A wise-cracking husband and wife team of ex-Spies arrive in New Orleans on maternity leave with their baby girl. There they are hassled by muggers, the police and their FBI boss, who wants ... See full summary »
A social misfit, Willard is made fun of by his co-workers, and squeezed out of the company started by his deceased father by his boss. His only friends are a couple of rats he raised at ... See full summary »
Julia, an American woman living in Italy, becomes depressed and traumatized after her husband Paolo is killed in a car accident on their wedding day. Six years later, Julia inexplicably ... See full summary »
Peter Del Monte
This is the sequel to "Romancing the Stone" where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an ... See full summary »
Dallas housewife Lurene Hallett's life revolves around the doings of Jacqueline Kennedy. She is devastated when President Kennedy is shot a few hours after she sees him arrive in Dallas. ... See full summary »
Naked in New York begins in the car of grown up Jake, he is talking to us about his girlfriend, Joanne, (watch for the facial expressions) and to whom you can turn to for help while facing ... See full summary »
Bob McGraw is in his 12th year of college, goofing his way through life. Bob the slacker, Irwin the alcoholic geek, Gonzer the human food disposal and Max the ne'er do well are the four ... See full summary »
Victoria "V.I" Warshawski is a Chicago based private detective who agrees to babysit for her new boyfriend; then he is murdered. Being the detective type, she makes the murder her next case. In doing so she befriends the victim's daughter, Kat, and together they set out to crack the case. Written by
Among other changes, producers wanted to set the film in Baltimore and cast either Amy Madigan, Bette Midler or Jane Fonda as Warshawski. Paretsky, however, was thrilled with the selection of Kathleen Turner. See more »
Late in the film, Victoria "V.I." Warshawski (Kathleen Turner) returns to Smeissen's (Wayne Knight) hideout to get some information out of him. She goes upstairs to his office and, as a warning, fires her gun at a bowl of walnuts sitting on his desk. The film cuts to a reaction shot of Smeissen, then back to the wide shot. Several items on the desk have moved on their own. Most notably, the red file folder has gone from sitting under the bowl of walnuts to sitting next to it. The phone straightened itself out, and the walnuts that flew out of the bowl have drastically changed positions. See more »
A GOOD movie, (despite the panning awarded by a number of reviewers)!
I have just seen Kathleen Turnjer in "V.I. Warshawski" for the third time and, for the third time, am at a total loss to understand the panning/overall rating of 4.3 awarded to it by previous reviewers. I think the movie DOES reflect a lot of the Paretsky original novels and think Turner does a good job in portraying "the dick from the dock" in a manner which combines both respect for the literary character and the kind of gritty, down-to-earth film noir genre which the film obviously pays its debts to. This latter aspect is particularly apparent in the DIALOGUE, much of which my wife and I found hysterical and easily on a par with such remakes of Chandler as the "Farewell, My Lovely" version of the 1970s with Robert Mitchum and Charlotte Rampling. Like the letter, "V.I." is not going to be rated as "The Maltese Falcon" or "The Big Sleep" of the 1990s, but I still think it is a sound, entertaining and engaging piece of work, which does not deserve the reviews mentioned above. Now that we are past the "Blow 'em up / SFX-dominated" fayre of "Die Hard 27"or whatever, is it time for a follow-up to what was, in my view, sadly, Turner's sole donning of the red glitter shoes of V.I. with another actress in the role?
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