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| Index | 23 reviews in total |
32 out of 38 people found the following review useful:
Flipping hell, 26 May 2003
Author:
paul2001sw-1 (paul2001sw@yahoo.co.uk) from Saffron Walden, UK
The Larry Sanders show was the best, nastiest, and funniest comedy program
on either side of the Atlantic during the 1990s. Filmed without a laughter
track, it features Garry Shandling as TV talk show host Larry Sanders
(motto: "No flipping!"), who we follow on and off camera.
On camera, the Larry Sanders Show is slick, professional, and vacant, as
celebrities appear pretending to be best of friends with Larry and delighted
to be on the show when all they're really doing is plugging their latest
product and when everyone in the paranoid entertainment industry actively
hates everybody else. Exactly like real talk shows, in fact. As a parody,
Larry Sanders is extremely subtle, aided by the fact that many A-list celebs
from real life appear, showing a surprising willingness to send themselves
up (David Duchovny, for example, features in one episode where the main
storyline centres on his crush on Larry!). It's bad, but not obviously: you
can really imagine it on air (in sharp contrast to Steve Coogan's Alan
Partridge, who in real life would never make it even to hospital
radio).
But the funniest material comes backstage. The leading characters (Larry,
his loser sidekick Hank, and his alternately tough-talking and sycophantic
producer Artie) are all so horrible, the main joke is basically that
everyone continually behaves in a manner both in character, and yet also
worse than you could possibly expect. The sheer unpleasantness of these
individuals is jaw-dropping... you continually wonder "did he really just
say that?" Hank, for example, after his agent has been hospitalised and he
hasn't been allowed to visit, comments: "It's so unfair! I mean so much to
him!" then immediately starts phoning potential successors. The character
of Hank is perhaps the best of all, his role on the show is to appear
talentless and genial alongside Larry, a role he fulfills with partial
success because he is naturally talentless but not in the least genial! But
all the cast (including many regulars) are wonderfully portrayed, Shandling
is great but at the end of each brief episode you almost wish you had seen
more of the others... in fact this is probably just another sign of the
show's strength, instead of wheeling out our favourites each week for a
familiar laugh, this show is always looking for fresh ways to make us
uncomfortable.
In some ways this is a very un-American program (there's not an ounce of
sentiment, or a hint of redemption for its characters). In the UK, Peter
Kay's "Phoenix Nights" is perhaps the closest thing to a successor. But the
Larry Sanders show remains a major loss from the late-night
schedules.
19 out of 22 people found the following review useful:
A brilliant take-off of the late night TV scene, 30 August 2001
Author:
(schuchat@hotmail.com) from Miami, FL.
For years we've all heard the stories of behind the scenes powerplays, ego,
contracts, manipulation etc. among the late night hosts and networks. Ever
since Johnny "clicked" with American TV audiences on NBC we have watched a
steady stream of after 11pm hosts of variety type shows. Post-Carson we have
seen Jay, Dave, Conan, Arsenio, Pat Sajak, Chevy Chase, Craig Kilborn, Bob
Costas, etc. vie for the late night dollars. A movie entitled "The Late
Night Shift" was made depicting the infighting between Jay Leno's people and
David Letterman's group to take over The Tonight Show when Johnny
retired.
Now Gary Shandling and HBO have devised a character and show to weave
between reality and fiction all in the form of Shandling's alter-ego Larry
Sanders. Much like Billy Crystal's creation, Buddy Young Jr., Sanders has
taken on a personna of his own. However, what Shandling and HBO have done
takes it to new heights of excellence. The stories are witty, funny,
provocative, and probably lend more truth to insights into show business
then even the most skeptical of us could have imagined.
With an absolutely great supporting cast this show embodies the idea that
comedy can be intellectual, cutting edge, and somewhat bitter sharp without
excluding portions of the audience. Of special note the performance of Rip
Torn, as Larry's veteran producer (Artie), is shear greatness. Torn has
fashioned his character after Fred DeCordova who was Johnny Carson's
Executive Producer.Artie "knows when to hold 'em and when to fold 'em". He
knows when to f__k with the network and when not to and he insulates Larry
from anything that would compromise Larry's ability to be on the edge for a
great show. He loves Larry like a brother and loathes him for his
insecurities, childishness, ego and all that Larry can be that's
infuriating.
