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When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Director:
Francis Ford Coppola
Stars:
C. Thomas Howell,
Matt Dillon,
Ralph Macchio
The story of the life of Brandon Teena, a transgendered teen who preferred life in a male identity until it was discovered he was born biologically female.
Director:
Kimberly Peirce
Stars:
Hilary Swank,
Chloë Sevigny,
Peter Sarsgaard
In 1978 rural Pennsylvania an absentee father is reacquainted with his estranged teenage sons and they become intrigued with romanticized life of crime.
Director:
James Foley
Stars:
Sean Penn,
Christopher Walken,
Mary Stuart Masterson
Antwone Fisher, a young navy man, is forced to see a psychiatrist after a violent outburst against a fellow crewman. During the course of treatment a painful past is revealed and a new hope begins.
Director:
Denzel Washington
Stars:
Derek Luke,
Malcolm David Kelley,
Denzel Washington
An unemployed single mother becomes a legal assistant and almost single-handedly brings down a California power company accused of polluting a city's water supply.
Director:
Steven Soderbergh
Stars:
Julia Roberts,
David Brisbin,
Dawn Didawick
This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen year there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it. Written by
Gary Dickerson <slug@mail.utexas.edu>
According to 60 Minutes, three people who acted as consultants on this film were later murdered because of the depiction of a homosexual rape scene that reportedly deeply offended the Mexican Mafia's machismo. See more »
Quotes
Montoya Santana:
I'm sorry to hear about Neto.
Julie:
I don't know what to say to you.
Montoya Santana:
Whatever, you know.
Julie:
You're like two people. One is like a kid. Doesn't know how to dance, doesn't know how to make love. That's the one I cared about. But the other one, the other one I hate. The one who knows, the one who has this wrapdown, who knows how to run drugs, who kills people!
Montoya Santana:
I don't have to listen to this shit, alright? If you were a man, I'd...
Julie:
You'd kill me! Oh no. No, you'd fuck me in the ass, right? Right?
Montoya Santana:
I guess we...
[...] See more »
"Let the Good Times Roll"
Written by Leonard Lee
Performed by Shirley and Lee
Courtesy of EMI Records USA, a division of Capitol Records, Inc.
by arrangement with CEMA Special Markets See more »
A film that explores the criminal lifestyle in a remarkably brutal and cynical fashion, American Me is the stunningly assured directing debut of Edward James Olmos. Olmos also stars, and gives a terrific performance. Even better is William Forsythe as his lifelong friend and right hand man. This film features some of the most unflinching moments of violence I've seen in a mainstream American film. The violence isn't necessarily graphic, but you generally get the idea. One scene involving a brutal gang rape has deservedly achieved notoriety, and yet it doesn't seem gratuitous. It works within the confines of the story. Olmos should be applauded for this achievement, and it's a shame that this film is overshadowed by other gangster films. It belongs right up there with them.
22 of 22 people found this review helpful.
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A film that explores the criminal lifestyle in a remarkably brutal and cynical fashion, American Me is the stunningly assured directing debut of Edward James Olmos. Olmos also stars, and gives a terrific performance. Even better is William Forsythe as his lifelong friend and right hand man. This film features some of the most unflinching moments of violence I've seen in a mainstream American film. The violence isn't necessarily graphic, but you generally get the idea. One scene involving a brutal gang rape has deservedly achieved notoriety, and yet it doesn't seem gratuitous. It works within the confines of the story. Olmos should be applauded for this achievement, and it's a shame that this film is overshadowed by other gangster films. It belongs right up there with them.