Detective Superintendent Jane Tennison's investigation of the murder of a Bosnian refugee leads her to one, or possibly two, Serbian war criminals determined to silence the last witness to a massacre a decade before.
A series of brutal sex murders disturbingly similar to the pattern of Superintendent Jane Tennison's first major case leads to the awful suggestion that she may have caught the wrong man the first time.
Fitz returns to Manchester after living 10 years in Australia with his wife and youngest son. He is soon drawn into the investigation of a British soldier who may have been traumatized by his years serving in Northern Ireland.
DC Anna Travis joins a team on the hunt for a particularly gruesome serial killer. When the latest victim is found and doesn't fit the usual profile of the killer's victims, Travis sets out to prove herself.
Detective Chief Inspector Jane Tennison now deals with a racially charged murder. The long-dead body of a young black woman is discovered in a district recently convulsed by police brutality and which now is in the midst of a highly-charged political campaign. Her investigation is hampered by the hostility of the local populace, and the clumsy methods of some of her subordinates and irresponsible journalists make things worse. Can she solve the case before a race riot breaks out? Her job is complicated when a former lover is assigned to her command as a subordinate. Written by
In a 2006 interview, Helen Mirren stated that 'what did shock me profoundly was we had a storyline, where a house had been bought and they're re-modeling the garden and they find a dead body and then they find another one. And in my mind I was going - that's a little bit, you know, that's pushing it a bit - and then very shortly after that the Rosemary and Fred West case came about and I thought - my god. My god. Not only was it realistic. The real world went so much further'. See more »
When Burkin is questioning a band member at a studio in relation to Nadine, the music starts despite the fact that bassist hasn't finished talking to Burkin, the bass can be clearly heard. See more »
[At the inquest into Tony Allen's death in police custody, Duhra has forced Oswalde to admit that he forced Allen to return to his police cell when the suspect was mentally unstable]
You had an exemplary record, Sergeant. Could it be that in some subtle way you were being tougher - harder - on this black suspect because you too are black?
Sergeant Robert Oswalde:
I'm afraid your question is too subtle for me.
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Television has never been considered "high art", but this 4-hour miniseries is about as close to that as you're going to find. When I first saw this series several years ago, I said it was the finest television miniseries I'd ever seen (so, longer-running series like I Claudius don't fall into this category). I recently saw it again, and I stand by my original opinion. Virtually every aspect of this series is exception and memorable -- an intricate, intriguing detective story, finely-drawn characters, subtle probing of psychological, social, and racial issues, remarkable acting, original and impressive cinematography, incredible editing, clear direction...even great costume design and an unforgettable musical score. This series was as riveting to me the second time I saw it as the first, and I constantly noticed many nuances and attention to detail which I missed the first time. This is a remarkable film, which stands up to repeated viewing and can be enjoyed on many levels. I can't recommend it enough. You won't be disappointed. (And I really don't engage in such hyperbole often...see some of my other reviews!)
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