Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members... See full summary »
Kid brother Chuco (Danny De La Paz) is a sullen low-rider still caught up in the life. Despite their differences, their family bond is strong. But that bond is violently tested when rivals ... See full summary »
Danny De La Paz,
Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation ... See full summary »
Edward James Olmos
Mousie and Sad Girl are childhood best friends in a contemporary Los Angeles poor Hispanic neighborhood. But when Sad Girl becomes pregnant by Mousie's boyfriend, a drug dealer named ... See full summary »
A kind of musical accompanying the story of the early 1940's and the effect that the "zoot suit" (a man's suit of long jacket and pegged pants, always worn with a long keychain that looped ... See full summary »
Edward James Olmos,
This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen year there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it. Written by
Gary Dickerson <email@example.com>
Edward James Olmos was issued a permit to carry a concealed weapon by the Los Angeles Police Dept. because of the many death threats he received from Mexican Mafia members. Before filming began, they were under the impression that the movie was to be a favorable portrait of their organization, and were angered when the film emphasized their criminal activities. See more »
When the Mexican inmates are walking up with the mop and bucket to assassinate the African-American inmate, it shows the African-American inmate laying in just a t-shirt on his bed and in the next scene after hes caught on fire he's wearing his long sleeve button up. See more »
I'm sorry to hear about Neto.
I don't know what to say to you.
Whatever, you know.
You're like two people. One is like a kid. Doesn't know how to dance, doesn't know how to make love. That's the one I cared about. But the other one, the other one I hate. The one who knows, the one who has this wrapdown, who knows how to run drugs, who kills people!
I don't have to listen to this shit, alright? If you were a man, I'd...
You'd kill me! Oh no. No, you'd fuck me in the ass, right? Right?
I guess we...
[...] See more »
"American Me" is arguably the most significant film not discussed in the same breath with crime epics such as "The Godfather." It was clearly made, both consciously and perhaps subconsciously to be the Mexican Godfather film and that is hardly a bad thing. Its honesty regarding the emotional costs of violence and murder are on par with that film. I don't know what to say to anyone who critiques Edward James Olmos. First, this actor's capacity to convey a complicated range of emotions without words is absolutely staggering and has been seen to great effect in many great films including "Blade Runner." Additionally, he is inarguably the premiere Latino / Chicano filmmaker and actor of all time. If you look at the films he has been involved with, think about how they have dominated the way Hispanic people, Mexicans in particular, have been seen by others who would, largely, not even know of the experiences of their neighbors. "American Me" is so unflinching that, after seeing it, I had to see it again to believe it was actually made by or released by a major studio. Once upon a time studio films featured honest portraits of life but rarely any more. "American Me" tho hardly the knee-slapping comedy some reviewer wanted or expected, conveys an honest sense of the life lived by many without the hope of education or prosperity but with the same need for respect and something bigger than themselves to believe in that you or anyone else has and lives their life by. If you want to see a life perhaps very different than yours depicted with uncommon honesty, watch this film.
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