A series of brutal sex murders disturbingly similar to the pattern of Superintendent Jane Tennison's first major case leads to the awful suggestion that she may have caught the wrong man the first time.
Detective Superintendent Jane Tennison's investigation of the murder of a Bosnian refugee leads her to one, or possibly two, Serbian war criminals determined to silence the last witness to a massacre a decade before.
Fitz returns to Manchester after living 10 years in Australia with his wife and youngest son. He is soon drawn into the investigation of a British soldier who may have been traumatized by his years serving in Northern Ireland.
Detective Chief Inspector Jane Tennison now deals with a racially-charged murder. The long-dead body of a young black woman is discovered in a district recently convulsed by police brutality and which now is in the midst of a highly-charged political campaign. Her investigation is hampered by the hostility of the local populace, and the clumsy methods of some of her subordinates and irresponsible journalists make things worse. Can she solve the case before a race riot breaks out? Her job is further complicated when a former lover is assigned to her command as a subordinate. Written by
In a 2006 interview, Helen Mirren stated that 'what did shock me profoundly was we had a storyline, where a house had been bought and they're re-modeling the garden and they find a dead body and then they find another one. And in my mind I was going - that's a little bit, you know, that's pushing it a bit - and then very shortly after that the Rosemary and Fred West case came about and I thought - my god. My god. Not only was it realistic. The real world went so much further'. See more »
When Burkin is questioning a band member at a studio in relation to Nadine, the music starts despite the fact that bassist hasn't finished talking to Burkin, the bass can be clearly heard. See more »
[At the inquest into Tony Allen's death in police custody, Duhra has forced Oswalde to admit that he forced Allen to return to his police cell when the suspect was mentally unstable]
You had an exemplary record, Sergeant. Could it be that in some subtle way you were being tougher - harder - on this black suspect because you too are black?
Sergeant Robert Oswalde:
I'm afraid your question is too subtle for me.
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This one isn't written by La Plante and it shows. The cacophony of the station room is replaced by a hum. Things are more sorted, the plot details pointed to ostentatiously.
This one is about racism - about how racial tensions cause destruction all around. Many of the familiar faces from the first episode are back, but others are unfortunately gone.
This one goes on forever. All these episodes are four hours long but this one feels that long. Two hours through it and you'll expect an ending and then you'll check the clock and you're likely to yelp 'OMG another two hours?'
It's not bad - but it does drag. As all these stories, it's incredibly complex and intricately woven - and it will beat most television crime drama fare. But odds are at the end of the game you'll long for the return of La Plante.
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