When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Francis Ford Coppola
C. Thomas Howell,
This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen year there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it. Written by
Gary Dickerson <email@example.com>
The characters of Santana (Olmos), J.D. (Forsythe) and Mundo (Serna) are based on real-life Mexican Mafia leaders Rudy "Cheyenne" Cadena, Joe "Pegleg" Morgan and Roberto "Robot" Salas. See more »
Young Montoya Santana:
[Mundo is being devoted into the gang]
Come on, give me your hand. You know what, ese, White Fence, Maravilla, Lomita, they've been around here longer than us, you know. It's cool. We've got our own clika, strong clika. Finally getting into our own, gaining respect.
Our clika, our barrio, our family - that's all we got, ese.
When we were kids, belonging felt good. But having respect, that feels even better.
Young Montoya Santana:
Cause La Primera lives through us. It gives to us. It is us. We make it, carnal, ...
[...] See more »
A film that explores the criminal lifestyle in a remarkably brutal and cynical fashion, American Me is the stunningly assured directing debut of Edward James Olmos. Olmos also stars, and gives a terrific performance. Even better is William Forsythe as his lifelong friend and right hand man. This film features some of the most unflinching moments of violence I've seen in a mainstream American film. The violence isn't necessarily graphic, but you generally get the idea. One scene involving a brutal gang rape has deservedly achieved notoriety, and yet it doesn't seem gratuitous. It works within the confines of the story. Olmos should be applauded for this achievement, and it's a shame that this film is overshadowed by other gangster films. It belongs right up there with them.
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