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| Steve Adcock | .... | first assistant camera: Los Angeles |
| Miles Anderson | .... | electrician: Carmel |
| Paul E. Avery | .... | electrician: Los Angeles |
| Robert J. Babin | .... | best boy grip: Los Angeles (as Bob Babin) |
| Hans Bjerno | .... | camera technician: Wescam, aerial unit |
| Dave Childers | .... | key grip: second unit, San Francisco |
| Michael J. Coo | .... | key grip: Los Angeles (as Michael Coo) |
| Joseph Emanuele | .... | electrician: San Francisco (as Joseph G. Emanuele) |
| Don Estes | .... | grip: Los Angeles (as Donald P. Estes) |
| Michael Ferris | .... | director of photography: second unit, San Francisco |
| Kelly Flood | .... | grip: Carmel |
| Scot Gaal | .... | electrician: Los Angeles |
| Joseph Graham | .... | dolly grip: Los Angeles (as Joe Graham) |
| Jeffrey Greeley | .... | second assistant camera: second unit, San Francisco |
| Christopher Hager | .... | grip: Los Angeles |
| Frank Helbig | .... | electrician: San Francisco |
| Don L. Henderson | .... | grip: San Francisco |
| Fran Hughes | .... | grip: Carmel (as Francis O. Hughes) |
| Steve Koster | .... | camera technician: Wescam, aerial unit |
| Leslie J. Kovacs | .... | gaffer: Los Angeles (as Les Kovacs) |
| William Leslie | .... | grip: Los Angeles |
| Mark A. Lewis | .... | grip: San Francisco (as Mark Lewis) |
| John Malvino | .... | second assistant camera: second unit, San Francisco |
| Kim Marks | .... | camera operator: second unit, San Francisco |
| J. Steven Matzinger | .... | second assistant camera: Los Angeles (as Steve Matzinger) |
| Stan McClain | .... | camera operator: Wescam, aerial unit |
| Larry McConkey | .... | Steadicam operator: Los Angeles |
| Benny McNulty | .... | best boy electric: Los Angeles |
| Ralph Nelson | .... | still photographer: Los Angeles |
| Peter Newfield | .... | grip: Carmel |
| David Noble | .... | grip: Carmel |
| Mark Otewalt | .... | grip: Carmel |
| Joe Carl Parsons | .... | best boy: second unit, San Francisco |
| Bill Pelkey | .... | electrician: San Francisco |
| Bradford Ralston | .... | video playback operator: Los Angeles (as Brad Ralston) |
| E. Christopher Reed | .... | rigging gaffer: Los Angeles |
| Calmar Roberts | .... | first assistant camera: Los Angeles (as Cal Roberts) |
| Kenny Schneider | .... | electrician: Los Angeles (as Kenneth L. Schneider) |
| Michael J. Schwartz | .... | electrician: Los Angeles |
| Michael Scott | .... | camera operator: Los Angeles |
| Frank Strzalkowski | .... | gaffer: second unit, San Francisco |
| Kevin Thompson | .... | electrician: San Francisco |
| Paul Threlkeld | .... | rigging grip: Los Angeles |
| Randy Troyanek | .... | grip: Los Angeles |
| I.J. Van Perre | .... | grip: San Francisco |
| Jorgen Wedseltoft | .... | first assistant camera: second unit, San Francisco |
| Julian Whatley | .... | first assistant camera: second unit, San Francisco |
| Sam Whedon | .... | electrician: Carmel |
| Robert A. Williamson | .... | electrician: Carmel (as Robert Williamson) |
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| Robin Allen | .... | set production assistant: San Francisco |
| Tim August | .... | assistant production coordinator: second unit, San Francisco |
| James F. Baldwin | .... | location scout: second unit, San Francisco |
| Jim Baldwin | .... | location scout |
| Michael Barnes | .... | legal attorney |
| Scott Beatty | .... | location assistant: San Francisco (as Scotney Beatty) |
| Peggy Biocini | .... | script supervisor: second unit, San Francisco (as Peggy Biocine) |
| Nicole Boxer | .... | production assistant: second unit, San Francisco |
| Richard Brodsky | .... | set production assistant: San Francisco |
| Bart Brown | .... | assistant production coordinator: Los Angeles |
| Allen Burry | .... | public relations |
| Corey Burton | .... | adr loop group |
| Frank Cunha | .... | craft service: San Francisco |
| Jim Davidson | .... | production accountant: Los Angeles |
| Peter DePalma | .... | assistant: Mr. Douglas |
