Aladdin is a poor street urchin who spends his time stealing food from the marketplace in the city of Agrabah. His adventures begin when he meets a young girl who happens to be Princess Jasmine, who is forced to be married by her wacky yet estranged father. Aladdin's luck suddenly changes when he retrieves a magical lamp from the Cave of Wonders. What he unwittingly gets is a fun-loving genie who only wishes to have his freedom. Little do they know is that the Sultan's sinister advisor Jafar has his own plans for both Aladdin and the lamp. Written by
Robin Williams initially refused to take the role of the Genie since it was a Disney movie, and he did not want the studio profiting by selling toys and novelty items based on the movie. He accepted the role with certain conditions: "I'm doing it basically because I want to be part of this animation tradition. I want something for my children. One deal is, I just don't want to sell anything - as in Burger King, as in toys, as in stuff." See more »
When Genie rolls out his tongue into a staircase, he drops Aladdin and the pillow at the base of the staircase. When the miniature Genie reaches the bottom, Aladdin and the pillow disappear. See more »
[first lines after the opening song]
Ahh! Salaam and good evening to you, worthy friend. Please, please, come closer.
[camera hits him in the face]
Too close! A little too close.
[camera backs up]
There. Welcome to Agrabah.
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The cast section is left out in the end credits. The main voice cast's names are listed in the Character Animation section. See more »
Robin Williams, Great Songs Make This One Of The Best Animated Films Ever
I can think of three quick reasons why this has remained one of the best animated movies ever: 1 - Very good, very catchy songs that still sound good 15 years later; 2 - excellent, colorful visuals; 3 - the unique humor of Robin Williams, who seems to spout a joke-a- second. In fact, you have to pay close attention to hear Williams' lines because they come so fast and furious. Actually, at times they are too fast. You hardly have time to laugh or digest what he just said when another line hits you. Williams' genie character doesn't appear on screen until after the first third of the film is over.
Without all those jokes - and the great visuals that go with those gags (things popping up like Saturday morning cartoons), this would just be a routine Disney animated film. Part of the normal Disney fare includes a hero who is a good guy but a liar and a heroine who is the typical wasp-waisted beauty who is rebellious against the rules of the day. The villain is an "Oil Can Harry" mustached dastardly employee of the king who desires king-like powers. His scenes, however, are tempered with humor thanks to his New York City-sounding obnoxious parrot, who provides most of the movie's slapstick humor.
Maybe the best attribute of this film is simply how fast it moves, meaning it's very, very entertaining.
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