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Wife, Mother, Murderer (1991)

TV Movie  -   -  Drama  -  10 November 1991 (USA)
6.8
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Ratings: 6.8/10 from 138 users  
Reviews: 5 user

The life of Audrey Marie Hilley.

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Title: Wife, Mother, Murderer (TV Movie 1991)

Wife, Mother, Murderer (TV Movie 1991) on IMDb 6.8/10

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Cast

Cast overview, first billed only:
...
Marie Hilley / Robbi / Teri
...
John Homan
...
Carol Hilley
...
Joe Hubbard
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Lieutenant Gary Carroll
Jessie Jones ...
Maggie
Mary Nell Santacroce ...
Grandma
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Frank Hilley
Robin Florence ...
Belinda
Lane Bradbury ...
Aunt Frieda
...
Bellamy
Dan Biggers ...
Corrigan
Terrence Gibney ...
Walt
...
Fowler (as James Brett Rice)
Libby Whittemore ...
Rhonda
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Storyline

Marie Hilley started out as the perfect wife and mother. Then two decades into her marriage, her husband Frank, is taken severely ill and dies soon after. Within months of his death, their daughter Carol is admitted to hospital with similar symptoms and intensive testings later reveal arsenic poisoning. In the meantime, Marie is arrested for passing bad checks and when Frank's exhumed remains reveal massive amounts of arsenic, she is promptly charged with his murder but manages to escape and remain on the run for three years. She is convicted of Frank's murder in absentia and even remarries but when she tries to fake her own death with her new identity, things quickly fall apart for her and she is arrested again. She escapes again but this time, her luck runs out and she is captured within a week and eventually dies in prison. Written by mahajanssen

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Genres:

Drama

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Details

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Release Date:

10 November 1991 (USA)  »

Also Known As:

Wife, Mother, Murderer  »

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1.33 : 1
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Did You Know?

Trivia

The scene in which the character played by Judith Light is apprehended for her crimes took place in a small shopping plaza near Vinings, a suburb of Atlanta, Georgia. Real-life policemen were stationed at all of the entrances and exits of the shopping plaza to control traffic in accordance with the requirements of the filming. The actual apprehension scene included three movie police cars racing in and screeching to a halt with their occupants, jumping out and running to assist in the arrest. During the first take of that scene, the real policemen, off-camera, laughed with great abandon, which provoked an assistant director to approach them and make inquiry. The real officers pointed out that one of the movie cops, the one played by John Archer Lundgren, had hair too long for precinct regulations. Forthwith, the director halted the filming, called for a make-up person to come on scene with scissors and chair. For the next fifteen minutes, the offending actor was given, on the spot in the middle of the parking lot, a very nice regulation haircut, while approximately fifty cast, crew and on-lookers stood around watching. See more »

Goofs

When Marie's car is burned the daughter is still in high school. This means that it is before 1978, when she graduated. The new car is a Chrysler LeBaron convertible, but they weren't sold until 1981 and the first year they were all brown. See more »

Quotes

Dr. Matt Jones: [sees lead inserted into Carol's fingers] Wait. I've read about this.
Joe Hubbard: What is it?
Dr. Matt Jones: [to a drowsy Carol] Honey? Honey, can you hear me?
[Carol nods slowly]
Dr. Matt Jones: Honey, you did this to yourself?
[she shakes her head]
Dr. Matt Jones: Somebody's trying to kill you.
See more »

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User Reviews

 
Judith Light makes the movie
20 June 2004 | by (San Francisco) – See all my reviews

Although it's impossible to know what went on in the mind of Audrey Marie Hilley as she poisoned those she loved, Judith Light is pretty good in this film. This is so obviously a television movie, since the editing looks like it was done with a meat cleaver, but there are some priceless moments in this film, chiefly among them when Marie, juggling three different identities, "dies" as Robbi and comes back as her platinum-haired twin sister Teri. Introducing herself to Robbi's co-workers is deliciously unbelievable as Teri waltzes into the employee break room and shakes hands with people she already knows. To think that the real Marie Hilley actually tried to pull this off, and successfully convinced a good number of people, is a testament to her charm. Light wisely steers clear of explaining Hilley, instead playing the character straight, letting the absurdity of the story maintain the mystery of Hilley. Not bad for a t.v. movie.


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