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|Index||20 reviews in total|
9 out of 10 people found the following review useful:
Entertaining enough, 4 August 2003
Author: Lunar Jetman from United Kingdom
I picked a Laserdisc edition of this film up on ebay recently, simply
because I was never aware that Lenny had acted in anything other than
Personally, I thought the film was entertaining enough.... Lenny stars as actor wannabee 'Miles Pope' who is on the run from the mob after finding out that local good guy 'Leland Carver' is in fact a wanted criminal who is assuming a new identity after plastic surgery. Aided by his friend Duane, who is a movie make up artist, Miles is transformed into a White guy so he can escape a hit-man sent by Carver. However, once Miles has dispatched him, he then takes on the role as the hit-man himself, in a bid to undercover the truth about Carver and expose him to the FBI.
The makeup that transforms Lenny into a white guy is very well done, however, his attempts at an American accent are less successful. The film has some good comedy moments, and some great one-liners, and it is a shame that it didn't do very well at the box office, in my opinion Lenny is a talented bloke and could have done so much more with his film career. So, to summarise: Nothing ground breaking here, and certainly no Oscars were missed but if you have nothing to do for an hour and a half you could do far worse than watch this. A fun little movie.
5 out of 5 people found the following review useful:
Better than you might expect, 4 December 2005
Author: MovieAddict2013 from UK
Watching "True Identity," I was somehow reminded of an old "Saturday
Night Live" Eddie Murphy skit where he disguised himself as a white
man, then walked around New York City in makeup, realizing that when no
black people are around, white people like to get funky.
At first I thought it was just a basic idea that bore resemblance, until two gags used in Murphy's skit were used in the film, and I started to wonder how they had ever gotten away with ripping off his materal. Then I realized that the writer of the film, Andy Breckman, used to write for "SNL," and that the film was an unofficial spin-off of Murphy's skit.
The problem with "SNL" spin-offs is that they take a successful five-minute paper-thin gag and stretch it out to full length. Mary Katherine Gallagher was never very funny, but her skits were watchable; whoever decided to put her oddball, unlikable character into a movie was nuts.
Luckily, even though it is far from being a great motion picture, "True Identity" has its fair share of good moments, which include British comedian Lenny Henry getting to dress up as a white guy and pose as an Italian-American mobster hit-man, then posing as James Brown's brother. (One of Murphy's trademark characters on "SNL" was his impersonation of James Brown in "James Brown's Hot Tub.")
Miles Pope is an aspiring actor living in the big city with hopes of becoming the lead in "Othello." When he boards a plane, he finds himself seated next to a strange man named Leland Carver. When the plane starts to plummet, Carver (played by Frank Langella) admits that he used to be a criminal, who was believed to have died in an explosion, but in reality survived, had facial alterations, and "spent thousands setting up a new identity." Of course, the plane then regains itself, leaving Miles with the knowledge that he will probably be chased by the gangster's hit men. So his only option is to disguise himself as a white man.
This is essentially a very weak setup, with a truly ridiculous and contrived plot (like a mobster would admit his real persona for no reason whatsoever). But the movie does have a fair amount of fun, and a few good belly laughs, including the opening scene. "You need to get to your roots," a director of a play tells Miles. "Act more black." "But black people don't act like this anymore!" Miles says. The director doesn't care, so Miles tries to portray a stereotypical black man. The result is very funny.
The film, as a whole, is completely harmless and serves its purpose. It's entertaining, with a silly plot but a good amount of funny scenes. Henry is able to show off how good he is at comedy while we are entertained. And for the record, his "white man makeup" was much more convincing than Murphy's.
4 out of 4 people found the following review useful:
Undemanding nonsense that might do the job for some viewers but generally not that funny, 28 May 2006
Author: bob the moo
On his way to an audition, second-rate actor Miles Pope finds himself
sat next to a businessman with connections to the acting world.
However, during an extremely severe bit of turbulence, everyone assumes
they will die and the confessions start with Leland Carver confessing
to Miles that he is really a wanted mobster (Frankie Lucino) assumed
dead but hiding thanks to loads of plastic surgery. Of course when the
plane doesn't crash, Carver is keen to keep his secret a secret and
Miles finds himself on the run from a hit-man hired by Frankie.
Few people will come to this film hoping for much; indeed judging by the votes on this site it would appear that few people have come to this film at all. The plot sets up lots of material to be furiously milked and the writers don't disappoint as they take every strained setup they can and wring it dry. The fact that the plot is silly and forced will be no surprise to anyone but this was a price that I was willing to pay in this type of film in exchange for laughs. Sadly the film isn't actually that funny; it has some good moments but they are in the minority compared to the rest of the film that is mostly just so-so.
Henry's white makeup is impressive but once the novelty value has worn off there isn't a great deal left. His mimicry is good but his character voice (an American accent for Miles) is weak and generally his performance is only OK. His main problem is with the weak material he is given to work with; I'm not a big fan of him generally but he can do better than this. Langella is OK in support but not given that much to do although his role is massive compared to the wasted presence of JT Walsh. Lane is pretty poor not sure if he was trying to make himself the comedy Spike Lee but it didn't work.
Overall this is a pretty average film at best, but it isn't at its best that often. It is undemanding nonsense that will please some viewers and the white makeup is impressive but it must be said that the majority of viewers will find this comedy rather lacking in laughter and wit. Mindless stuff all round.
7 out of 10 people found the following review useful:
Highly amusing., 23 February 2003
Author: MovieAlien from az
Lenny Henry (`Chef!') is a struggling outer borough actor in NYC who
accidentally gets aquianted with a mob boss (Frank Langella) who is
to be dead. Convinced that his life is in peril, he has his make-up artist
friend transform him from a black man to a white/Italian man and hilarious
I picked this up at a used record store on video used for $1.99. Don't know what happened to the tape, but if you see it listed for even ten bucks it's definitely a keeper.
