A wise-cracking husband and wife team of ex-Spies arrive in New Orleans on maternity leave with their baby girl. There they are hassled by muggers, the police and their FBI boss, who wants ... See full summary »
Julia, an American woman living in Italy, becomes depressed and traumatized after her husband Paolo is killed in a car accident on their wedding day. Six years later, Julia inexplicably ... See full summary »
Peter Del Monte
Naked in New York begins in the car of grown up Jake, he is talking to us about his girlfriend, Joanne, (watch for the facial expressions) and to whom you can turn to for help while facing ... See full summary »
The thirty year-old hard-worker Bobby Grady is married with two children with the frigid Amy Grady and their marriage is in crisis. Bobby is invited to work in the night shift for the owner... See full summary »
When Ruth Matthews's husband is killed in a fall at an archaeological dig, her daughter Sally handles her father's death in a very odd manner. As Sally's condition worsens, Ruth takes her ... See full summary »
Tommy Lee Jones,
Victoria "V.I" Warshawski is a Chicago based private detective who agrees to babysit for her new boyfriend; then he is murdered. Being the detective type, she makes the murder her next case. In doing so she befriends the victim's daughter, Kat, and together they set out to crack the case. Written by
Among other changes, producers wanted to set the film in Baltimore and cast either Amy Madigan, Bette Midler or Jane Fonda as Warshawski. Paretsky, however, was thrilled with the selection of Kathleen Turner. See more »
At the scene of the tugboat explosion, the fire engine is solid red. Chicago fire engines are painted a distinct black over red design. See more »
It is remarkable to me how much affection and revulsion this watchable, incomplete misfire of a film can inspire, here among the Comments and elsewhere; I haven't seen more than a few minutes of it for several years, but did see it in a theater in its original run. Kathleen Turner as VIW is too much a flirt to conform to Sara Paretsky's portrait of her detective, but otherwise gives a decent performance that, better than the script, gets across Warshawski's toughness, wit and unwillingness to suffer fools any more than she has to. The film, as someone else noted, would've done well to be a more faithful adaptation of one of the early novels, rather than pulling bits from several and then letting the plot go completely slack by the last third. But there are nice touches, here and there; Wayne Knight was born to play the petty thug and childhood schoolmate of Warshawski. But the hastiness and corner-cutting of the production is unfortunately evident. One wonders if a second film, with a better script and crew, might've been quite good.
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