6.8/10
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8 user 2 critic

Volere volare (1991)

Martina is a professional lady whose clients are harmless if eccentric; she sees herself as a social worker. Shy Maurizio dubs sound for cartoons while his outgoing brother dubs more saucy ... See full summary »
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5 wins & 9 nominations. See more awards »

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Cast

Credited cast:
...
Maurizio 'Sbaffino'
...
Martina
Mariella Valentini ...
Loredana
Patrizio Roversi ...
Patrizio
Remo Remotti ...
The 'Child'
Mario Gravier ...
Architect at Home #1
Luigi Gravier ...
Architect at Home #2
...
Clerk
Massimo Sarchielli ...
Chef
Osvaldo Salvi ...
Necrophyle man
Lisa Biondi ...
Necrophyle woman
Enrico Grazioli ...
Taxi driver
Mario Pardi ...
Thief
Rest of cast listed alphabetically:
Lidia Biondi ...
(as Lydia Biondi)
Valeria Cavalli ...
Woman on the street
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Storyline

Martina is a professional lady whose clients are harmless if eccentric; she sees herself as a social worker. Shy Maurizio dubs sound for cartoons while his outgoing brother dubs more saucy material and gets the girls. After Maurizio accidentally helps Martina on some of her assignations she decides to find out if he wants to help regularly. Whether or not it's the possibility of romance, Maurizio is horrified to find on their first date that his hands have been replaced by cartoon ones with minds of their own. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for nudity | See all certifications »
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Details

Country:

Language:

Release Date:

3 February 1993 (USA)  »

Also Known As:

Hånden på hjertet  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(2.0)

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Connections

Features Popeye the Sailor (1933) See more »

Soundtracks

Funeral March of a Marionette
Composed by Charles Gounod in 1872
Chosen by Alfred Hitchcock as main theme for his TV Series Alfred Hitchcock Presents (1955)
Instrumental music also included in the soundtrack of The Magic of David Copperfield VII: Familiares (1985)
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User Reviews

 
A Perfect Film for a Weekend Marathon
12 December 1999 | by (New York City) – See all my reviews

I loved "Volere Volare." It's a difficult movie to describe, and should not be categorized as simply a "foreign film" or a "comedy," because it is not wholly either. It is the absurdly original love story of a "social worker," unique in her ability to fulfill her clients' strangest sexual fantasies (but no, they are not *that* strange, for the purpose is merely to indulge the viewer by bringing to life his own never-articulated desires) without reducing the film to trite pornography. It can only be called a "Weekend Marathon Movie," because that is exactly the function it serves to a T. The characters in this movie appreciate the simple pleasures of life -- from watching our heroine shower or bathe to decorating her body in assorted frostings and candies -- which brings the movie a light-hearted tone unmatched in most pictures that delight in being dirty. The key to "Volere Volare" is its innocence, most easily seen in the eccentric sound effects expert who falls for the mysterious woman he keeps running into on the street. This movie is perfect for long film-fests put on by tired teenagers in the basements of suburbia. When I want to watch a movie with friends, the last thing on my mind is "Scream 2" or "South Park." I want something that can repeatedly surprise me; something that never considers the formula Hollywood can't shake from its unoriginal head. I want to laugh until my sides hurt, and look around the room to see I'm not alone in my amused sentiment. I want complete originality from someone unconcerned with expensive special effects and blockbuster box office grosses. I want something fresh.

"Volere Volare" might be too large a leap for many, and I know that. But it is the PERFECT movie for anyone trying to pick six or seven movies for a marathon session in front of the VCR. This is a party movie, akin to "Run Virgin Run" (which is not yet on the database) and, to a lesser extent, "Being John Malkovich" (I'm a bit hesitant to include Charlie Kaufman's brainchild, far and away the best film ever made, in such a specific category, as it is the epitomy of everything a movie should be and not just a "good party film"). I guarantee that if you rent "Volere Volare," you will be beaming by the time the credits roll.


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