Van Gogh (1991)

R  |   |  Biography, Drama  |  30 October 1992 (USA)
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Reviews: 18 user | 22 critic

The final sixty-seven days of Van Gogh's life is examined.



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2 wins & 12 nominations. See more awards »
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Cast overview, first billed only:
Alexandra London ...
Marguerite (Gachet)
Bernard Le Coq ...
Gérard Séty ...
Corinne Bourdon ...
Leslie Azzoulai ...
Adeline Ravoux (as Leslie Azoulai)
Jacques Vidal ...
Chantal Barbarit ...
Madame Chevalier
Claudine Ducret ...
Professeur de Piano
Frédéric Bonpart ...
La Mouche
Maurice Coussonneau ...
Didier Barbier ...
Gilbert Pignol
André Bernot ...
La Butte Rouge


In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet's daughter Marguerite (who's half Vincent's age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite. Written by <>

Plot Summary | Add Synopsis


Biography | Drama

Motion Picture Rating (MPAA)

Rated R for sexuality and nudity | See all certifications »




Release Date:

30 October 1992 (USA)  »

Box Office


$138,720 (USA)

Company Credits

Production Co:

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Technical Specs


Sound Mix:


Aspect Ratio:

1.66 : 1
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Did You Know?


Le temps des cerises
Music by Antoine Renard
Lyrics by Jean-Baptiste Clément
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User Reviews

Understated, Underrated Masterpiece
30 October 2007 | by (Milwaukee, WI) – See all my reviews

I loved every golden minute of this film. It was honest, sensitive and respectful of the artist and anyone who loves Van Gogh's paintings and wants the fly-on-the-wall glimpse of his last days on earth will be in for a wonderful experience.

Unlike such films as "Lust for Life" with the Academy Awards so visibly in mind, this one doesn't offer any mad scenes, or pulpitizing or self-mutilation. In other words, if you are looking for Kirk Douglas chewing up the scenery or Stanley Kramer, bullhorn in hand, preaching one of his messages, or, heaven forbid, "Mondo Cane", this will be a disappointment. Unlike so many biopics of artists' lives, this one doesn't sell out to the mass audience with cheap histrionics. It dares to respect its subject and treat it humanely and humbly.

Every object, every face, every scene evokes what Van Gogh would have witnessed himself before his death. Just walking through a field evokes the thrill of recognizing the scene from one of his paintings! As undramatic as it may seem to some, it's really quite exciting for those of us who revere the artist and his work. In fact, I was actually angry at the end of the film that the beauty finally had to stop.

I would recommend this with all my heart to those viewers who love Van Gogh's paintings and are in search of a film that respects the artist in his dying days. It is moving and honest.

Curtis Stotlar

14 of 17 people found this review helpful.  Was this review helpful to you?

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