Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members... See full summary »
This epic film traces over three generations an immigrant family's trials, tribulations, tragedies and triumphs. Jose and Maria, the first generation, come to Los Angeles, meet, marry, face... See full summary »
Edward James Olmos
Mousie and Sad Girl are childhood best friends in a contemporary Los Angeles poor Hispanic neighborhood. But when Sad Girl becomes pregnant by Mousie's boyfriend, a drug dealer named ... See full summary »
Kid brother Chuco (Danny De La Paz) is a sullen low-rider still caught up in the life. Despite their differences, their family bond is strong. But that bond is violently tested when rivals ... See full summary »
Danny De La Paz,
This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen years there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it. Written by
Gary Dickerson <firstname.lastname@example.org>
Most of the extras who were dressed as prisoners quit after the first day of filming. They were kept in a gated area next to an open sewer and had to ask guards to use the bathroom. Guards are used to ignoring prisoners, so they mostly ignored extras dressed as prisoners. They weren't given enough water and lunch wasn't served until late in the day. Conditions slightly improved on the second day, but on the third and final day of filming at Folsom Prison there were about 25 of the 200 that showed up on the first day. See more »
When the Mexican inmates are walking up with the mop and bucket to assassinate the African-American inmate, it shows the African-American inmate lying in just a t-shirt on his bed. In the next scene, after he's caught on fire, he's wearing his long sleeve button up. See more »
Can I talk to you a minute?
I heard about what happened. I'm sorry, Santana. Mi carnalito, he messed up.
It wasn't his fault, ese. It was all American beef. When they wanna pop you they're gonna pop you. Want some grill cheese, ese?
You sure, ese? It's good.
People are saying it's Little Puppet's fault.
It wasn't his fault, ese.
You know me, carnal, I'll do anything for La Eme. Anything. But I'm asking you, please, take my brother's name off.
Your brother's name is on a ...
[...] See more »
I seen this film when it first came out, back in 92 on VHS. The film stuck in my mind since-there have not been many films like it to date.
Edward James Olmos is magnificent as actor and director. You may not have seen him in many films but he does have a quality about him that casts him perfectly in the principal role of gang leader / drug cartel.
If you like prison films this is one of the best. It hasn't got too many clichés and avoids being overtly pretentious.
William Forsythe is great as Edward James Olmos's buddy and as he-Forsythe-usually does when acting (doesn't try to overact or steal any scenes) he just does the business and blends in as his character engrossing you into the film giving it a more realistic depiction of the setting.
Many prison films usually fit the same formula, showing you the in's and out's, morals and stereotypes usually associated with prison films. American ME just gets right into it and takes you along without preaching those usual morals and overdone cliché characters. This film is on a par with BLOOD IN BLOOD OUT. Check it out!
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