IMDb > Van Gogh (1991)

Van Gogh (1991) More at IMDbPro »

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Overview

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Up 93% in popularity this week. See why on IMDbPro.
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View company contact information for Van Gogh on IMDbPro.
Release Date:
30 October 1992 (USA) See more »
Genre:
Plot:
The final sixty-seven days of Van Gogh's life is examined. Full summary » | Add synopsis »
Plot Keywords:
Awards:
2 wins & 12 nominations See more »
User Reviews:
"Warm, incomparable, quivering" See more (20 total) »

Cast

  (in credits order) (verified as complete)

Jacques Dutronc ... Vincent Van Gogh
Alexandra London ... Marguerite (Gachet)
Bernard Le Coq ... Théo Van Gogh
Gérard Séty ... Gachet
Corinne Bourdon ... Jo

Elsa Zylberstein ... Cathy
Leslie Azzoulai ... Adeline Ravoux (as Leslie Azoulai)
Jacques Vidal ... Ravoux
Chantal Barbarit ... Madame Chevalier
Claudine Ducret ... Professeur de Piano
Frédéric Bonpart ... La Mouche
Maurice Coussonneau ... Chaponval
Didier Barbier ... L'Idiot
Gilbert Pignol
André Bernot ... La Butte Rouge
Lise Lamétrie ... Madame Ravoux
rest of cast listed alphabetically:
Remy Bourgeois ... Maître de danse (uncredited)
Véronique Chevallier ... La couturière (uncredited)
Christian Dubray ... Le controleur (uncredited)
Julien Haurant ... Coco (uncredited)
Christian Maes ... Musiciens Guinguette (uncredited)
Damien Sauvestre ... Le Docteur Mazery (uncredited)
Edith Vesperini ... Les filles (uncredited)

Directed by
Maurice Pialat 
 
Writing credits
(in alphabetical order)
Maurice Pialat 

Cinematography by
Gilles Henry 
Jacques Loiseleux 
Emmanuel Machuel 
 
Film Editing by
Yann Dedet 
Nathalie Hubert 
Hélène Viard 
 
Production Design by
Philippe Pallut 
Katia Wyszkop  (as Katia Vischkof)
 
Costume Design by
Edith Vesperini 
 
Production Management
Patrice Arrat .... production manager
Patrick Lancelot .... production manager
Cristobal Matheron .... production trainee
 
Second Unit Director or Assistant Director
Fabrice Grange .... assistant director
Alain Olivieri .... first assistant director
Marie-Jeanne Pascal .... first assistant director
Christophe Vassort .... first assistant director
 
Art Department
Gilbert Pignol .... painter (uncredited)
Eric Viellerobe .... props buyer (uncredited)
 
Sound Department
Jean-Pierre Duret .... sound engineer
François Groult .... re-recording mixer
 
Stunts
Jérôme Henry Team .... stunts (as Jerome Henry)
 
Camera and Electrical Department
Paul-Claude Bessière .... key grip
Xavier Cholet .... electrician
 
Costume and Wardrobe Department
Thierry Delettre .... costume supervisor
Laurence Esnault .... costume trainee
Naima Lagrange .... wardrobe
 
Editorial Department
Pierre Molin .... assistant editor
 
Music Department
André Bernot .... music: Marche et Accordéon (as A. Bernot)
Jean-Marc Bouget .... music: Guingette (as JM. Bourget)
Jacques Dutronc .... music: Valse et Polka (as J. Dutronc)
Christian Maes .... musician: Guinguette
Philippe Reverdy .... music: Mélodie (as P. Revedy)
Alain Rupin .... musician: Guinguette
 

Production CompaniesDistributorsOther Companies
  • Le Musée d'Orsay  courtesy: Reproductions des tableaux avec l'aimable autorisation de (as Musée d'Orsay Paris, RMN)
  • Société de la Propriété Artistique et des Dessins et Modules (SPADEM)  courtesy: Reproductions des tableaux avec l'aimable autorisation de - 1991
  • ADAGP, Paris  courtesy: Reproductions des tableaux avec l'aimable autorisation de - 1991
  • Fondation Vincent Van Gogh  courtesy: Reproductions des tableaux avec l'aimable autorisation de
  • Van Gogh Museum  courtesy: Reproductions des tableaux avec l'aimable autorisation de (as Musée National Van Gogh)
  • Carnegie Museum of Art  courtesy: Reproductions des tableaux avec l'aimable autorisation de - Acquired through the generosity of Sara Mellon Scaife family, 1968 (as Carnegie Museum of Art, Pittsburg)
  • Christie's Paris  courtesy: Reproductions des tableaux avec l'aimable autorisation de
  • Detroit Institute of Arts  courtesy: Reproductions des tableaux avec l'aimable autorisation de - Bequest of Robert H. Tannahill
  • Harvard University  courtesy: Reproductions des tableaux avec l'aimable autorisation de - Bequest collection of Maurice Wertheim, class of 1906 (as Harvard University, Cambridge, Massachusetts)
  • Kunstmuseum Basel  courtesy: Reproductions des tableaux avec l'aimable autorisation de (as Oeffentliche Kunstsammlung Basel, Kunstmuseum)
  • Schweizerisches Institut für Kunstwissenschaft  courtesy: Reproductions des tableaux avec l'aimable autorisation de (as Institut Suisse pour l'Etude de l'Art)

