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| Bill Murray | ... | Bob 'Bobby' Wiley | |
| Richard Dreyfuss | ... | Dr. Leo Marvin | |
| Julie Hagerty | ... | Fay Marvin | |
| Charlie Korsmo | ... | Sigmund 'Siggy' Marvin | |
| Kathryn Erbe | ... | Anna Marvin | |
| Tom Aldredge | ... | Mr. Guttman | |
| Susan Willis | ... | Mrs. Guttman | |
| Roger Bowen | ... | Phil | |
| Fran Brill | ... | Lily Marvin | |
| Brian Reddy | ... | Carswell Fensterwald, M.D. | |
| Doris Belack | ... | Dr. Catherine Tomsky | |
| Melinda Mullins | ... | Marie Grady | |
| Marcella Lowery | ... | Betty, Switchboard Operator | |
| Margot Welch | ... | Gwen, Switchboard Operator | |
| Barbara Andres | ... | Claire, Dr. Marvin's Secretary | |
| Aida Turturro | ... | Prostitute | |
| Stuart Rudin | ... | Crazy Man in New York Street | |
| Cortez Nance Jr. | ... | Lobby Doorman | |
| Lori Tan Chinn | ... | Bus Driver | |
| Dennis Scott | ... | Motorcycle Cop (as Dennis R. Scott) | |
| Charles Thomas Baxter | ... | Nursing Home Guard | |
| Donald J. Lee Jr. | ... | Nursing Home Attendant | |
| Reg E. Cathey | ... | Howie, 'Good Morning America' Director | |
| Tom Stechschulte | ... | Lennie, 'Good Morning America' Producer | |
| Russell Bobbitt | ... | Good Morning America Crew Member | |
| Richard Fancy | ... | Minister | |
| Joan Lunden | ... | TV Announcer | |
| rest of cast listed alphabetically: | |||
| April Cantor | ... | (uncredited) | |
Directed by | |||
| Frank Oz | |||
Writing credits(WGA) | ||
| Alvin Sargent | (story) & | |
| Laura Ziskin | (story) | |
| Tom Schulman | (screenplay) | |
Produced by | |||
| Bernard Williams | .... | co-producer | |
| Laura Ziskin | .... | producer | |
Original Music by | |||
| Miles Goodman | |||
Cinematography by | |||
| Michael Ballhaus | |||
Film Editing by | |||
| Anne V. Coates | |||
Casting by | |||
| Glenn Daniels | |||
Production Design by | |||
| Leslie Dilley | (as Les Dilley) | ||
Art Direction by | |||
| Jack Blackman | |||
Set Decoration by | |||
| Anne Kuljian | |||
Costume Design by | |||
| Bernie Pollack | |||
Makeup Department | |||
| Fern Buchner | .... | makeup artist: New York | |
| Mary Burton | .... | makeup assistant | |
| Deborah La Mia Denaver | .... | hair stylist: Mr. Murray | |
| Romaine Greene | .... | hair stylist: New York | |
| Susan V. Kalinowski | .... | hair stylist: Mr. Dreyfuss (as Susan Kalinowski) | |
| Emanuel Millar | .... | hair stylist | |
| Matthew W. Mungle | .... | makeup artist (as Matthew Mungle) | |
| Dorothy J. Pearl | .... | makeup artist: Mr. Murray | |
Second Unit Director or Assistant Director | |||
| Cyd Adams | .... | second second assistant director | |
| Donald J. Lee Jr. | .... | second assistant director | |
| James W. Skotchdopole | .... | first assistant director | |
Art Department | |||
| Russell Bobbitt | .... | property master | |
| Daren Dochterman | .... | junior illustrator | |
| Roger G. Fortune | .... | set designer (as Roger Fortune) | |
| Douglas Fox | .... | property master | |
| Steven Gamiello | .... | lead man: New York (as Steven R. Gamiello) | |
| Robert Griffon Jr. | .... | property master: New York (as Robert J. Griffon Jr.) | |
| Donald G. Helderle | .... | construction foreman (as Don Helderle) | |
| Carol Joffe | .... | set decorator: New York | |
| Beth Kuhn | .... | art director: New York | |
| Frank B. Nieves | .... | construction foreman (as Frank Nieves) | |
| Ken Scaife | .... | construction coordinator (as Kenneth Scaife) | |
| Wayne Shepherd | .... | lead man | |
| Jonathan Bobbitt | .... | assistant property master (uncredited) | |
| Scott De Shields | .... | construction coordinator: reshoots (uncredited) | |
| Jea DeVoe | .... | stand-by painter (uncredited) | |
Sound Department | |||
| Andrew Adams | .... | cable person | |
| Bruce Bell | .... | foley mixer (as Bruce R. Bell) | |
| Denis Blackerby | .... | dubbing recordist | |
| Liz Carlin | .... | assistant sound editor | |
| John K. Carr | .... | sound editor (as John Carr) | |
| David Grannis | .... | assistant sound editor | |
| Catherine Harper | .... | foley artist | |
