Baraka (1992) 8.3
A collection of expertly photographed scenes of human life and religion. Director:Ron Fricke |
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Baraka (1992) 8.3
A collection of expertly photographed scenes of human life and religion. Director:Ron Fricke |
|
| 0Share... |
Without words, cameras show us the world, with an emphasis not on "where," but on "what's there." It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred monks do a monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky. Written by <jhailey@hotmail.com>
To do describe this work of art simply as a "movie" would be inaccurate and unjustified. More akin to a tone poem Baraka is.
Is this what the world would look like to a god, a being who experiences time differently than we do?
While Koyaanisqatsi effectively drilled its message, "Humans are destroying the planet!", into our hypnotized minds, Baraka lets you ponder and meditate its multiple meanings. Are humans just another part of the ecosystem, behaving as any other organism would with our capabilities? Or are we different, even alien, to this world?
10 out of 10.