Max Baron (James Spader) is a 27-year-old high flying advertising executive still recovering from the death of his wife. One night he is in a bar when he meets Nora Baker (Susan Sarandon) a... See full summary »
When Sarah walks alone along the desolate beach one day she find an unconscious man, who has been brought to land by the waves. When he awakens he doesn't remember anything. He has no name ... See full summary »
Michael, a wimpy young executive, is about to get pulverized by a jealous boyfriend in a bar when a handsome, mysterious stranger steps in--and then disappears. Later that night, while ... See full summary »
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Max Baron (James Spader) is a 27-year-old high flying advertising executive still recovering from the death of his wife. One night he is in a bar when he meets Nora Baker (Susan Sarandon) a 43-year-old waitress with a fixation on Marilyn Monroe. The couple gradually fall in love, though age and social differences mean that the path of true love is strewn with problems. Written by
Originally "White Palace" was to have been "White Castle", and in the novel specific reference is made to a real White Castle location at the intersection of S. Grand Blvd. and Gravois Ave. in south St. Louis, Mo., but the White Castle chain wouldn't give permission for their trademarked name to be used in either the novel or the movie, or allow the use of any of their restaurants for film locations. The diner used for the film's "White Palace" restaurant tried to change its name to White Palace after the film was released, but the studio refused permission, so it was renamed "White Knight" by its owners instead. It still exists and is open for business. See more »
In the beginning of the movie, when Max drives Nora home from the bar where they met, he makes a 180 turn from the place on the street where he had parked but this is before Nora tells him how to get to where she lives. How could Max have known that he had to turn around from the parking spot to head toward Nora's house? See more »
[Nora is going to meet Max's friends for Thanksgiving]
Alright, I'm gonna go in there, I'm gonna say 'Hello, my name is Nora and you can all go fuck yourselves, I'm not Janey.' How's that?
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Wonderful romance and character study between two people who live on the opposite sides of the tracks.Two strong but stereotypical people pair up and evolve into very un-stereotypical unit and try to function in a hostile enviroment. The acting in the movie is so good it surpasses the diologue. The loss and love Spader communicates with just his eyes is a sight to behold and Sarandon projects a dichotomy of neediness and strength.
This movie contains one of the best endings in movie history, right up there with Green Card. A truly uplifting movie that conveys joy, hope, and victory. What more can a woman ask for? And James Spader is a hunk!!
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