson) | |
| Sam J. Jones | .... | still photographer | |
| Chris Lugar | .... | third electric | |
| W. Russell McCormack | .... | best boy | |
| Don Muchoco | .... | gaffer | |
| Jean-Pierre Nutini | .... | electrician | |
| Joseph 'Bruno' Pelle | .... | key grip | |
| Rick Raphael | .... | Steadicam operator | |
| Rich Schutte | .... | grip | |
Casting Department | |||
| Linda Carola | .... | extras casting | |
| Linda Carola | .... | location casting assistant | |
| Canice Kennedy | .... | casting: Pittsburgh | |
| Julie Matthews | .... | casting | |
| Nancy Mosser | .... | extras casting | |
| Nancy Mosser | .... | location casting | |
| April Webster | .... | casting: Los Angeles | |
Costume and Wardrobe Department | |||
| Monte Cholmeley-Jones | .... | wardrobe assistant | |
| Diane Collins | .... | wardrobe supervisor | |
| Erin Folsey | .... | wardrobe assistant | |
| Beth Levine | .... | seamstress | |
| Thomas A. Ritchotte | .... | wardrobe assistant | |
| Marlene Speranza | .... | seamstress | |
| Thomas Stokes | .... | assistant wardrobe supervisor | |
Editorial Department | |||
| Mark Ginsberg | .... | color timer | |
| Donna Stern | .... | associate editor | |
Music Department | |||
| Bob Applebaum | .... | musician: mandolin | |
| Henry Brewer | .... | musician: keyboard | |
| James Flatto | .... | assistant music editor | |
| Jeff Frickman | .... | music mixer | |
| Jeff Frickman | .... | music recordist | |
| James Gilmer | .... | musician: percussion | |
| John Hagen | .... | musician: cello | |
| Scott Jackson | .... | musician: drums | |
| Patrick Mullins | .... | music editor | |
| Novi Novog | .... | musician: viola | |
| David Robbins | .... | background vocals | |
| David Robbins | .... | musician: guitars | |
| Ernesto Salcedo | .... | musician: percussion | |
| Larry Tuttle | .... | musician: bass | |
Transportation Department | |||
| Katie Scott | .... | transportation | |
| Marc Scott | .... | transportation coordinator | |
Other crew | |||
| Rachel Aberly | .... | publicist | |
| Scott Balcerek | .... | assistant production coordinator | |
| Brian Campbell | .... | video designer | |
| George Cawthorne III | .... | bodyguard: Mr. Roberts | |
| Dennis Childer | .... | bob's on-stage band | |
| Gerard Cronin | .... | bodyguard: Mr. Hart | |
| Merrilee Dale | .... | assistant accountant | |
| Warren Davidson | .... | bob's on-stage band | |
| Pete Farquhar | .... | fencing master | |
| Amy Grove | .... | assistant location manager | |
| Amy Hughes | .... | production assistant | |
| Keith Jackson | .... | production assistant | |
| Charles Leavitt | .... | fencing master | |
| Linda H. Miller | .... | post-production auditor | |
| Howard Neustadt | .... | projectionist | |
| Kitty Olisky | .... | production coordinator | |
| Manuel Saunders | .... | bodyguard: Mr. Roberts | |
| David D. Scott | .... | production assistant | |
| Greg Sheen | .... | bob's on-stage band | |
| Leland Sklar | .... | electric bass | |
| Shawn Vashaw | .... | production assistant | |
| Brenda K. Wachel | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The focus of most of these comments has been on the film's perceived political commentary on American politics.
Let's make one thing clear: This film is a satire, not a commentary; in my opinion it's not about Republicans or Democrats, or conservatives or liberals; it is about the nature of democracies.
The point that the film, "Bob Roberts", makes can be summed up very clearly. Here is the nature of democracies: Voters choose winners over losers, champions over whiners, statements of power over statements of sacrifice. The list goes on; people prefer form over function, youth over age, presentation/entertainment over substance.
This film does transcend political lines; but in it's context, lets take a look at the specifics. Bob Roberts is electable because his message is just vague and occluded enough by his presentation, that he seems likeable. His message is not unique or original; he speaks to the elements that have always appealed to the more right-wing or fascistic elements of society; marginalization of the weak (in this case, the poor), empowerment of the common man, family values, etc.
Roberts' opponent, Paiste, is a textbook liberal; but this contest is not about left vs. right. Paiste is an educated man, and a career politician. He acknowledges the challenges in the American economy. He actually has answers to the issues; whether they are politically favorable or not is not significant. Roberts, on the other hand, says nothing about the real issues; he appeals only to the emotions of the mob, and because he uses the medium of folk music, he offends the sensibilities of liberals (both in the movie, and in its audience), because he uses the authenticity of the 60's and its messages of change, and "perverts" them to express his messages of reactionism and exclusion.
And it works.
Tim Robbins has a winner here, and this film gets overlooked because it gets dragged into these conversations about Robbins' own political views, and whether the film is making a statement about Republicans or Democrats. But Robbins says something far more universal with this film; democracies are not safe from tyranny or fascism; all it takes is a charismatic reactionary who can manipulate the interests of the press and the political interests to rise to power by appealing to the worst elements of our psyche, for entertainment, glamour, and exclusionism. Please remember that Hitler came to power by appealing to the worst aspects of the people of his nation, and was quite successful in creating much evil from that. Being part of a free nation comes with a huge responsibility; to carefully consider who we elect and what we value, and to allow those debates to have meaning. "Bob Roberts" shows us how easily we can neglect that responsibility, and how easily voters can be sold an offensive, exclusionary message, when it is wrapped up in something more attractive than what's real.