During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
After escaping from the alien planet, the ship carrying Ellen Ripley crashes onto a remote and inhabited ore refinery. While living in the ore refinery until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins to kill off the inhabitants, Ripley is unaware that her true enemy is more than just the killer alien. Written by
Kerwin Tsang <email@example.com>
Much more of the autopsy scene was filmed than ended up in the final film. A rough cut of the scene originally contained so much gore, that it even made crew members who had worked on it sick to their stomach. See more »
When Clemens performs the autopsy on Newt, her blood runs freely as if she had died very recently. However, she had been in the escape pod for a long time and then been frozen in the morgue. Even when defrosted, her blood would have congealed and would not flow or stain clothes the way it does. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
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The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
There should be a rule of sequels that one does not invalidate the entire purpose of the one preceding it.
Aliens 3 cynically opens with, "Hey everything you saw in Aliens 2, everything Ripley endured and did meant NOTHING."
Once you strip away that gleam of hope, instill a complete sense of futility, you create in the viewer a, "What's the purpose, they are all gonna die anyway" mindset.
Sequels these days while complained about do carry with them advantage over say the trilogies of even a decade ago. Today most films with even a promise of a sequel or a series of sequels carry along with them a story arc. There is a lot less of the making it up as we go along to the writing of each installment than in the past.
Even this is a double edge sword. Where as you don't have to explain how a person who in the first movement was seen having their head chopped off didn't really die, you loose the creativity of having to write yourself out of what was once a story's deadend.
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