After her last encounter, Ripley crash-lands on Fiorina Fury 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
57 years later, Ellen Ripley is rescued by a deep salvage team during her hypersleep. The moon from the original movie has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After escaping with Newt and Hicks from the moon LB-426, Ellen Ripley crash-lands on Fiorina 161, a prison planet and home to a correctional facility. Unfortunately, although Newt and Hicks did not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with help being a long time away, the prisoners must simply survive in any way they can. When help does arrive, the true intentions of the Company becomes clear. While living on the prison planet until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins killing off the prisoners, Ripley is unaware that her true enemy is more than just the killer alien. Written by
Kerwin Tsang <firstname.lastname@example.org>
The film's production process was so chaotic and its reception by fans and critics so unhappy that it nearly ended David Fincher's career before he ever had a chance to gain momentum as a director. But two things ended up saving Fincher from permanent Movie Jail. The first thing was that Sigourney Weaver publicly (and often angrily) sided with Fincher against 20th Century Fox, telling journalists that the studio had made decisions that resulted in an impossible situation for the young director and that he would have an excellent career if given further chances. The other thing was that producer Arnold Kopelson knew and didn't respect the management at Fox, and that was part of the process where he ultimately offered Fincher a new project a few years later; that project was "Se7en" and its 1995 massive success re-ignited Fincher's career, which is still going strong today. See more »
(at around 4 mins) When we see the EEV crashing into the sea, the water splashes perpendicularly upwards - which would be impossible as there is strong wind blowing which should have blown the water away. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
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The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
During this movie I found watching the inside of my eyelids much more appealing. Something was just plain wrong about the whole movie. The biggest problem was that I didn't care about any of the characters but Ripley. This film was made in between the use of actual puppets and good computer animation (which is still obvious). That means that many times the Alien looked very fake. I thought the monster was more realistic in the original Alien.
Nothing was suspenseful of scary about this movie. The Alien point of view ruins the mystery and suspense of the Alien. I don't want to see what the Alien is seeing, what's the fun in that? I don't want to know where its going, I just want to be surprised.
Also, Ripley crashing on a planet of double Y chromosome rapists was immediately lame. Also, the doctor's little sob story made me wanna stop the movie right there. This movie had all the elements of a cheezy blockbuster, an embarrassment to the series. Because of this film, I'll probably never rent Alien: Resurrection. I can't even imagine the far-fetched, pathetic way Ripley comes back. I heard that Jeunet directed that film without knowing how to speak English to the cast. As the Godfather and Star Wars series' pointed out, three's a crowd. This is not an exception. 6/10
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