New York City, the 1930s. A powerful crime family is caught in a lethal crossfire between union organizers and brutal corporate bosses. Against this turbulent backdrop, the family's three ... See full summary »
A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
Born in the Bronx and raised in upstate New York, Abel Ferrara started his professional film career on Mulberry Street in 1975. For the past year he's been living on the block, and the ... See full summary »
A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
A police Lieutenant goes about his daily tasks of investigating homicides, but is more interested in pursuing his vices. He has accumulated a massive debt betting on baseball, and he keeps doubling to try to recover. His bookies are beginning to get agitated. The Lieutenant does copious amounts of drugs, cavorts with prostitutes, and uses his status to take advantage of teenage girls. While investigating a nun's rape, he begins to reflect on his lifestyle. Written by
Ed Sutton <firstname.lastname@example.org>
For its video release, the British Board of Film Classification insisted that 1 minute and 47 seconds of footage be excised. The cuts were largely made in the scene where Harvey Keitel takes drugs with Zoe Lund. See more »
At the end when the Lieutenant enters the bus terminal he leaves his car behind the street sign, however when he returns the car has moved forward. See more »
Vampires are lucky, they can feed on others. We gotta eat away at ourselves. We gotta eat our legs to get the energy to walk. We gotta come, so we can go. We gotta suck ourselves off. We gotta eat away at ourselves til there's nothing left but appetite. We give, and give and give crazy. Cause a gift that makes sense ain't worth it. Jesus said seventy times seven. No one will ever understand why, why you did it. They'll just forget about you tomorrow, but you gotta do it.
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'Bad Lieutenant' is not an easy film to watch. The lead character on the surface has no redeeming virtues - he's corrupt, he's sexually and morally deviant, he is really and truly on the slide. A nun's rape is supposed to awaken his conscience in some way and affect him so deeply that he almost gets to be a decent citizen, but for the bleak and empty ending.
All this would be so much hogwash if it wasn't for the stunning lead performance of Harvey Keitel, certainly taking his acting talent right to the edge to give us a nothing-held-back portrait of his character. There are several scenes of great power (and one or two which are deeply repellent); certainly this isn't a film you can easily forget when you've seen it.
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