Aladdin is a street-urchin who lives in a large and busy town long ago with his faithful monkey friend Abu. When Princess Jasmine gets tired of being forced to remain in the palace that overlooks the city, she sneaks out to the marketplace, where she accidentally meets Aladdin. Under the orders of the evil Jafar (the sultan's advisor), Aladdin is thrown in jail and becomes caught up in Jafar's plot to rule the land with the aid of a mysterious lamp. Legend has it that only a person who is a "diamond in the rough" can retrieve the lamp from the Cave of Wonders. Aladdin might fit that description, but that's not enough to marry the princess, who must (by law) marry a prince. Written by
Murray Chapman <email@example.com>
The opening scene with the street merchant was completely unscripted. Robin Williams was brought into the sound stage and was asked to stand behind a table that had several objects on it and a bed sheet covering them all. The animators asked him to lift the sheet, and without looking take an object from the table and describe it in character. Much of the material in that recording session was not appropriate for a Disney film. See more »
When on the balcony right before 'A Whole New World', Aladdin offers his hand out for Jasmine to grab. His arm is bare, which shows most of the forearm. In the previous and following shots, Aladdin is in his Prince Ali suit, which extends all the way to his wrists. See more »
Ahh! Salam and good evening to you worthy friend. Please, please come closer.
[camera hits him in the face]
Too close! A little too close.
[camera backs up]
There! Welcome to Agrabah!
See more »
After the end credits roll, we hear Genie thanking the audience and telling them they've been wonderful. (Added for the Special Edition only, perhaps to make up for the longer crawl.) See more »
Just watched this recently, on the new-and-improved DVD which features a restored print, and it looks spectacular. The story is slightly shallower than the best of Disney's films, but this is balanced by the sheer lunacy of Robin Williams' bad, blue Genie. Whoever first thought of putting Robin Williams in a Disney flick should get a Pulitzer, or a Nobel, or something. The comic timing of his riffs combined with the comic timing of the animators transform the Genie from a "Deus Ex Machina" into the soul of "Aladdin."
I have a tiny issue with the fact that the most recent VHS and DVD prints of the movie have bowed to pressure from activist groups and altered a line in the opening song. The original line was, "...where they cut if your ear if they don't like your face/It's barbaric, but hey, it's home." The revised line reads, "...where the land is immense and the heat is intense/It's barbaric, but hey, it's home." Protesters claimed the original line perpetuated a negative stereotype of Arab countries and peoples. But...but...but marketplaces and cities in Arabian countries still cut the hands off convicted thieves. And there's even a scene in the film which threatens to relieve the princess of an appendage. They're not being negative; they're being accurate. And, oh yeah, IT'S A CARTOON. But that's just my opinion.
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