| Michael Bell | ... | Opus (voice) | |
| Joe Alaskey | ... | Truffles / The Ducks (voice) | |
| John Byner | ... | Bill the Cat (voice) | |
| Tress MacNeille | ... | The Chicken (voice) | |
| Andrew Hill Newman | ... | Santa (voice) | |
| Robin Williams | ... | The Kiwi (voice) (as Sudy Nim) | |
| Alexaundria Simmons | ... | Ronald-Ann (voice) | |
| Frank Welker | ... | Santa Claus (voice) | |
| rest of cast listed alphabetically: | |||
| Dustin Hoffman | ... | Milquetoast the Cross-Dressing Cockroach (voice) (uncredited) | |
Directed by | |||
| Skip Jones | |||
Writing credits | ||
| Berkeley Breathed | (written by) | |
| Berkeley Breathed | (book) | |
Produced by | |||
| Berkeley Breathed | .... | executive producer | |
| Kathleen Kennedy | .... | production executive | |
| Frank Marshall | .... | production executive | |
| Peggy Regan | .... | producer | |
| Steven Spielberg | .... | executive producer (uncredited) | |
Original Music by | |||
| Thomas Chase | (as Tom Chase) | ||
| Steve Rucker | |||
Production Management | |||
| Paul B. Strickland | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Jonathan Levit | .... | assistant director | |
Sound Department | |||
| Vince Colavitti | .... | sound re-recording mixer | |
| Timothy A. Carpenter | .... | sound effects editor (uncredited) | |
Visual Effects by | |||
| Allen Foster | .... | special effects animator | |
| Don Judge | .... | special effects animator | |
| Kathleen Quaife-Hodge | .... | special effects animator | |
Animation Department | |||
| Matthew Bates | .... | animator | |
| Daniel Bond | .... | animator (as Dan Bond) | |
| Eleanor Dahlen | .... | animation checker | |
| Gavin Dell | .... | animator | |
| Sean Edberg | .... | key assistant animator (as Sean S. Edberg) | |
| Allen Foster | .... | overseas supervisor | |
| Klay Hall | .... | directing animator | |
| Patricia Helmuth | .... | animation checker (as Patricia A. Helmuth) | |
| Jon L. Hooper | .... | animator | |
| Ron Hughart | .... | directing animator | |
| Ron Hughart | .... | overseas supervisor | |
| Ethan Kanfer | .... | key assistant animator | |
| Ernie Keen | .... | animator | |
| Craig Kellman | .... | animator | |
| Ellen Kirk | .... | layout artist (as Ellen Drucker) | |
| Mark Koetsier | .... | directing animator | |
| Julianna Korsborn | .... | animator | |
| Gay Lawrence | .... | layout artist (as Gay Lawrence-Ventura) | |
| Cristi Lyon | .... | key assistant animator | |
| David McCamley | .... | background stylist | |
| Linda Miller | .... | directing animator | |
| Chris Mitchell | .... | key assistant animator (as Christopher Mitchell) | |
| Gary Mouri | .... | layout artist | |
| Cynthia Overman | .... | animator | |
| Mark Pudleiner | .... | directing animator | |
| Robert C. Ramirez | .... | animator (as Robert Ramirez) | |
| Sachiko Sato | .... | key assistant animator | |
| Marty Scully | .... | animator | |
| Brian Sheesley | .... | animator | |
| Chad Stewart | .... | animator | |
| Jennifer Stillwell | .... | key assistant animator | |
| Brigitte Strother | .... | color stylist (as Brigette Strother) | |
| Joe Suggs | .... | animator | |
| Guy Vasilovich | .... | layout artist | |
| Valerio Ventura | .... | layout artist (as Valerio Lawrence-Ventura) | |
| Thad Weinlein | .... | animation executive | |
Editorial Department | |||
| Larry C. Cowan | .... | supervising editor | |
| Sally Dixon | .... | negative cutter | |
Other crew | |||
| Mark Axton | .... | assistant coordinator | |
| Katherine Codekas | .... | production accountant | |
| Igor Khait | .... | production coordinator | |
| Jennifer Mielke | .... | production assistant | |
| Andrew Sorcini | .... | production assistant | |
| Roxy Steven | .... | production coordinator (as Roxanne Steven) | |
| Douglas Wood | .... | creative executive (uncredited) | |
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| Shrek 2 | Raising Arizona | The House of Tomorrow | Batman Returns | Scrooged |
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| Full cast and crew | Company credits | External reviews |
| IMDb Animation section | IMDb USA section |
Having never been all that enthralled with Bloom County, I watched this with some doubt-for all of about two minutes and then I was hooked. What I saw was at one and the same time funny and heart-wrenching. There are a few running gags (watch the carolers particularly) and there is a very effective use of visual imagery on the fringes. Like with Who Framed Roger Rabbit?, invariably when I watch this again, I see some little bit I've missed. Very effective use of music to set the appropriate mood throughout. And the ending is perfect! Highest Recommendation.