Jeffrey Tambor is terrific as Larry's Ed McMahon sidekick Hank Kingsley. A
sniveling, insecure, limited talent based guy Kingsley is well paid and
likes to throw around power. Trouble is his power base is Larry and those
staffers that work on the show only do for Hank what they absolutely have
to. Tambor plays this character to a tee!
With real celebrity guests poking fun at celebrity, TV, movies, and
themselves at times the program almost seems to allow the entertainment
industry to safely poke fun at itself in a somewhat scathing
manner.
The show ended it's run about a year and a half ago but it replays on the
HBO channels each week and is well worth the time to view.
11 out of 15 people found the following review useful:
Brilliant Writing, 6 December 2002
Author:
bregund from San Francisco
The Larry Sanders Show is one of the greatest television shows ever. The
best description that I can come up with for TLSS is that it's a free-form
pre-scripted reality show. The writing sparkles, the characterizations are
wonderful, and the plotlines are engaging. TV Guide recently said that
Seinfeld is the greatest tv show of all time; that might be true for a
network program that you can skip for a few minutes while you yell at the
kids or go make a sandwich, but TLSS requires your full
attention.
Garry Shandling plays Larry Sanders in this mock-talk show. Larry is the
neurotic straight-man surrounded by crazy characters and situations. Famous
celebrities wander the offices, waiting in the green room or shagging in the
prop room. Larry takes everything in stride, shooting off an acerbic remark
for everything that doesn't go his way.
TLSS is shot on video for the talk show portions, the part that is
"broadcast", while the behind-the-scenes reality parts are shot on film,
giving you a line of demarcation for what's "real" and what's "the
show".
Three actors make up the triumvirate of drama: Garry Shandling, Rip Torn,
and Jeffrey Tambor. Torn is dead-perfect as the show's producer, Artie.
With his weathered face, odd expressions, blustery voice, and bulldozer
personality he barges into rooms like he owns the place. Torn's
performances are brilliantly conceived.
Tambor plays Hank Kingsley, the insecure sidekick to Larry Sanders. With
his subtle, simmering delivery and steel-eyed glare, no one but Tambor could
play Hank. From show to show, you find yourself alternately loving and
hating him. On one show, he guest-hosts TLSS and believes that it is a
stepping-stone to his own program. He becomes a raving egomaniac and
threatens to take over the show. On a consecutive night of hosting,
however, he stumbles and falls on his face.
The writing crackles like lightning. When Artie tells Larry that he needs
to throw anxious network honchos "a bone", Larry retorts "why don't you
fake-throw and see if their heads move?" In another scene, Hank comes up to
Larry and Artie, sits down, and begins to ask a question that Artie guesses
even before it's out of Hank's mouth. "I'll bet you want to have your
wedding on the show." When Hank says, "My God, how could you possibly know
that?", Artie retorts "You should know by now that I can
see...into...your...mind." I watched that scene five times.
The only flaw in TLSS is that in every episode there is a butt joke. Sure
they're funny once in a great while, but if it comes to the point where
you're anxiously waiting for it so you can get it out of the way, then
something is wrong. I'm surprised that the writers would insert such
childish, immature jokes into an otherwise brilliantly-written
program.
Despite the show's above flaw, this series is a masterwork of humor and
drama, a fly-on-the-wall view of the production of a talk show. This is
television at its best.
5 out of 5 people found the following review useful:
Hilarious talk show satire., 13 January 2008
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Author:
Tommy Nelson from Long Beach, California
Larry Sanders has a broad range of humor. When on camera, the humor
comes from how unfunny these characters actually are in front of the
camera and how funny the audience finds it. Anyone who watches late
night talk shows can relate to the "mock show" portion of each show.
The behind the scenes, which makes up most of each episode relies on
the situations as well as the dialogue which is usually very funny and
well written, like something that would actually be said.