| Devon Heffley Curry | .... | adr editor (as Devon Curry) | |
| Pieter Hubbard | .... | sound editor | |
| David J. Hudson | .... | sound re-recording mixer | |
| Doc Kane | .... | adr mixer | |
| Kim Maitland | .... | boom operator: New York | |
| Kenneth C. Mantlo | .... | boom operator (as Ken Mantlo) | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Bill Phillips | .... | supervising sound editor | |
| John Phillips | .... | sound editor | |
| Terry Porter | .... | sound re-recording mixer | |
| Hal Sanders | .... | sound editor | |
| Scott Shadden | .... | assistant sound editor | |
| Edward M. Steidele | .... | foley artist (as Edward Steidele) | |
| Robert Warwick | .... | sound editor | |
| Ed White | .... | sound mixer | |
| Robert Gramaglia | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Richard O. Helmer | .... | special effects supervisor | |
Stunts | |||
| Bobby Burns | .... | stunts | |
| Michael Steve Jones | .... | stunts | |
| Jim Kindelon | .... | stunts | |
| Dennis Scott | .... | stunt coordinator (as Dennis R. Scott) | |
| Steve Hart | .... | stunts (uncredited) | |
Casting Department | |||
| William Dean | .... | extras casting | |
| Jill Greenberg | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jennifer Butler | .... | costumer: Mr. Murray | |
| David Dumais | .... | wardrobe supervisor: New York | |
| Julie Glick | .... | costumer (as Julie Lynn Glick) | |
| Marie Kaderback | .... | costumer | |
| Hugo Peña | .... | costume supervisor | |
| Susan J. Wright | .... | wardrobe supervisor: New York | |
Editorial Department | |||
| Christopher Cibelli | .... | assistant film editor | |
| James Garrett | .... | assistant film editor (as James A. Garrett) | |
| James D.R. Hickox | .... | assistant film editor | |
| Sandy Isaac | .... | post-production coordinator | |
| Bob Kaiser | .... | color timer (as Robert Kaiser) | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Adam P. Scott | .... | apprentice film editor | |
Music Department | |||
| Oscar Castro-Neves | .... | additional orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Nancy Fogarty | .... | music editor | |
| Darlene Koldenhoven | .... | vocal contractor | |
| Joel Moss | .... | music mixer | |
| Joel Moss | .... | music recordist | |
| Thomas Pasatieri | .... | additional orchestrator | |
Transportation Department | |||
| Randy Burke | .... | transportation captain | |
| Harry J. Leavey | .... | transportation captain: New York (as Harry Leavey) | |
| James Sweeney | .... | transportation captain: New York (as Jim Sweeney) | |
| Gaston Veilleux | .... | transportation coordinator | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Gee,...considering this is probably Bill Murray's funniest comedy and it is rated so poorly, no wonder he's recently taken to making odd and very unfunny movies. After all, with WHAT ABOUT BOB?, GROUNDHOG DAY and THE MAN WHO KNEW TOO LITTLE, he was responsible for probably three of the top comedies of the 1990s...yet all are rated relatively low on IMDb. I just don't get it.
Bob is one of the most annoying and compulsive patients any psychiatrist can have. He's needy, histrionic and sneaky, so when his brand-new therapist goes on vacation, Bob connives to find Dr. Monroe and vacation with him and the family! Now this stalking behavior isn't particularly funny, but what makes this such a great comedy is that Dr. Monroe is a sanctimonious and pompous jerk and it's fun to watch Bob make Monroe's life miserable!! Plus, unlike some comedies that let up, in this film every time you think things can't get worse for Dr. Monroe--they do!! This makes for a funny and deliciously black film--one that can't help much make you chuckle.
By the way, I was a psychotherapist and now teach psychology instead of work with patients. When the film came out, many of my colleagues were scared to death by the film because it did hit close to home, while others thought it hilarious. Having never had a patient like Bob, I guess it was pretty easy for me to laugh at the whole thing!
I have to go now--I'm about to teach my class about "death therapy".