A wise-cracking husband and wife team of ex-Spies arrive in New Orleans on maternity leave with their baby girl. There they are hassled by muggers, the police and their FBI boss, who wants ... See full summary »
This is the sequel to "Romancing the Stone" where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an ... See full summary »
Julia, an American woman living in Italy, becomes depressed and traumatized after her husband Paolo is killed in a car accident on their wedding day. Six years later, Julia inexplicably ... See full summary »
Peter Del Monte
Victoria "V.I" Warshawski is a Chicago based private detective who agrees to babysit for her new boyfriend; then he is murdered. Being the detective type, she makes the murder her next case. In doing so she befriends the victim's daughter, Kat, and together they set out to crack the case. Written by
In an interview, author Sara Paretsky was angry over an original script that had the independent female detective subordinate to a male counterpart for fear that a female character could not hold the lead role. See more »
At the scene of the tugboat explosion, the fire engine is solid red. Chicago fire engines are painted a distinct black over red design. See more »
A GOOD movie, (despite the panning awarded by a number of reviewers)!
I have just seen Kathleen Turnjer in "V.I. Warshawski" for the third time and, for the third time, am at a total loss to understand the panning/overall rating of 4.3 awarded to it by previous reviewers. I think the movie DOES reflect a lot of the Paretsky original novels and think Turner does a good job in portraying "the dick from the dock" in a manner which combines both respect for the literary character and the kind of gritty, down-to-earth film noir genre which the film obviously pays its debts to. This latter aspect is particularly apparent in the DIALOGUE, much of which my wife and I found hysterical and easily on a par with such remakes of Chandler as the "Farewell, My Lovely" version of the 1970s with Robert Mitchum and Charlotte Rampling. Like the letter, "V.I." is not going to be rated as "The Maltese Falcon" or "The Big Sleep" of the 1990s, but I still think it is a sound, entertaining and engaging piece of work, which does not deserve the reviews mentioned above. Now that we are past the "Blow 'em up / SFX-dominated" fayre of "Die Hard 27"or whatever, is it time for a follow-up to what was, in my view, sadly, Turner's sole donning of the red glitter shoes of V.I. with another actress in the role?
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