The characters were all very different and well written. Larry Sanders,
played subtly and brilliantly by Gary Shandling. Larry is always
smiling, whether he's happy or not. He's self centered, but not too
much of a jerk. His manager Artie (Rip Torn) is more over the top rude
and loud, but he's not an unbelievable character. Then there's Hank
(Jeffrey Tambor) who plays second banana to Larry and the talk show,
but on this show, often steals the episodes, taking many of the main
plot lines, and he is hilarious as the alternate universe Ed MacMahon.
Along with these three, there are many other less important characters,
all very funny.
Overall, Larry Sanders was usually hysterical, but when not, it was
still one of the most brilliant shows on television.
14 out of 23 people found the following review useful:
You don't need an American version of The Office - Just get into Larry Sanders!, 2 June 2005
Author:
babyned from UK
The award winning Larry Sanders show is subtle genius. Brilliantly
written, superbly acted and hilarious, it took the documentary style
comedy of Spinal Tap and re-tuned it to define a new sitcom style that
inspired many other shows including Brit comedy The Office.
It ran alongside Sienfeld during the 90s but seems to have been
overlooked by the mainstream and is in danger of slipping into
obscurity.
The series follows the days in the lives of everybody involved in the
production of a popular late night American talk show. The action
centers around the three main characters, Larry Sanders the star and
host of the show, Rip Torn's hilarious producer, Artie and the
wonderful Hank Kingsley, Larry's sidekick.
The action is split into two styles, the behind the scenes docu-drama
and the actual broadcast talk show. The two formats cleverly cut to
tell the story of the characters. I don't know how they do it but the
show is subtle and understated but at the same time fast moving and in
your face.
I haven't seen the American version of The Office yet, but I strongly
suggest that you don't even bother with it - just watch this instead.
There are at least 7 or 8 series of it and you have to watch them in
sequence too, because the stories cleverly develop and come to almost
apocalyptic climaxes.
Do it!
6 out of 9 people found the following review useful:
Larry would eat Conan O'Brien for breakfast, 26 April 1999
Author:
blahblah-3 from Indiana, USA
Sufficiently skewers the late-night circuit. The most important names in 21st century comedy were on this show. Forget Seinfeld, this was the funniest show on TV of its time, because it felt so real. Can Garry Shandling ever do another show after this? He may have shot his career in the foot after exposing the true demons that run in entertainment circles. Devastatingly funny and will be influential to many. One of a kind. "I hate you, I hate my audience, I hate this network, I hate this job, I hate myself. So, your show is on Tuesdays at 8:30 on ABC, right? We'll be right back. Stay tuned."
4 out of 6 people found the following review useful:
Absolutely the best, 31 October 2006
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Author:
caa821 from Tulsa OK
Hands down - this is my favorite television program, ever. For me, it
replaced "Columbo" (especially the earlier ones) in this regard. Built
around Garry Shandling's delightfully diverse character - the
extremely-talented on-air Larry, who is equally-neurotic in his
personal life, it presents everything one could want from any piece of
entertainment. With Jeffrey Tambor and Rip Torn perfectly-cast in their
sidekick and producer roles - there is a legion of talented others in
terms of supporting cast, and a horde of A-list celebrities appearing
as themselves, both as guests on the fictional show and in Larry's
personal life.
Whatever the assigned characteristics the writers have provided the
supporting cast and guests - sneaky, smarmy, confrontational, naive,
insincere, unpredictable, etc,, etc. - it seems that everything, every
characterization, every situation is carried-off without fault and is
thoroughly amusing. Where the situation or drama had more serious
elements, these were also well-done, without detracting from the show's
overall humor.
A major affirmation of this show's appeal, for me (if I needed one) is
that even where a guest appeared who was far from a favorite of mine
(Rosanne would be the best example) even that person was engaging in
the role within the program.
This program also was one where the "salty" language, which occurred in
abundance, always added to the quality of the programming and stories,
never seeming at all gratuitous. And another confirmation of the
quality of this series is that in its subsequent re-runs, especially on
local outlets, where many words are "bleeped," the programs are still
completely entertaining.
