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Baraka
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2014 | 2013 | 2012 | 2011 | 2009 | 2006

4 items from 2014


'Birdman,' 'Wild,' 'Imitation Game' and an 'Apocalypse Now' treat set for 41st Telluride

28 August 2014 7:00 AM, PDT | Hitfix | See recent Hitfix news »

Telluride — With all the reindeer games going on in the fall festival world, a lot of the drama and mystery surrounding Telluride's perennially on-the-lowdown program began to seep out like a steadily deflating balloon this year. Toronto, Venice and New York notations of "World Premiere," "Canada Premiere," "New York Premiere" or "International Premiere" and the like made it all rather obvious which films were heading to the San Juans for the 41st edition of the tiny mining village's cinephile gathering, and which were not. But the fact is, if you're in it just for the surprises — or certainly, for the awards-baiting heavies — you're never going to be fully satisfied by the Telluride experience. That having been said, this year's program might just be the most exciting one in my six years of attending. Starting with all of the stuff we were expecting, indeed, Cannes players "Foxcatcher," "Mr. Turner" and "Leviathan »

- Kristopher Tapley

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'Lessons of Darkness' (1992) Movie Review

11 June 2014 3:45 PM, PDT | Rope of Silicon | See recent Rope Of Silicon news »

"The oil is treacherous, because it reflects the sky." Herzog says in voice over as we look upon what could very easily be small ponds and streams of water in an otherwise barren wasteland. Herzog speaks to this very thought adding, "The oil is trying to disguise itself as water." It's a statement only Herzog could make and it's one of the few heard throughout the brisk 50 minutes that make up his 1992 documentary Lessons of Darkness, which I think is best described as a cousin to Ron Fricke's wonderful wordless documentaries Baraka and Samsara, though with this film Herzog has a much more specific topic he's exploring. Broken into thirteen separate sections, all with their own "chapter" heading, Herzog tells the story of the 1991 Kuwait oil fires through sparse voice over (much of which are words read from the Bible), aerial and on the ground images captured on 16mm »

- Brad Brevet

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Sheffield Doc/Fest 2014: Happiness Review

10 June 2014 7:00 AM, PDT | HeyUGuys.co.uk | See recent HeyUGuys news »

Earlier this year, Av Festival in Newcastle was the destination of many durational documentary enthusiasts (admittedly a niche market): a meaty Wang Bing retrospective was screened over several days. For all who are unfamiliar with the Chinese documentarian’s work, he has a tight catalogue of epic films such as West of the Tracks and Crude Oil that are in excess of ten hours apiece, which seek to tell objective stories of diminishing local labour or of nomadic existence in the great wilds of China and Mongolia. More palatable docs, while containing a similar gaze, have been delivered to us in recent years by Ron Fricke (namely Baraka and Samsara).

Director Thomas Balmès’ interest in cross-cultural filmmaking has allowed him to scaffold a bridge between these two styles of documentary: employing a lingering, dewy-eyed camera to portray stunning landscapes and untouched panoramas while telegraphing easy-to-watch glimpses of silent societies. »

- Andrew Latimer

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Visitors Review

4 April 2014 2:00 AM, PDT | HeyUGuys.co.uk | See recent HeyUGuys news »

It may not be on everyone’s DVD shelf, but filmmaker Godfrey Reggio’s first film Koyaanisqatsi – released in 1982 – was a landmark piece of cinema. Comprised mainly of slow motion and time-lapse shots, the film had no narrative in the strict sense of the word, it simply observed our world, both human and natural, and left it up to the viewer to form their own ideas. Stunningly shot (cinematographer Ron Fricke went on to make similar films Baraka and Samsara), Koyaanisqatsi revolutionised techniques that we now take for granted and would be referenced in places as far afield as Grand Theft Auto, Madonna videos, and even an episode of Scrubs. Reggio followed this up with two more films to complete the Qatsi trilogy and now returns three decades later with Visitors, a film similar in concept, but completely different in its execution.

Filmed in a low-key, velvety black-and-white, Visitors runs »

- Matt Seton

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2014 | 2013 | 2012 | 2011 | 2009 | 2006

4 items from 2014


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