When high school dropout Maria Coughlin announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so ... See full summary »
The end of the millenium has taken on a certain significance in modern day prophecies. What happens if Jesus Christ has second thoughts about the Apocalypse? It is December 31, 1999 and New... See full summary »
A ten-years-later continuation of Hal Hartley's "Henry Fool", where Fay Grim (Posey) is coerced by a CIA agent (Goldblum) to try and locate notebooks that belonged to her fugitive ex-husband (Ryan). Published in them is information that could compromises the security of the U.S., causing Fay to first head to Paris to fetch them ...
Henry and Fay's son Ned sets out to find and kill his father for destroying his mother's life. But his aims are frustrated by the troublesome Susan, whose connection to Henry predates even his arrival in the lives of the Grim family.
After serving time for murder, Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did, but they are all wary of him, especially Audry's ... See full summary »
Robert John Burke,
A series that is comprised of twenty-one monologues written by American playwrights which form a sort of fractured portrait of the American collective psyche. Ranging from the sad to the ... See full summary »
When high school dropout Maria Coughlin announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so Maria is left alone and homeless. This is when she meets Matthew Slaughter. Matthew is an educated high school graduate with a great talent for fixing electronic devices, but he can't hang on to a job because of his principled attitude towards quality. When Maria accepts Matthew's offer to help her, they begin to form a relationship with each other in which both of them begin to change. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Even though she plays a teenager in it, when this movie was filmed Adrienne Shelly was actually 24 years old. See more »
I'm looking at this guy, right? And I looked at him a lot before. So now I know that I have this little piece of him actually in me. Physically in me, and it makes me feel completely different, I don't know, sort of special or something. So I'm talking to him... I'm talking to him and I realize, I'm, I'm talking to him, and I realize that he doesn't even see me. And I'm wondering what it was he was seeing when he did this. I go over it in my head, and now I know what it was he was seeing. It's ...
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wonderful, horrible, mystical, hyper-realistic ride of a movie
This is the film that made the film world (well, a tiny corner of the film world, anyway) sit up and take notice of an up-and-coming filmmaker named Hal Hartley. Trust exists as a unique little motion picture, a movie which creates a world which manages to be both ridiculous and real at the same time, a mixture mirroring the absurdity which, often times, dominates the structure of actual life. The most remarkable thing about this movie, though, is its ability to craft a charmingly sweet love story in the center out of what seems to be utter emptiness. Martin Donavan and Adrienne Shelley portray two characters, the likes of which I would challenge you to find carbon copies of anywhere in celluloid history. They are real, honest sketches of humanity, and with them Hartley is able to explore why and how we fall in love, and whether you agree with his interpretation of what is love, his love story comes across loud and clear. I once had a professor who claimed there are no new stories to be told. Well, I think Mr. Hartley may have stumbled across one...no, make that, calculatedly made one.
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