During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
Following clues to the origin of mankind a team journey across the universe and find a structure on a distant planet containing a monolithic statue of a humanoid head and stone cylinders of alien blood but they soon find they are not alone.
After escaping from the alien planet, the ship carrying Ellen Ripley crashes onto a remote and inhabited ore refinery. While living in the ore refinery until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins to kill off the inhabitants, Ripley is unaware that her true enemy is more than just the killer alien. Written by
Kerwin Tsang <firstname.lastname@example.org>
Walter Hill and David Giler (the latter of whom referred to David Fincher as a "shoe salesman" during a conference call with the studio) fought with Fincher for 2 months over the script, and he complained about their budgetary restrictions. They and screenwriter Rex Pickett (who was also hired to rewrite the second half of the duo's script) in turn abandoned Fincher, and left him to finish the script himself. Fincher would end up rewriting lines and entire scenes on-the-fly during production, while trying to keep Fox (who were requesting daily updates from the set) at bay. See more »
When Clemens performs the autopsy on Newt, her blood runs freely as if she had died very recently. However, she had been in the escape pod for a long time and then been frozen in the morgue. Even when defrosted, her blood would have congealed and would not flow or stain clothes the way it does. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
See more »
The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
I remember seeing the trailers for this film the December before it opened. On a sort of high from just seeing the first two movies, I was expecting big things from the second "Alien" sequel, and the trailer promised exactly that: "In space, no one can hear you scream... but on Earth, everyone can!" was the tagline.
So what do we get instead? A wretched excuse for a sequel to two of the greatest sci-fi films ever made. First of all, the story is beyond simply depressing... it undoes everything from the first two movies, and utterly destroys Ripley's world. Everything she's fought for is for naught. We almost want her to die, to end the ceaseless buffet of suffering her life has become. We must suffer through uninteresting characters that are indistinguishable from each other, dull "turn around and there's the alien" shocks, poor camera work during the action sequences (some would call it style, I call it confusing and obnoxious), and finally the ending that gels perfectly with this bottomless abyss of a movie. Alien Ressurection be damned... this travesty should have been a dream, and David Fincher should have stuck to directing Madonna videos.
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