Detective Superintendent Jane Tennison's investigation of the murder of a Bosnian refugee leads her to one, or possibly two, Serbian war criminals determined to silence the last witness to a massacre a decade before.
Anna Maria Ashe
A series of brutal sex murders disturbingly similar to the pattern of Superintendent Jane Tennison's first major case leads to the awful suggestion that she may have caught the wrong man the first time.
From the Irish countryside to London to New York and back again, Maggie reenters the world as a countess and shady art dealer. With her panache and charisma, she finds more than an auction,... See full summary »
DC Anna Travis joins a team on the hunt for a particularly gruesome serial killer. When the latest victim is found and doesn't fit the usual profile of the killer's victims, Travis sets out to prove herself.
Detective Chief Inspector Jane Tennison now deals with a racially charged murder. The long-dead body of a young black woman is discovered in a district recently convulsed by police brutality and which now is in the midst of a highly-charged political campaign. Her investigation is hampered by the hostility of the local populace, and the clumsy methods of some of her subordinates and irresponsible journalists make things worse. Can she solve the case before a race riot breaks out? Her job is complicated when a former lover is assigned to her command as a subordinate. Written by
In a 2006 interview, Helen Mirren stated that 'what did shock me profoundly was we had a storyline, where a house had been bought and they're re-modeling the garden and they find a dead body and then they find another one. And in my mind I was going - that's a little bit, you know, that's pushing it a bit - and then very shortly after that the Rosemary and Fred West case came about and I thought - my god. My god. Not only was it realistic. The real world went so much further'. See more »
When Burkin is questioning a band member at a studio in relation to Nadine, the music starts despite the fact that bassist hasn't finished talking to Burkin, the bass can be clearly heard. See more »
This one isn't written by La Plante and it shows. The cacophony of the station room is replaced by a hum. Things are more sorted, the plot details pointed to ostentatiously.
This one is about racism - about how racial tensions cause destruction all around. Many of the familiar faces from the first episode are back, but others are unfortunately gone.
This one goes on forever. All these episodes are four hours long but this one feels that long. Two hours through it and you'll expect an ending and then you'll check the clock and you're likely to yelp 'OMG another two hours?'
It's not bad - but it does drag. As all these stories, it's incredibly complex and intricately woven - and it will beat most television crime drama fare. But odds are at the end of the game you'll long for the return of La Plante.
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