A monk from Tibet is sent to Hong Kong by his master. He is to recover a magical bottle to which he has the cap from a lawyer. When these items were united long ago they protected Tibet ... See full summary »
A hero cop accidentally leads his team into a trap from which he is the only survivor. Drowning his guilt in booze, he is eventually assigned a new younger partner who turns out to have his own secrets.
A country boy becomes the head of a gang through the purchase of some lucky roses from an old lady. He and a singer at the gang's nightclub try to do a good deed for the old lady when her daughter comes to visit.
Dragon is now transferred to be the police head of Sai Wan district, and has to contend with a gangster kingpin, anti-Manchu revolutionaries, some runaway pirates, Manchu Loyalists and a corrupt police superintendent.
A monk from Tibet is sent to Hong Kong by his master. He is to recover a magical bottle to which he has the cap from a lawyer. When these items were united long ago they protected Tibet from invasion by the evil Black Section of Esoteric Buddhism. The monk meets and protects a woman who is acting as the agent for the lawyer, and the Black Section fight to gain the magical bottle for themselves. Written by
Brian Rawnsley <email@example.com>
I had an itch for more martial arts action so I checked out this Yuen Biao action/fantasy film. Biao stars as Wong La, a Tibetan monk who is sent to Hong Kong to recover an ancient vase from a lawyer. Naturally there is an evil sect of Buddhists (led by Yuen Wah) that want to get their hands on it too. The first half of the film depends too heavily on some "fish out of water" and fantasy comedy (like a bit where Biao accidentally makes everyone's clothes disappear). A lot of it is reminiscent of Biao's earlier vehicle THE ICEMAN COMETH. It will turn some viewers off while others may find it funny. Personally, I enjoyed it because Biao has such a funny on screen persona. When it gets down to the action, there are some impressive scenes. Most notable is the final fight between Biao and Wah. This is only the second (and last) film that Biao ever directed. It is too bad because he certainly has a good eye and the Tibetan locations are stunning. Jackie Chan has a quick cameo in the airport scene.
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