| Christopher Desmond | .... | paramedic coordinator: San Francisco |
| Bernard Dethiers | .... | production assistant: San Francisco |
| Craig Dietrich | .... | production secretary: Los Angeles |
| Chris Edmond | .... | paramedic coordinator: Los Angeles |
| Lynn Ehrensperger | .... | associate: Mr. Verhoeven, Los Angeles |
| Nancy Evans Cox | .... | set production assistant: Los Angeles (as Nancy E. Cox) |
| Wayne Fitzgerald | .... | title designer |
| Heide Foley | .... | production assistant: San Francisco |
| John Fordham | .... | production assistant: second unit, San Francisco |
| Keith Forster | .... | assistant: Ms. Stone |
| Paul Gerhardt | .... | location scout: San Francisco |
| Susan Griffin | .... | additional location manager: San Francisco |
| Michael Hamm | .... | location assistant: second unit, San Francisco |
| Nettie Heffner | .... | production assistant: San Francisco |
| Sam Hoffman | .... | production assistant |
| Montgomery Hom | .... | location assistant: San Francisco |
| Singh Ho | .... | caterer: second unit, San Francisco |
| Cindy Ichikawa | .... | set production assistant: Los Angeles |
| Catherine Isakson | .... | production assistant: second unit, San Francisco |
| Christine A. Johnston | .... | production coordinator: Los Angeles |
| Mario Kassar | .... | presenter |
| Mike Kaufman | .... | projectionist |
| Bill Landrum | .... | choreographer: club, Los Angeles (as Bill) |
| Jacqui Landrum | .... | choreographer: club, Los Angeles |
| Jean Larette | .... | assistant: Mr. Marshall (as Jean Larette Townsend) |
| Amanda Lawford | .... | additional location manager: San Francisco |
| Jeff Ledbetter | .... | assistant accountant: Los Angeles |
| Ellen Lent | .... | location manager: San Francisco (as Ellen Winchell) |
| Kate Levine | .... | production assistant: Los Angeles |
| Catherine M. McDonald | .... | key set production assistant: San Francisco |
| Kim McKamy | .... | body double |
| Karin Mercurio | .... | assistant accountant: San Francisco |
| Lucille M. Michaels | .... | first aid: Carmel (as Lucille M. Michael) |
| Laurie Noll | .... | location manager: second unit, San Francisco |
| Ruben Padilla | .... | caterer: San Francisco (as Rubin Padilla) |
| Courtney Pakiz | .... | dancer |
| Alan D. Purwin | .... | helicopter pilot: aerial unit (as Alan Purwin) |
| Kelly Richards Ralston | .... | assistant accountant: Los Angeles (as Kelly Richards-Stitt) |
| Trudy Ramirez | .... | script supervisor: Los Angeles |
| Randolph R. Rhodes | .... | production assistant: Los Angeles (as Randy Rhodes) |
| Joel Rosenberg | .... | assistant accountant: Los Angeles |
| David Schwartz | .... | craft service: Los Angeles |
| Greg Smith | .... | production assistant: Los Angeles |
| Gail Stempler | .... | additional location manager: San Francisco |
| Robert Stewart | .... | craft service: Carmel |
| Lauren Beth Strogoff | .... | publicist |
| Scott Tobin | .... | production assistant: Los Angeles |
| Angel Trujillo | .... | caterer: San Francisco |
| Jaime Trujillo | .... | caterer: San Francisco (as Jamie Trujillo) |
| Joan Wellman | .... | production coordinator: second unit, San Francisco |
| Randy West | .... | body double |
| Peter K. Wolff | .... | location scout: Carmel |
| Robert 'Bobby Z' Zajonc | .... | helicopter pilot: aerial unit |
| Craig Comstock | .... | production assistant (uncredited) |
| Gabe de Kelaita | .... | set production assistant (uncredited) |
| Mitchell Nyberg | .... | production assistant (uncredited) |
| Ron Roggé | .... | stand-in (uncredited) |
| Robert 'Bobby Z' Zajonc | .... | aerial coordinator: aerial unit (uncredited) |
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Goofs:
Incorrectly regarded as goofs: After having sex for the first time with Catherine, Nick encounters Roxy in the bathroom. He incorrectly calls her 'Rocky'. However, he nicknames her 'Rocky' to point out her aggressive temper. He doesn't call her 'Rocky' at any other time in the movie. It the above statement were true, he'd call her that ALL the time.