Additional Details

Also Known As:
MPAA:
Rated R for sexuality and nudity
Runtime:
158 min
Country:
Language:
Color:
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:

Did You Know?

Soundtrack:
Le temps des cerisesSee more »

FAQ

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"Warm, incomparable, quivering", 5 December 2016
Author: Howard Schumann from Vancouver, B.C.

The life of Dutch painter Vincent van Gogh is brought to the screen by French director Maurice Pialat in his 1991 film simply titled Van Gogh. Unlike Vincente Minneli's Lust for Life which dramatized key events in the artist's life, Pialat's film is limited to the last sixty nine days of Van Gogh's life. It is a fictional film based on the director's impressions of what van Gogh's last days might have been like given his creative output. Unlike the histrionics of Lust for Life, Pialat, a painter himself for twenty years before he turned to film making, disdains sensationalism, showing Vincent as a lonely and tormented artist who had severe mood swings, ranging from kindness to roaring anger and jealousy but one who was fully capable of social and sexual interaction with others.

Pialat defends his conception by saying simply, "One doesn't produce 100 masterpieces in a state of depression--van Gogh died from having had a glimpse of happiness." The film is set in Auvers-sur-Oise where van Gogh recuperated following a self-inflicted injury to his ear after an argument with Gaugin in Arles, and after he was hospitalized at an asylum in St-Rémy for one year. The film begins with van Gogh's arrival in 1890 in Auvers, a town close to Paris where he is greeted by Dr. Paul Gachet (Gérard Séty), an art collector and homeopathic doctor who was contacted by Vincent's brother Theo (Bernard le Coq). Remarkably portrayed by French singer and actor Jacques Dutronc, van Gogh appears pale and emaciated as he takes a room at the Ravoux Inn and begins to concentrate on his work, painting a portrait of Gachet's charmingly coquettish teenage daughter, Marguerite (Alexandre London) who falls for him although he is twenty years her senior.

Not mentioned in Vincent's letter to Theo, Vincent's relationship with Marguerite may be fanciful, but as portrayed by London is convincingly real. Not intending to become a recluse, van Gogh greets Parisian friends at a gathering by the river which Gachet organizes to celebrate the artist's arrival. It is there he meets up with Cathy (Elsa Zilberstein), a prostitute he met at Arles, ensuring a love triangle that serves to highlight the painter's contradictions. As time passes in Auvers, Vincent's complicated relationship with his brother Theo and wife Jo (Corinne Bourdon) brings out his anger that Theo has only sold one of his paintings and he has had to rely on his brother for support, a situation that reinforces his sense of failure, doubt, and guilt.

In this atmosphere of recrimination in which Jo berates Theo for his handling of their finances and Marguerite denounces Vincent as sick, the painter follows his darkest instincts to commit a final self-destructive act. With Pialat's natural and improvisational style, the film Van Gogh provides a full and rich experience. Everything in the film has an authentic look and feel from the old nineteenth century trains to the country inns, the blacksmiths and the farmers. The film is alive with dances and songs, and the beauty of the surrounding fields inspires van Gogh to reflect its bright colors in his work. Many of his famous paintings are shown, although there is little discussion of the artist's technique or creative process.

Praise for the film is displayed in the letter written to Pialat by Jean-Luc Godard in 1991. "My dear Maurice," Godard says, "your film is astonishing, totally astonishing; far beyond the cinematographic horizon covered up until now by our wretched gaze. Your eye is a great heart that sends the camera hurtling among girls, boys, spaces, moments in time, and colors, like childish tantrums. The ensemble is miraculous; the details, sparks of light within this miracle; we see the big sky fall and rise from this poor and simple earth. All of my thanks, to you and yours, for this success – warm, incomparable, quivering.

Cordially yours,

Jean-Luc Godard."

A fitting tribute, indeed.

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