Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Dr. Bruce Banner, thanks to a gamma ray experiment gone wrong, transforms into a giant green-skinned hulk whenever his pulse rate gets too high. Meanwhile, a soldier uses the same technology to become an evil version of the original.
After escaping from the alien planet, the ship carrying Ellen Ripley crashes onto a remote and inhabited ore refinery. While living in the ore refinery until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins to kill off the inhabitants, Ripley is unaware that her true enemy is more than just the killer alien. Written by
Kerwin Tsang <email@example.com>
The original budget was $45 million which included Sigourney Weaver's fee of $5.5 million. The budget soon spiraled however, with first Renny Harlin and then Vincent Ward both leaving the project before novice feature film director David Fincher came on board. Extensive last minute re-shoots - especially after the finale was deemed to be too similar to Terminator 2: Judgment Day (1991) - ultimately pushed the budget into the region of $65 million. See more »
Early in the film the interior of the EEV is a mess, having been smashed up by the crash. However, as the movie progresses, it seems to be in a better and better condition and at the end it seems to be almost intact. However it could be that the interior of the wreckage was cleared up a little by the inmates on Fury 161 when they were removing the bodies of the rest of the crew and possibly looking for salvage. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
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The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
All the special effects in the world cannot hide a poor script...
...and Alien 3 has just that: a poor script. Gibson's version of the Alien 3 script, parts of which were incorporated into Alien Resurrection, is by far superior to this literary accident. One glaring factual error mars the script before the Alien even gets any screen time: cholera is not a virus, it is a bacterium. A reference to bubonic plague or ebola would have been far more appropriate, given that we're talking about a dead body in that scene.
However, the fundamental problem in Alien 3 is the humans. In the previous two installments of the series, you could have almost called the films "Human" and "Humans" respectively, because the alien was often incidental to the way the human characters related to one another. The alien seemed to exist only to highlight the dangers of curiosity without caution or cooperation at times. Add to this the fact that both the films feature the best simulations of alien creatures outside of the digital era, and you can soon see where Alien 3 falls down.
A special effects company who won't be mentioned here rallied hard for the contract to do the CGI effects for the alien in some shots. Funny that, because when one rallies to be awarded a job, one normally tries to do a good one. The alien in this film was so poorly simulated during CGI shots that it is quite clear which shots are the man in the suit, and which ones aren't. But by far the worst aspect of the film is the manner in which the human characters are conspicuously reduced at one point. It highlights the fact that the characters are not fleshed out enough for anyone to care.
Another problem that becomes apparent when watching making-ofs is that the film was rushed into production without even a script to work from. The manner in which cast and crew members defend director David Fincher, highlighting the fact that he had to start shooting without a script, really suggests where the blame should be laid. Of the crew, only Alex Thomson is willing to openly blame the studio, but the fact that he is long since retired makes it clear that Fox particularly has a big problem with the dismal failure of this rush job.
I gave Alien 3 a two out of ten. The first thought that came to mind when I saw the third Alien film at the theatre was one of disappointment. The last thought was that at least they couldn't screw the series up any worse. Alien Resurrection didn't prove me wrong as far as entertainment value was concerned. This movie sucks like a Godfrey's showroom.
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