more
The 90's was a decade that was blessed with many great movies, yet there are none greater than that of Basic Instinct. It is a truly great film. With Michael Douglas and Sharon Stone heading a wonderful cast, this was one of the great thriller movies I can remember watching. It had everything a movie could want, a bit of mystery, sex, intrigue and murder. There will need to be a pretty good movie to replace this classic from the top as one of the greatest all-time thrillers.
Nick Curran is a disgraced San Francisco police detective who helps investigate the murder of a prominent city official. Curran has a history of alcoholism and drug abuse although he is clean now. Catherine Tramell, the chief suspect, a spoiled rich girl with a background in psychology is toying with Curran's mind. When Curran is taken off the case, he enters into a dangerous relationship with Tramell, which could have bad implications. Soon everyone Curran comes into contact with turns into a suspect.
Undoubtedly, this movie is most famous for it's high level sex scenes that it contains. While I did enjoy them, they are overrated just a fraction. I must admit Sharon Stone has an incredible body and she certainly knows all the moves. These scenes also turned Michael Douglas into a sex manic of sorts and partially ruined his first marriage to Diandra Luker. Yet they create quite a mood for this film and are the main reason why it was the success it was.
The cast was great in this too. Michael Douglas is a Hollywood legend and this film only made him even more popular. His role as a the down and out cop was great. Douglas has some great films to his credit. These include Romancing the Stone, Fatal Attraction (not to similar to Basic Instinct), A Perfect Murder, and of recent Traffic (alongside his second wife Catherine Zeta Jones) and Don't say a word. Then what do you say about Sharon Stone? Before this film she was virtually an unknown, then she stormed on to our screens, without letting audiences take a breathe. Her film credits include The quick and the dead, Total Recall and The Specialist.
Other cast members include Jeanne Tripplehorn, who played Curran's ex-wife and Psychologist Dr Elizabeth Garner. Her role made me feel very anxious to realise what was going to happen. The sex scene involving her was a little hard to take. Then you have the good guy of the film, Gus, played by George Dzundza, but the way we see him go is also too much to handle. One other actress I did recognise, was Leilani Saralle, who played one of Catherine Tramell's gay lover's, Roxy.
Basic Instinct had a very good director, that being Paul Verhoven. He made this film extremely well and any other director might have got it wrong. He has made some other good films including Robo Cop, Starship Troopers and Total Recall. He did do one big flop, that being Showgirls. He commented on that film by saying `I think it was bad too'. I am sorry Paul, but you were right. Basic Intinct's script was pretty good in how it left you dangling. It was like you were in a big game of cat and mouse. I can understand that some people might not like it for that reason, but I thought it was good. The movie also had a great musical score attached to it, giving the movie a chilling feel to it.
So, all in all Basic Instinct is a film that I will always remember. It was so controversial that where I come from, I remember people needed to show there ID to get into the local cinemas, because of its sexual and violent content. I don't blame the cinemas for doing so, because it is not suitable for young eyes to see. If you want to watch a great thriller, then sit down and watch Basic Instinct. Trust me its nice'!
Rating: 5 stars or 10/10