Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
In the sewers of gotham city to the rooftops of the gotham city the penguin wants to know where he came from well in his villain ways catwoman plans to kill rich man of gotham max shreak but as he battles with millionaire Bruce Wayne both ladies men have their own secrets Bruce Wayne is back as Bat man trying to stop the penguin Max is helping penguin steal gotham city while selina Kyle/catwoman tries to help penguin not knowing her man murder target also her murder is helping him but all four men have their goals taking gotham from crime winning gotham city assassination for two men and more money to be gotham citys number one rich man.
Tim Burton used a heavy animal motif throughout the film. There are several scenes involving bats, cats, and penguins which symbolize Batman, Catwoman, and The Penguin, respectively (as evidenced by the film's tagline "The Bat, the Cat, the Penguin"). Also, some of the Penguin's goons have their own pets (Organ Grinder has a monkey, and the Poodle Lady a dog). See more »
When Selina comes home from the office and listens to her answering machine messages saying she has to go back to the office to get the Bruce Wayne file, she is wearing a brown dress suit. But when she comes home after being brought back to life by the cats, she is wearing a gray dress. See more »
As a life-long mega Bat-fan, I thought that Batman Returns did the best job (of all four films) of portraying the Dark Knight. Sure, the 1989's Batman was great, but it was lopsided; it might as well have been called "Joker" considering the focus of the film. Batman Returns allowed us a better look at Batman/Bruce Wayne himself, who was little more than an imposing supporting cast member in the first film; I loved Jack Nicholson's over-the-top performance, but THIS fanboy wanted more of the Caped Crusader in the film. Batman Returns gave us that and more...we got Batman/Bruce character development, the AWESOME give-and-take between Batman and Catwoman (one of the strangest courtships in comics), and Burton even tossed us a little bit of fun, dark humor with Shreck and the Penguin. Everyone's performances maintained consistent characterizations that came across beautifully as both mad and tragic; Keaton was subtly psychotic, Pfeiffer was fatally seductive, Walken was deliciously megalomaniacal, and DeVito was unwaveringly grotesque. Everyone pulled off their characters with gusto and memorable appeal. Though not as dark and gritty as the first film, "Returns" captured the subtle madness that permeates Gotham City. When you compare "Returns" to the other Batman films, it is easy to see that it gives Batman's world the touch of underlying insanity (as only Burton can capture) that the first film lacked (where was the Joker's twisted sense of humor?) and the last two increasingly turned into the Three Stooges ("Chicks dig the car"!?!). Batman Returns excelled in that it was a dark, disturbingly insane portrait of Batman and Gotham City; a film that carefully balances on the fine line where and darkness and madness meet. For those movie lovers brave enough to try walking that line, I recommend this film.
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