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Set in London in 1977, the plot takes place against the background of the Silver Jubilee. This is a buddy movie between two friends Chris and Caz who run a pirate radio station from a tower... See full synopsis »

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Cast

Cast overview, first billed only:
Valentine Nonyela ...
Chris
Mo Sesay ...
Caz
...
Ken
...
Ann
...
Tracy
...
Billibud
...
Davis
Debra Gillett ...
Jill
...
Carlton (as Eamon Walker)
James Bowers ...
Sparky
Billy Braham ...
Kelly
...
Bigsy
Danielle Scillitoe ...
Trish
Ray Shell ...
Jeff Kane
Nigel Harrison ...
Cid Man
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Storyline

Set in London in 1977, the plot takes place against the background of the Silver Jubilee. This is a buddy movie between two friends Chris and Caz who run a pirate radio station from a tower block in Dalston... See full synopsis »

Add Full Plot | Plot Synopsis

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for sexuality and language | See all certifications »
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Details

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Language:

Release Date:

6 December 1991 (USA)  »

Also Known As:

La radio pirata  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

First cinema feature of Sophie Okonedo. See more »


Soundtracks

Let's Get It Together
Performed by El Coco
Licensed Courtesy of AVI Record Productions Inc
See more »

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User Reviews

 
Good film! Especially when its intentions are understood
19 April 2006 | by (Canada) – See all my reviews

I am currently writing a paper on this film and another for one of my film classes, Topics in National Cinemas, as it was one of the films we examined. While perusing this page for certain information I needed i happened to read the previous comment that someone had posted regarding what they thought of the film.

While reading this individual's comments it occurred to me that they COMPLETELY misunderstood the film and what it set out to challenge and address. This film is NOT a murder mystery. Yes, a murder occurs and sets off the story, but it is no more essential to the plot than is the youth in a coma in La Haine (Kassovitz, 1995). Like La Haine, this film sets out to address social issues pertaining to race, class, positioning in the political landscape, and, unlike La Haine, sexuality (which seemed to greatly disturb the previous individual who posted).

Young Soul Rebels examines the social landscape of late 1970s Britain, and particularly how it affects youths within the greatly marginalized "Black" culture. It confronts issues of diaspora, through the juxtaposition of different aspects of the "Black" culture, as in the rastas working at the garage, compared with the two, funk obsessed (and much more "Afro-English") main characters. It also looks at the intersection at which certain sub-cultural borders collide, as in the Punks, the Funks, and the Reggaes, as well as Hetero and Homosexuality. Ultimately this notion of collision is key to understanding this film for what it is, which is precisely identities in collision. If the previous individual who posted had understood this, then they would have also seen how the murderer's motives implied this idea of identity collision, were driven by it and pertained more to it than to reading the film as a simple "whodunnit." In this light, you'll also find that music drives the film, both as a signifier for identities, and as an expression of them. Music is certainly an essential component to this film.

For more information regarding the issues this film juggles, and for a greater understanding of its concepts and meanings, look at the writings of Paul Gilroy, particularly his book "Ain't No Black in the Union Jack," and the film's director, Isaac Julien.


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