During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
Following clues to the origin of mankind a team journey across the universe and find a structure on a distant planet containing a monolithic statue of a humanoid head and stone cylinders of alien blood but they soon find they are not alone.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After escaping from the alien planet, the ship carrying Ellen Ripley crashes onto a remote and inhabited ore refinery. While living in the ore refinery until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins to kill off the inhabitants, Ripley is unaware that her true enemy is more than just the killer alien. Written by
Kerwin Tsang <firstname.lastname@example.org>
David Twohy contributed to the pile of abandoned scripts the movie's pre-production generated. In his version, the only returning character is Ripley, who only briefly appears on a file card. As in previous scripts the story involves experiments in genetically-engineering aliens as bioweapons. This script introduced a high-security prison facility in space and its morally ambiguous inmates (one of which is an escape artist), themes which made it into both the finished product, and Twohy's own Pitch Black (2000). See more »
Dillon's glasses disappear after Golic frees the alien. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
See more »
The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
During this movie I found watching the inside of my eyelids much more appealing. Something was just plain wrong about the whole movie. The biggest problem was that I didn't care about any of the characters but Ripley. This film was made in between the use of actual puppets and good computer animation (which is still obvious). That means that many times the Alien looked very fake. I thought the monster was more realistic in the original Alien.
Nothing was suspenseful of scary about this movie. The Alien point of view ruins the mystery and suspense of the Alien. I don't want to see what the Alien is seeing, what's the fun in that? I don't want to know where its going, I just want to be surprised.
Also, Ripley crashing on a planet of double Y chromosome rapists was immediately lame. Also, the doctor's little sob story made me wanna stop the movie right there. This movie had all the elements of a cheezy blockbuster, an embarrassment to the series. Because of this film, I'll probably never rent Alien: Resurrection. I can't even imagine the far-fetched, pathetic way Ripley comes back. I heard that Jeunet directed that film without knowing how to speak English to the cast. As the Godfather and Star Wars series' pointed out, three's a crowd. This is not an exception. 6/10
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