Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Dr. Bruce Banner, thanks to a gamma ray experiment gone wrong, transforms into a giant green-skinned hulk whenever his pulse rate gets too high. Meanwhile, a soldier uses the same technology to become an evil version of the original.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After escaping from the alien planet, the ship carrying Ellen Ripley crashes onto a remote and inhabited ore refinery. While living in the ore refinery until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins to kill off the inhabitants, Ripley is unaware that her true enemy is more than just the killer alien. Written by
Kerwin Tsang <email@example.com>
Cinematographer Alex Thomson replaced Jordan Cronenweth after only two weeks of filming, after he began to suffer the onset of Parkinson's Disease. Though Cronenweth insisted that he was well enough to make it until the end of production, and David Fincher supported him, line producer Ezra Swerdlow forced Cronenweth off the film, largely because he had lost his own father to the same illness several years previously and knew that if anything, the demanding schedule would likely take a fatal toll on Cronenweth's health. See more »
When doing the autopsy, Clemens' bloodstain frequently changes. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
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The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
"Alien 3" combines the major elements of the first two entries in the popular series to make a disjointed mess that feels forced and rushed. This time Sigourney Weaver crash-lands her space ship from the last installment on a planet of jailed murderers and rapists. Everyone else on the ship dies and she believes that the alien has hitched a ride with her to this new planet. Of course it has and soon she, and everyone else on the planet, is trying to kill the alien and save themselves. "Alien 3" has the eerie feel of the first film and the in-your-face action of the second. These two elements make the film disjointed. At some points the audience is bored stiff and at other moments they are confused by the outlandish action sequences. The direction is never clear and there is no real screenplay here at all. Weaver tries to carry the film by herself, but she lacks the support that she had for the first two entries. Lance Henriksen only makes a token appearance. Charles Dutton is pretty good, but his character lacks the development to really make him interesting. Everyone else is just present and ultimately the alien proves to be little more than a jack-in-the-box monster that hops out at the most predictable moments. Overall a disappointment that is not very impressive at all. 2 stars out of 5.
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