David Quinlan is a member of The Watchers - a secret society of scholars and historians who record the secret histories of The Immortals, but never interfere. But when David becomes ... See full summary »
Michael Jason Chandler,
Thomas La Rue
Taken from the film, Highlander, Duncan MacLeod, clansman of Connor in the film also finds he is being stalked by not only other immortals trying to kill him before the time of the gathering, but also a secret society of mortals who call themselves 'The Watchers' and also seem intent on killing him but "The Watchers" observe and record and never interfere. Duncan and the other immortals can only be killed by decapitation and often live for centuries. Written by
John Vogel <firstname.lastname@example.org>
The parts of the show supposedly filmed in America were supposed to be set in the city of Seattle. It was filmed in Vancouver, BC, during those episodes which led to the creation of the fictional town of Seacouver. See more »
Episode 1.20, "Avenging Angel", features a swordfight between immortals that appears to be on holy ground; however the site is actually a museum displaying religious artifacts from the crusades. The confusion arises because footage from this fight is seen in the opening credits of later episodes as the narrator speaks of holy ground. See more »
What do you expect? Einstein? Freud? Buddha? Sorry Joe, I'm just a guy.
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Far superior to the films, for every reason: Better venue for developing the mythos and the characters, better opportunity to explore the nature and implications of immortality, and a far superior leading man for all the reasons we choose them. Adrian Paul (who inspires whole libraries of romance novels) looks magnificent and convincing in any time period and has ALL the right moves. He's also a vastly superior actor to Christopher Lambert. It is easy to see why the producers regretted not having made Duncan MacLeod immortal in an earlier time period; not only would there have been more history to explore and a richer background for Duncan, but it would have provided more visual riches for the audience.
The series jumped the shark after season 5, which I think had some of its best episodes: "Comes a Horseman", "Revelation 6:8", "Duende", "Dramatic License", "Little Tin God". "The Stone of Scone," which has its defects, represents an episode type that this series should have done more of: a complete flashback without 20th C references. The possibilities of such episodes were a missed opportunity.
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