Late on Guy Fawkes Day, 1892, Oscar Wilde arrives at a high-class brothel where a surprise awaits: a staging of his play "Salome," with parts played by prostitutes, Wilde's host, his lover ... See full summary »
In 1926 the tragic and untimely death of a silent screen actor caused female moviegoers to riot in the streets and in some cases to commit suicide - that actor was Rudolph Valentino. ... See full summary »
The thirty year-old hard-worker Bobby Grady is married with two children with the frigid Amy Grady and their marriage is in crisis. Bobby is invited to work in the night shift for the owner... See full summary »
Story of the night that Mary Shelley gave birth to the horror classic "Frankenstein." Disturbed drug induced games are played and ghost stories are told one rainy night at the mad Lord ... See full summary »
Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion,... See full summary »
A send-up of the bawdy life of Romantic composer/piano virtuoso Franz Liszt, with ubiquitous phallic imagery and a good portion of the film devoted to Liszt's "friendship" with fellow ... See full summary »
In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
This choppy melodrama investigates the life of a prostitute in a pseudo-documentary style. The bottom line of the film is that a life of a hooker isn't easy... Written by
John Sacksteder <firstname.lastname@example.org>
"Whore" is , appropriately, a cartoonish response to "Pretty Woman". The cartoonish, satirical bent the film has (in the face of its horrific situations) is exactly what makes it so brilliant. What was so awful about "Pretty Woman" was the commodification of prostitution as something glamorous, fulfilling and rewarding; pablum to be swallowed by American masses. "Whore"'s success depends less on the performances and direction and more on the viewer's willingness to think. The ideology that Ken Russell has placed on the material is unmistakable and renders everything else about the film meaningless. It really comes down to the viewer--If you are intelligent enough as a viewer to read the subtext, you either agree with it or you don't. Personally, I love everything about it, from Teresa Russell's sarcastic, bombastic, career-wrecking performance to the simple joy of seeing Antonio Fargas on screen again, "Whore" is a great, intelligent film worth repeated viewings. The real tragedy is that this will be Ken Russell's last great film. He has lived long enough to see his wonderful style get railroaded into soft-core porn and made-for-cable sci-fi. The world would be a better place if he had been bestowed with the same luck as Paul Verhoeven.
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