During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A robotic warrior from a post-apocalyptic future travels back in time to protect a 20-year old drifter and his future wife from an most advanced robotic assassin and to ensure they both survive a nuclear attack.
A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After escaping from the alien planet, the ship carrying Ellen Ripley crashes onto a remote and inhabited ore refinery. While living in the ore refinery until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins to kill off the inhabitants, Ripley is unaware that her true enemy is more than just the killer alien. Written by
Kerwin Tsang <firstname.lastname@example.org>
When the EEV report is being made at the beginning of the film, Ripley is listed as "LT." - lieutenant. Yet, Ripley's rank was always a warrant officer, a lower rank than lieutenant (the extended inquest of the Director's Cut makes this clear). While it's true that Burke promised her that she'd be reinstated as a flight officer, since they never returned to Earth it is unlikely that this occurred, and certainly not at a higher rank than she was prior to her return to LV-426. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
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The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
"Alien 3" combines the major elements of the first two entries in the popular series to make a disjointed mess that feels forced and rushed. This time Sigourney Weaver crash-lands her space ship from the last installment on a planet of jailed murderers and rapists. Everyone else on the ship dies and she believes that the alien has hitched a ride with her to this new planet. Of course it has and soon she, and everyone else on the planet, is trying to kill the alien and save themselves. "Alien 3" has the eerie feel of the first film and the in-your-face action of the second. These two elements make the film disjointed. At some points the audience is bored stiff and at other moments they are confused by the outlandish action sequences. The direction is never clear and there is no real screenplay here at all. Weaver tries to carry the film by herself, but she lacks the support that she had for the first two entries. Lance Henriksen only makes a token appearance. Charles Dutton is pretty good, but his character lacks the development to really make him interesting. Everyone else is just present and ultimately the alien proves to be little more than a jack-in-the-box monster that hops out at the most predictable moments. Overall a disappointment that is not very impressive at all. 2 stars out of 5.
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