The final sixty-seven days of Van Gogh's life is examined.

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Biography

An intoxicating biopic about the art world's "mad genius" Vincent Van Gogh.

Director: Daniel Fridell
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Cast

Cast overview, first billed only:
...
Alexandra London ...
Marguerite (Gachet)
Bernard Le Coq ...
Gérard Séty ...
Corinne Bourdon ...
Jo
...
Cathy
Leslie Azzoulai ...
Adeline Ravoux (as Leslie Azoulai)
Jacques Vidal ...
Chantal Barbarit ...
Madame Chevalier
Claudine Ducret ...
Professeur de Piano
Frédéric Bonpart ...
La Mouche
Maurice Coussonneau ...
Chaponval
Didier Barbier ...
L'Idiot
Gilbert Pignol
André Bernot ...
La Butte Rouge
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Storyline

In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet's daughter Marguerite (who's half Vincent's age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for sexuality and nudity | See all certifications »
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Details

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Release Date:

30 October 1992 (USA)  »

Box Office

Gross:

$138,720 (USA)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.66 : 1
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Did You Know?

Soundtracks

Je suis Monsieur Lautrec
(uncredited)
Music and Lyrics by Bernard Le Coq and Maurice Pialat
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User Reviews

 
Van Gogh was brilliant and completely messed up, it makes for good cinema
24 March 2007 | by See all my reviews

The idea of Jacques Dutronc as Van Gogh didn't sit well with me at first. I didn't think they looked much alike and Jacques just seemed too cool and French and rock star like to pull it off. It took a few minutes to get used to, but I quickly became engrossed in the tale and the acting and was no longer wary. This film focuses on Van Gogh's last few months of life, while he went to Auvers to seek treatment from Dr. Gachet for his headaches.

Always the recluse, the daughter of Dr. Gachet is drawn to him, falls in love and follows him about, although Van Gogh seems mostly indifferent to her attention and feelings. His mental state becomes worse and worse and in his case it makes him a short-tempered, angry, difficult person. He insults his brother, his brother's wife, his girlfriend, Dr. Gachet and about everyone he knows until he finally shoots himself. The film spends an inordinate amount of time on Vincent suffering in bed with a bullet in his gut, being downright cruel to those who attempt to help or console him. How many scenes of him laying angry and in pain in his soon to be death bed do we really need.

This movie is like an avocado and bacon and watercress salad that Tyler Florence created. First you take 3 avocados (which I have come to love since I went to Chile last March) cut them in half and remove the pit. Then fry up a couple of slices of bacon and crumble them over the avocado halves. Then strew some watercress artistically across the plate. Then drizzle the whole thing with olive oil and season with salt and pepper. I find the salad great when I'm eating bites of avocado and bacon, which I generally eat first. Then I have some watercress with a few bits of bacon leftover. This is bitter and not that pleasant, so it finishes of rather poorly for me. When I'm done I mostly remember the good bites from the beginning with the creamy avocados and the salty, delicious bacon. I should just leave the watercress out and it would be excellent. 6/10 http://blog.myspace.com/locoformovies


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