Certainly everyone will have certain favorite episodes. However, this
is a show which one can enjoy whenever seeing it again, whatever
episode(s) are viewed, and irrespective of how many times they may have
been seen before.
I know the participants have gone on to other separate endeavors. But
I, for one, would love to see, say, a mini-series where HBO would
present "the network" luring Larry, Artie and Hank "out of retirement,"
and having them do a series of retrospective "Larry Sanders Shows" as
part of celebration of some sort of network milestone.
One of my local stations used to run two episodes late each Saturday
night. I was able to see a few when aired, but made certain I taped all
of them to see within the following few days. I'm surprised that I
haven't already bought all of the series available on VHS or DVD, but
intend to do so in the near future. These shows are the type which,
even after multiple viewings, are more entertaining to see again than
most alternatives available for the first time
5 out of 8 people found the following review useful:
Smart & Engrossing Satire, 24 May 2001
Author:
Hotoil
Yes, late-night talk shows really are that calculated. They actually plan out the jokes that seem spur of the moment. It was interesting to learn these things in a documentary about talk shows recently, but more fun to see this reality skewered on the Larry Sanders show. Unfortunately, although it mocks late-night talk shows, it also falls into a few of their conventions. The show usually stops short for about a minute or so while the 'musical guest' on the show-within-a-show performs a song, and sometimes we have to sit through the lame monologues as well. Usually it's in the name of satire, sometimes it's puzzling. Anyway, this was much better than Seinfeld - to which it bears comparison for the similar reality base- because it was allowed to be more real and was definitely more engrossing, never relying on shtick. Plus, Gary Shandling REALLY knew when to quit - way before there was any drop-off in quality. By the time Seinfeld signed off just about everything that had made that show what it was had already faded away. Catch it on HBO Comedy if you get that channel, where it airs nightly.
1 out of 1 people found the following review useful:
Television's Great Masterpiece, 20 July 2007
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Author:
funrocket from United States
The Larry Sanders show may be the finest American television show. The
comedy always has the perfect precision and they take such great care
to small details. In one episode, Larry visits Hank's office, which he
rarely does, and Hank puts his jacket on to try to look his best,
that's the level of detail you don't see in most crap sitcoms. No
American show since has held no punches and has been so bitterly
cynical yet hilarious.
The three main actors really make the show. Garry Shandling as the good
natured but selfish and cowardly Larry Sanders really plays the perfect
vain talk show host. Jeffrey Tambor as Hank Kingsley really fleshes out
the talentless asshole sidekick who you still root for, similar to
George Costanza. Rip Torn masterfully portrays the over the top
obsequious producer with a dark streak. The simple pleasure of seeing
these three men interact is entertaining enough on its own.
The show is actually based on talk shows, you see all the politics and
show biz phoniness unvarnished. The ugliness and hypocrisy in Hollywood
will really surprise the uninitiated viewer. One wonders how much of
Larry was in Johnny Carson and how much of Hank was in Ed McMahon.
This show is a true gem that is not nearly as popular as it should be
since it doesn't pander. Any fan of intelligent programming owes it to
himself to watch this.
2 out of 3 people found the following review useful:
The Larry Sanders Show, 22 May 2005
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Author:
charlie-benjamin from United Kingdom
Larry Sanders hosts a show named after himself. At the same time, we watch a show about that show, which is also called The Larry Sanders Show. We get to see actors such as Jeff Goldblum playing themselves, and just as the show that we watch parodies the Hollywood film and television industry, so the actors parody themselves, revealing themselves to have the quirks, neuroses, and flaws that make us all human and funny. While all the characters are funny, for me, the funniest character in the show is Hank Kingsley. He worships the ground that Larry walks on, yet carries around a repressed anger and frustration at the levels of sycophancy he can't help but stoop to. He is essentially a nice person, yet can express howlingly incorrect attitudes towards women, with absolutely no insight into why women might be offended, for example when he asks Drew Barrymoore to lift her blouse for the camera. My favourite moment, of all time, was when Hank met the Wutang Clan, and tried to engage them in an urban conversation, but got the "cool" handshakes and lingo all wrong. This was simply one of the funniest comedy moments ever.
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