A young Bruce Wayne is in his third year of trying to establish himself as Batman, protector of Gotham City. Living in Gotham, a metropolis where shadows run long and deep, beneath elevated... See full summary »
In the Marvel Comics universe, mutants, people with genetically endowed superpowers, are a persecuted by a hateful and fearful populous. One shelter from this is Professor Xavier's Academy for Gifted Children. But the school has a secret function as a training centre for mutants to control their abilities so they can function in regular society. It also serves as a secret headquarters of a superhero team, called the X-Men formed both to be a positive example of mutants and as an opposing force against those mutants who seek to force the world to kneel to their perceived superiority. This series recounts their adventures as they struggle to make the world accept them, while battling villains like Magneto, Apocalypse and the genocidal robots known as the Sentinels. Written by
Kenneth Chisholm <email@example.com>
Broadcast standards and practices had asked the writers to change the name of the villain Fabian Cortez to something no-hispanic because there are no prominent members of the X-Men to provide balance for this type of negative character. Eric Lewald said that was a big deal to the writers since that's the character's name in the comics and pointed out the Spanish conquistador Cortez was not a well-liked man. See more »
In the opening theme scene, the X-Men charge against the Brotherhood of Mutants. One of the team members on the Brotherhood is an man dressed as an Indian. That Indian character is named Thunderbird and, according to the original comics, is a hero of the X-Men. See more »
Looks like your behind the ol' 8-ball Gambit and I'm about to sink it.
You not win the game yet Chère. Could be you need *incentive*. How about the winner get a kiss from the loser?
[Rogue misses the shot]
That's not funny or do you wanna end up in a coma.
You can drain my energy any time, Chère. Gambit has plenty. Observe, first we charge the cue.
Don't let Gambit get to you Rogue.
I'd like to wipe that smirk off his face. Serve him right if I did give that lowlife a kiss.
Maybe Monsieur Gambit...
[...] See more »
In the opening credits, a roll call of the X-Men occurs, with each member showing off their particular ability. See more »
Excellent, more faithful to the comics than the mediocre films ever will be
I was in my early teens when I first saw this cartoon version of 'X-Men' on television and it was what ignited my long-standing interest in the Marvel universe. If there was ever a lesson to be learnt about what it is to produce a faithful, involving adaptation (be it from a comic or a book) this show was the perfect example as it managed to successfully transfer the characters and plots from page to screen without dumbing down or altering things for the sake of making them 'cooler'.
The cartoon focused mainly on 'X-Men' favourites including Cyclops, Jean, Wolverine, Gambit, Rogue, Storm, Beast, Jubilee and, of course, Xavier. But there were also episodes involving characters in supporting roles such as Archangel, Bishop, Nightcrawler and Cable. In terms of villains, all the usual suspects of like Magneto, Sinister, Mystique and Apocalypse turn up at some point. Unlike the recent films, aimed at pleasing teenagers and casual cinema-goers, this series was more intent on depicting the characters properly so there is the same interactions as seen in the comics including the Scott/Jean/Wolverine triangle, the love/hate relationship between Gambit and Rogue and the sibling bond that Storm and Gambit share. It also wonderfully portrays Wolverine's darkly sarcastic side, which brings humour to the show.
While the films (and the childish 'X-Men: Evolutions') show the X-Men having rather calm, settled lives on the whole, this series gave a darker view of the universe, showing the team striving to do good in a world where much of humanity loathed mutants and saw them as the threat. It also tackled story arcs, like Onslaught, Dark Phoenix, Days of Future's End and Angel's transformation into Archangel, that appeared in the comic-verse in a way that retained the essence of the stories.
This was certainly one of the best cartoons to come out of the Nineties and still holds appeal to me even now that I'm an adult. In fact, I think a few of the time-travelling episodes would probably be a bit too complex for the usual eight- to twelve-year-old demography who watch Fox Kids. I'd highly recommend this to fans of the comics and those who enjoyed the films but felt they were too flat and want to see something that preserves the spirit of the comics.
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