After her last encounter, Ripley crash-lands on Fiorina Fury 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
57 years later, Ellen Ripley is rescued by a deep salvage team during her hypersleep. The moon from the original movie has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After escaping with Newt and Hicks from the moon LB-426, Ellen Ripley crash-lands on Fiorina 161, a prison planet and home to a correctional facility. Unfortunately, although Newt and Hicks did not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with help being a long time away, the prisoners must simply survive in any way they can. When help does arrive, the true intentions of the Company becomes clear. While living on the prison planet until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins killing off the prisoners, Ripley is unaware that her true enemy is more than just the killer alien. Written by
Kerwin Tsang <firstname.lastname@example.org>
Off-duty, Sigourney Weaver had to wear a wig as her then two-year-old daughter Charlotte didn't like to see her mother bald. See more »
Dillon's glasses disappear after Golic frees the alien. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
See more »
The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
"Alien 3" combines the major elements of the first two entries in the popular series to make a disjointed mess that feels forced and rushed. This time Sigourney Weaver crash-lands her space ship from the last installment on a planet of jailed murderers and rapists. Everyone else on the ship dies and she believes that the alien has hitched a ride with her to this new planet. Of course it has and soon she, and everyone else on the planet, is trying to kill the alien and save themselves. "Alien 3" has the eerie feel of the first film and the in-your-face action of the second. These two elements make the film disjointed. At some points the audience is bored stiff and at other moments they are confused by the outlandish action sequences. The direction is never clear and there is no real screenplay here at all. Weaver tries to carry the film by herself, but she lacks the support that she had for the first two entries. Lance Henriksen only makes a token appearance. Charles Dutton is pretty good, but his character lacks the development to really make him interesting. Everyone else is just present and ultimately the alien proves to be little more than a jack-in-the-box monster that hops out at the most predictable moments. Overall a disappointment that is not very impressive at all. 2 stars out of 5.
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