2 out of 2 people found the following review useful:
Why did it bomb? its not that bad at all!, 18 May 2004
Author: grunsel from United Kingdom
Its the shame this movie bombed at the box office, it really not that bad at all! The script and direction is maybe so so, but as a first major role for Lenny Henry, he really should have got more movies out of this. Not forgetting that he had a great support cast who did the best with what they had, making a still amusing film at the right time of day. I thought the make up/transformation of Henry was quite amazing and funny and perhaps has been over looked under appreciated ?, (Then again its brilliance may have caused certain people some discomfort?). To sum up,great cast,dodgy script and slightly wobbly direction but still worth seeing.
3 out of 4 people found the following review useful:
Fantastically Funny Farce, 19 January 2005
Author: David (daddydow) from Michigan, USA
This one movie and the BBC Television series CHEF are my only
connection with Lenny Henry, however I am a fan of his work on both
I haven't seen this movie on DVD as it is not released on Region 1 discs as of yet, I truly hope it is planned as I would love to own this title on DVD.
My remarks are based on the VHS version, tattered and torn as it is.
This film will keep you laughing and engaged from beginning to end, there are enough SNL-ish interactions between the characters to have caused a copyright infringement suit ;)(just kidding).
The first time I watched this film it was truly ground breaking in a sense of character and timing, at least in my opinion (not having had much exposure to BBC TV/Celebs). His (Lenny Henry) off beat characters and persona(s) throughout the film are engaging and remarkably funny.
Miles Pope seems to be the sort of guy you would not mind helping should he require it, although knowing ahead of time what kind of help he would need with regards to this film would surely have slowed my response time.
However from the beginning plane ride on through the ending sequence this movie keeps me interested and laughing, a must see comedy for all ages based upon my perspective.
Please, if anyone has any pull with the powers that be, have this title released on Region 1 DVD as soon as possible, thanks.
a flimsy scenario further undermined by weak writing, 11 January 2011
Author: Michael Neumann from United States
A struggling New York City actor enlists the help of a movie make-up artist after finding himself on mafia boss Frank Langella'a hit list (never mind why). The idea was suggested by an old Saturday Night Live skit featuring Eddie Murphy in Caucasian drag, and that one joke is expanded here by its original author into a contrived action-comedy partially redeemed by the enthusiastic efforts of a talented cast, led by newcomer Lenny Henry. The British comedian takes advantage of his feature film debut with an engaging comic performance, highlighting his gift for mimicry while disguised (courtesy of some astonishing prosthetic make-up) as a reluctant white man. But the feature length padding is all too obvious, and it's hard to ignore the script's TV roots when every labored plot complication seems sit-com inspired. To its credit the film doesn't pretend to be anything more than an amusing diversion, but the limited comic potential of the source material is such that the funniest scene (with Henry masquerading as James Brown's younger brother) has nothing to do with the racial identity-switch plot hook.
Laugh with Lenny, 24 October 2010
Author: bartireid from United Kingdom
The comedic verve of Lenny Henry has flourished on both stage and
television over 35 years for one of Britain's most loved entertainment
personalities. However Dudley's finest son has never managed to
translate his talent on to the big screen with much success. One of
Lenworth's few attempts to break into Hollywood came in the 1991
release True Identity.
True Identity is a Comedy/Crime effort that owes much of it's scope and design to Beverly Hills Cop (1984), which will generate comparisons for those who have seen White Chicks (2004). Henry plays a struggling actor who involuntarily ends up on the Hit List of a want away Mafia crime boss played expertly by Frank Langella. To avoid assassination Henry utilises the make-up prowess of a neighbour to turn himself into a white man, whilst teaming up with burned out FBI agent Houston (JT Walsh).
Lets get something True Identity isn't the greatest work you'll ever see, but somehow the film kind of pulls off something worth watching, Henry's talent is obvious and with help from the supporting cast manages to get mileage out of the gags that do work, and the film delivers it's message while hovering around some potentially sensitive themes without ever taking itself too seriously.
Lenny Henry deserves better material, 11 March 2009
Author: HallmarkMovieBuff from United States
The first half hour of this movie could have been shortened by fifteen
minutes -- too many minutes are used in set-up. It doesn't start
getting good until Frank Langella comes along. Then it gradually
improves as it goes along, and reaches and sustains its peak toward the
end, starting when Henry introduces his alternate character.
There is a somewhat large and famous supporting cast, and for awhile one wonders why so many well-known actors would sign on, but by the end, their involvement becomes justified, although some are not given much to do.
This would make a good TV movie, but it would take a lot of bleeping. Too much of the F-word, for example.
True Identity, 19 April 2006
Author: Jackson Booth-Millard from United Kingdom
*** This review may contain spoilers ***
When I heard of Lenny Henry being the main star of a comedy film, I was obviously pretty impressed, same with when I actually watched his performance. Basically Miles Pope (Henry) wants to be an actor in the new Othello play, and he has had trouble getting the part, as James Earl Jones seems to be the one they will consider, he is only a replacement if he can't. Anyway, Miles has more trouble as he upset the member of a gang, and everyone thought he was dead, Leland Carver (Frank Langella). So to hide from him, he disguises himself as a white man who Leland thinks is hired to kill Pope. The comedy comes from both Henry as a white man, and the characters that he can create as an actor, being an actor. Also starring Charles Lane as Duane, J.T. Walsh as Houston, Anne-Marie Johnson as Kristi, Andreas Katsulas as Anthony, Michael McKean as Harvey Cooper, Peggy Lipton as Rita and Bill Raymond as Grunfeld. Henry does a fantastic impression of James Brown. Good!
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