| JoAnne Astrow | ... | Herself | |
| Joy Behar | ... | Herself | |
| Maria Callous | ... | Herself | |
| Dreenagh Darrell | ... | Herself | |
| Ellen DeGeneres | ... | Herself | |
| Phyllis Diller | ... | Herself | |
| Mary-Anne Fahey | ... | Cast of 'Faking It' | |
| Whoopi Goldberg | ... | Herself | |
| Wendy Harmer | ... | Cast of 'Faking It' | |
| Dorothy Hart | ... | Herself | |
| Geri Jewell | ... | Herself | |
| Jenny Jones | ... | Herself | |
| Maxine Lapiduss | ... | Herself | |
| Jenny Lecoat | ... | Herself | |
| Emily Levine | ... | Herself | |
| Paula Poundstone | ... | Herself | |
| Sandra Shamas | ... | Herself | |
| Carrie Snow | ... | Herself | |
| Pam Stone | ... | Herself | |
| Deborah Theaker | ... | Herself | |
| Robin Tyler | ... | Herself | |
| Kim Wayans | ... | Herself | |
| Lotus Weinstock | ... | Herself | |
| rest of cast listed alphabetically: | |||
| Gina Riley | ... | Cast of 'Faking It' (uncredited) | |
| Magda Szubanski | ... | Cast of 'Faking It' (uncredited) | |
Directed by | |||
| Gail Singer | |||
Produced by | |||
| Susan Cavan | .... | producer | |
| Rina Fraticelli | .... | producer | |
| Signe Johansson | .... | producer | |
| Gail Singer | .... | producer | |
| Ginny Stikeman | .... | producer | |
Cinematography by | |||
| Zoe Dirse | |||
| Robert Fresco | |||
Film Editing by | |||
| Gordon McClellan | |||
Sound Department | |||
| Stuart French | .... | sound | |
Camera and Electrical Department | |||
| Robert Stecko | .... | assistant camera | |
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Canada section |
Laughter has to be one of the more effective weapons in the battle of the sexes, so it shouldn't be surprising to find so many women sharing their unique (and sometimes harsh) perspective on the stand-up comedy circuit. Instead of getting mad, these girls get funny, and this modest documentary offers a sampling of greatest hits (often below the belt) from the new generation (circa 1992) of female comedians.
But what should have been a foolproof subject for a documentary film is hurt by the routine organization of material, shortchanging some lively footage of the comics on stage plying their trade in favor of too much backstage analysis. The hit-or-miss humor speaks volumes by itself (there obviously aren't too many dead spots in a compilation film), but the best jokes ironically have nothing to do with tampons or idiot boyfriends.