Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members... See full summary »
A former gang member is pulled back into his former violent world after a Russian gang vying for control of the local drug trade kills his wife. Taking a solemn pledge to seek vengeance for... See full summary »
Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation ... See full summary »
Edward James Olmos
Kid brother Chuco (Danny De La Paz) is a sullen low-rider still caught up in the life. Despite their differences, their family bond is strong. But that bond is violently tested when rivals ... See full summary »
Danny De La Paz,
Mousie and Sad Girl are childhood best friends in a contemporary Los Angeles poor Hispanic neighborhood. But when Sad Girl becomes pregnant by Mousie's boyfriend, a drug dealer named ... See full summary »
A kind of musical accompanying the story of the early 1940's and the effect that the "zoot suit" (a man's suit of long jacket and pegged pants, always worn with a long keychain that looped ... See full summary »
Edward James Olmos,
Based on a true story, student activist and Mexican-American Paula Crisostomo (Vega), tired of being treated unequally, decides to take action and stage a walkout at five East Los Angeles ... See full summary »
This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen year there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it. Written by
Gary Dickerson <firstname.lastname@example.org>
The characters of Santana (Olmos), J.D. (Forsythe) and Mundo (Serna) are based on real-life Mexican Mafia leaders Rudy "Cheyenne" Cadena, Joe "Pegleg" Morgan and Roberto "Robot" Salas. See more »
When the Mexican inmates are walking up with the mop and bucket to assassinate the African-American inmate, it shows the African-American inmate laying in just a t-shirt on his bed and in the next scene after hes caught on fire he's wearing his long sleeve button up. See more »
I'm sorry to hear about Neto.
I don't know what to say to you.
Whatever, you know.
You're like two people. One is like a kid. Doesn't know how to dance, doesn't know how to make love. That's the one I cared about. But the other one, the other one I hate. The one who knows, the one who has this wrapdown, who knows how to run drugs, who kills people!
I don't have to listen to this shit, alright? If you were a man, I'd...
You'd kill me! Oh no. No, you'd fuck me in the ass, right? Right?
I guess we...
[...] See more »
I seen this film when it first came out, back in 92 on VHS. The film stuck in my mind since-there have not been many films like it to date.
Edward James Olmos is magnificent as actor and director. You may not have seen him in many films but he does have a quality about him that casts him perfectly in the principal role of gang leader / drug cartel.
If you like prison films this is one of the best. It hasn't got too many clichés and avoids being overtly pretentious.
William Forsythe is great as Edward James Olmos's buddy and as he-Forsythe-usually does when acting (doesn't try to overact or steal any scenes) he just does the business and blends in as his character engrossing you into the film giving it a more realistic depiction of the setting.
Many prison films usually fit the same formula, showing you the in's and out's, morals and stereotypes usually associated with prison films. American ME just gets right into it and takes you along without preaching those usual morals and overdone cliché characters. This film is on a par with BLOOD IN BLOOD OUT. Check it out!
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