Marc Labrèche, avec l'aide de nombreux collaborateurs tels Jean-René Dufort, Patrick Masbourian, Isabelle Maréchal, Bruno Blanchet, Paul Houde et Christian Tétreault, présentait l'actualité... See full summary »
Un couple dans la fin de la vingtaine, un appartement, des amis, des voisins et une clinique vétérinaire: bienvenue dans l'univers de 4 et demi. - Un appartement dans lequel évoluent Louis,... See full summary »
Based on the comedy of Ding & Dong, the sitcom is an extreme satire of the typical Québec family. A couple that can't seem to get along after decades of marriage are always confronted by ... See full summary »
An ex-blue-collar city employee tries to blow the whistle on corruption but when he loses his job over his righteous zeal, he goes from a life of honesty to a life of screwing the system. The whole family adopts this attitude. The whole title of the show is "Les Bougons, C'est Aussi Ça La Vie" Which translates into "The Bougons, This Is Also Life"
Officer Nick Beroff, 17 years of service for Montreal's police, is not happy to be stuck with Ben Chartier, newly transferred from S.Q (provincial police), as a partner, but after the ... See full summary »
A reporter is mistakenly sent to report from the war front. There he meets other reporters who are waiting for a scoop. When one notable reporter goes missing, they all presume he found a scoop and go looking for him.
Shizuka Miyakonojo (Masaharu Fukuyama) is a 40 something paparazzi photographer. He is a skilled cameraman who has a gambling addiction and is in debt. An ex journo for a weekly picture ... See full summary »
Great, moving series about the written Media world
The authors of the successful "Lance et Compte" series, Fabienne Larouche and Rejean Tremblay (both real journalists), wrote this fiction about the world of journalism through its oldest form: the daily newspaper.
The intrigue evolves mainly about two caracters: Michel Gagne (Roy Dupuis, from Nikita fame...), comes fresh from rural Quebec to Montreal and gets a job in the prestigious newspaper L'Express (a send-off of real Montreal French newspaper La Presse). There, trying to find stories in all layers of society (including the Mob...), he falls in love with Stephanie Rousseau (Macha Grenon), the daughter of the newspaper magnate Emile Rousseau (Claude Leveille) who owns L'Express. Though he does not approve of this, he must resignate to his daughter's choice as the couple gives birth to the future heir of the Rousseau huge fortune, a son named Francis.
For the rest: a star journalist, Dumoulin (Rene Gagnon), wonders if his future remains with L'Express, as he is also tangled with his daughter's Alex (Joelle Morin) adventures and the love relationship he has with a sexy but tough accountant of L'Express (Sophie Lorain). The chief editor, Rivard (excellent Remy Girard), is a Lou Grant-type guy: tough but straight, always arguing with the tv critic (Francine Ruel) but at the end, stays fair (however, he's hiding a gay life...). A rather klutzy journalist, Tintin (Martin Drainville), makes also its way into this world, falling in love with a colleague called Gabriella (Charlotte Laurier). And the president of the Express, Louise Duguay (France Castel) must face a tough decision of Mr.Rousseau to include a former Union Leader, Vezina (Raymond Bouchard), to increase the sales volume of the newspaper by any means, including job cuts and the menace of a strike, as the newspaper has hidden financial problems due to new and upcoming electronic media (we are in 1992 here, Internet was just close to become a "in" thing...)
Add on some intrigues, like a Canadian government MP's suicide, the management of a boxing champ by the Mob and other stories (even hockey is involved) and you got a passionnate, moving story about the journalistic world and its implication. You might be surprised how they can influence the People's way of thinking...
I've seen all the four series and it's great. Good acting, well written, and gives you a thought of how it is hard to deliver a good story to the public...
Only journalists can do that...
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