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When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Director:
Francis Ford Coppola
Stars:
C. Thomas Howell,
Matt Dillon,
Ralph Macchio
The story of the life of Brandon Teena, a transgendered teen who preferred life in a male identity until it was discovered he was born biologically female.
Director:
Kimberly Peirce
Stars:
Hilary Swank,
Chloë Sevigny,
Peter Sarsgaard
In 1978 rural Pennsylvania an absentee father is reacquainted with his estranged teenage sons and they become intrigued with romanticized life of crime.
Director:
James Foley
Stars:
Sean Penn,
Christopher Walken,
Mary Stuart Masterson
Antwone Fisher, a young navy man, is forced to see a psychiatrist after a violent outburst against a fellow crewman. During the course of treatment a painful past is revealed and a new hope begins.
Director:
Denzel Washington
Stars:
Derek Luke,
Malcolm David Kelley,
Denzel Washington
An unemployed single mother becomes a legal assistant and almost single-handedly brings down a California power company accused of polluting a city's water supply.
Director:
Steven Soderbergh
Stars:
Julia Roberts,
David Brisbin,
Dawn Didawick
This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen year there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it. Written by
Gary Dickerson <slug@mail.utexas.edu>
The characters of Santana (Olmos), J.D. (Forsythe) and Mundo (Serna) are based on real-life Mexican Mafia leaders Rudy "Cheyenne" Cadena, Joe "Pegleg" Morgan and Roberto "Robot" Salas. See more »
Quotes
Young Montoya Santana:
[Mundo is being devoted into the gang]
Come on, give me your hand. You know what, ese, White Fence, Maria, Varnita, they've been around here longer than us, you know. It's cool. We've got our own clika, strong clika. Finally getting into our own, gaining respect.
Young JD:
Our clika, our barrio, our family - that's all we got, ese.
Young Mundo:
Simon.
Young JD:
When we were kids, belonging felt good. But having respect, that feels even better.
Young Montoya Santana:
Cause La Primera lives through us. It gives to us. It is us. We make it, carnal, we ...
[...] See more »
"American Me" is arguably the most significant film not discussed in the same breath with crime epics such as "The Godfather." It was clearly made, both consciously and perhaps subconsciously to be the Mexican Godfather film and that is hardly a bad thing. Its honesty regarding the emotional costs of violence and murder are on par with that film. I don't know what to say to anyone who critiques Edward James Olmos. First, this actor's capacity to convey a complicated range of emotions without words is absolutely staggering and has been seen to great effect in many great films including "Blade Runner." Additionally, he is inarguably the premiere Latino / Chicano filmmaker and actor of all time. If you look at the films he has been involved with, think about how they have dominated the way Hispanic people, Mexicans in particular, have been seen by others who would, largely, not even know of the experiences of their neighbors. "American Me" is so unflinching that, after seeing it, I had to see it again to believe it was actually made by or released by a major studio. Once upon a time studio films featured honest portraits of life but rarely any more. "American Me" tho hardly the knee-slapping comedy some reviewer wanted or expected, conveys an honest sense of the life lived by many without the hope of education or prosperity but with the same need for respect and something bigger than themselves to believe in that you or anyone else has and lives their life by. If you want to see a life perhaps very different than yours depicted with uncommon honesty, watch this film.
24 of 25 people found this review helpful.
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"American Me" is arguably the most significant film not discussed in the same breath with crime epics such as "The Godfather." It was clearly made, both consciously and perhaps subconsciously to be the Mexican Godfather film and that is hardly a bad thing. Its honesty regarding the emotional costs of violence and murder are on par with that film. I don't know what to say to anyone who critiques Edward James Olmos. First, this actor's capacity to convey a complicated range of emotions without words is absolutely staggering and has been seen to great effect in many great films including "Blade Runner." Additionally, he is inarguably the premiere Latino / Chicano filmmaker and actor of all time. If you look at the films he has been involved with, think about how they have dominated the way Hispanic people, Mexicans in particular, have been seen by others who would, largely, not even know of the experiences of their neighbors. "American Me" is so unflinching that, after seeing it, I had to see it again to believe it was actually made by or released by a major studio. Once upon a time studio films featured honest portraits of life but rarely any more. "American Me" tho hardly the knee-slapping comedy some reviewer wanted or expected, conveys an honest sense of the life lived by many without the hope of education or prosperity but with the same need for respect and something bigger than themselves to believe in that you or anyone else has and lives their life by. If you want to see a life perhaps very different than yours depicted with uncommon honesty, watch this film.