A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
With 'little captain' Cambrai raising serious doubts about the reality of the so-called "super spy", Colonel Toulouse kidnaps Christine and forces Francois to play again the character of "... See full summary »
Alexandre, a young and honest farmer, is oppressed by an authoritarian wife, who makes him work like a dog. When she dies in a car crash, he decides to stay in bed, absolutely free and ... See full summary »
Every holiday Marcel and his family go to their cottage in the Provence (France). He likes the hills in this region. Before they arrive at the cottage they have to walk about 5 miles. With ... See full summary »
When Victor finds out one morning that his wife had left him and that she had forgotten to at least buy milk for the Kids, he finds that things can only get worse. Having also been fired ... See full summary »
Martine and Jacques knew their friend before he became an important television personality, but have not seen him for over ten years. They are hospitable people - witness the fact that they... See full summary »
A young woman arrives in Paris where she finds a job as a waitress in bar next on Avenue Montaigne that caters to the surrounding theaters and the wealthy inhabitants of the area. She will meet a pianist, a famous actress and a great art collector, and become acquainted with the "luxurious" world her grandmother has told her about since her childhood.
Cécile De France,
this dance is too old-fashioned to be caught in the pace
When his movies deal with childhood, the towering achievements that are: "the War of Buttons" (1962), "my Father's Glory" and "my Mother's Castle" (1990), Yves Robert makes unforgettable movies which are on a par with François Truffaut's. They even surpass them. Here, "the Dance of the Pain in the Necks" (1992) is of a different register since it is a comedy of manners and coming after the adaptation of Marcel Pagnol's childhood memories, it's a spectacular let-down. Here's why: pain in the neck characters fed a lot literature (Molière in the seventeenth century had written a play entitled "les Facheux") and cinema (Jean Dréville shot a colorful comedy simply called "les casse-pieds" in 1948). Robert and his screenwriter Jean Loup Dabadie revived this formula to deliver which seems to be on the paper an updated version. As a matter of fact, the adjective "updated" doesn't suit at all to qualify this movie. If a movie made in 1991 doesn't adapt the involved subject of the pain in the neck characters to the comical fashions and the social manners of its time, do you think it has the single chance to be a worthy artistic work and to attract crowds? The answer is no and this is on this point that Robert's opus has its major flaws. His movie is a courageous but bound to fail undertaking. Already, since "les Casse-pieds" and even in the space of 44 years ago, times have changed. Viewers's tastes have evolved and they have adapted to new comical references. Here, we have already seen thousands of times in cinema a good part of the gags used and certain gained an overrated reputation. The result is an enormous gap between Robert's opus which is several carriages behind and the expectations from the generations of the early nineties. Had the movie been open forty or fifty years ago, it would have certainly worked better.
The amount? An old-fashioned movie that brings out a tasty dreariness. The machine never really starts and before our eyes, it's a series or rather a juxtaposition of sequences with a well-worn comic. However hard a swarm of actors gives the best they can by doing their little act, it is no use. Too bad for the ones who did better acting before in other kinds of movies (Jean Yanne shone in "the Beast must die", 1969 and " the butcher" 1969 by Claude Chabrol) and the others who deserve better (Jean Pierre Bacri is on top form when he writes scripts and still more when he acts in them with his fellow worker Agnès Jaoui. Ah! "Cooking and Dependences", 1993 "a Family Likeness", 1996). Moreover, it seems that the movie was made with means saving. Witnesses? Two-bit scenery, particularly the jerry-built New York at the very end.
Why not choosing "les Casse-Pieds" instead?
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