Each week, Pierre and his friends organize what is called as "un dîner de cons". Everyone brings the dumbest guy he could find as a guest. Pierre thinks his champ -François Pignon- will ... See full summary »
Documentary-style look at the fictional Senatorial campaign of Bob Roberts, an arch-conservative folk singer turned politician. This political satire includes several original songs co-written and performed by writer/director/star Tim Robbins, and cameo appearances by other stars as reporters and news anchors. Written by
Scott Renshaw <firstname.lastname@example.org>
Writer/director/actor Tim Robbins wrote a song called "Revape Amerika" for Tapeheads (1988). It was performed by Robbins, credited as "Bob Roberts". Robbins reworked the song into "Retake America", used in this film. See more »
In a scene where Bob gets off the bus in "Harrisburg" a police barrier clearly says "City of Philadelphia." See more »
Towards the end of the final credits, there is a heart-shaped outline surrounding the initials EMLA, JHR, MGR & SS (SS is in the center)... These stand for Susan Sarandon, their two children together, Jack Henry Robbins & Miles Guthrie Robbins, his step-daughter Eva Maria Livia Amurri (Susan's daughter with film-maker, Franco Amurri.) This is also in the credits for "Cradle Will Rock", another Tim Robbins directed film. Thanks are given to "The Bob Roberts Dancers"... See more »
I am surprised that no one in this comments index noticed how true-to-life this film turned out to be.
"Bob Roberts" was a 1992 'mock-umentry' about the election of a Republican know-nothing (the title character) to a U.S. Senate seat in Pennsylvania; in the movie Roberts wins against a too-brainy-to win Democrat played by Gore Vidal. The real 1994 U.S. Senate race in Pennsylvania featured Rick Santorum as the Republican candidate. Santorum not only had the same aggressively anti-intellectual outlook as Roberts (I understand his staff is afraid to leave him alone with the press lest he 'throw a brick'), he even used generous helpings of Roberts' faux-revolutionary rhetoric to claim that his election would be an empowerment of the common people of Pennsylvania against a murkily-described 'elite'. In fact, Santorum, like Roberts, was a front man for an economic interest - to wit, the health insurance industry - who bankrolled 95% of his lavish campaign and which was eager to replace his rival, Harris Wolford, who was an advocate for universal health coverage. Like the Vidal character, Wolford was disadvantaged by being a genuinely concerned person whose detailed worldview found it hard to stand effectively against the style of Santorum/Roberts.
Guess who represents our state today.
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