Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
Set during the grand, sweeping Napoleonic age, an officer in the French army insults another officer and sets off a life-long enmity. The two officers, D'Hubert and Feraud, cross swords ... See full summary »
A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
Big budget account of Christopher Columbus' discovery of the Americas. Released in 1992 to celebrate the 500th anniversary of the discovery. Shows the disastrous effects the Europeans had on the original inhabitants, and Columbus' struggle to civilize the New World. Written by
The original title was simply "Columbus". See more »
When explaining navigation to Mendez, about 38 min in, Columbus states "a mistake of one degree, and we will be off 600 leagues." In fact, a mistake of one degree would result in a deviation of 60 nautical miles, about 20 leagues. See more »
Young Fernando Columbus:
Of all the words my father wrote - and there were many - I remember these the most: "Nothing that results from human progress is achieved with unanimous consent. And those who are enlightened before the others are condemned to persue that light in spite of others."
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The perils of working towards an anniversary and trying to beat a rival project to the screen are all too evident in 1492 Conquest of Paradise. It's easily Ridley Scott's most beautiful looking film, designed and shot with real love and care. With almost every shot gorgeous enough to take down and frame, it's like walking through an art gallery at times. Unfortunately that's never enough to compensate for a terrible screenplay by Roselyne Bosch that seems to have been written on the bus to work and stumbles from cliché to cliché. Carry On Columbus has better dialog at times, not to mention a better grasp of history. Worst of all, it throws away the real dramatic potential in Columbus' life for an unconvincing slice of class warfare wouldn't you know it, it was really all those pesky upper class Euro trash aristo types like Michael Wincott that screwed up paradise, not Columbus' own incompetence and incredible cruelty while painting him as the 'chosen one.' At one point when the Inquisition ask our compassionate visionary if he is comparing himself to Christ, there's even a dramatic pause as he thinks it over in that he-is-you-know tipping the nod to the audience way. The result is a film that wants to be up there with Herzog's Spanish nutter in the jungle movies but is too expensive to allow its protagonist to go all Klaus Kinski on it and run the risk of alienating the audience, leaving us with more excuses and special pleading than drama.
Strangely, no-one in front of or behind the camera seems to notice just how bad the script is ("Excuse me, but you're the only queen I know," Columbus tells Isabella, soliciting the even more unlikely reply "You're the only navigator I know, so that makes us even."), and both performances and technical standards are all worthy of a much better film. Still, sometimes looking good is good enough but not good enough for 154 minutes. It's a shame that they didn't read Kirkpatrick Sale's excellent historical biography instead of just using the title.
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